第一篇：原創書評：《九棟》讀后感

原創書評：《九棟》讀后感

落塵

初讀九棟，我很費解，沒有華麗的辭藻，沒有苦心經營的鋪陳，亦沒有浩浩蕩蕩的氣勢，有的只是平淡與平和。

就像是一個小孩子，靜靜地講述著他的故事。

沒有太多的情感在其中，大多是幼年的懵懂，好奇，對事物的直觀感受。

它只是一本書，一本以九棟為環境的一部日記。

那是什么讓這樣一本小說集受人歡迎呢？

由于它的作者是鄒靜之嗎？

由于大家對它的宣傳的盲目推崇嗎？

我覺得不是。

有讀者告訴鄒靜之，盡管那個時代已經遠去，但書中故事里有一種“本質”的東西，沒有隨著時間變化而變化。

唔，本質，也許就是書寫時的從容、自然，還有平和。

對，就是平和。

平和之處出真實。

這種平和，真實，作者稱之為“自然元素”.“我個人喜歡帶有自然元素的文字。最常規的溫暖、幽默，包括苦難都是自然的，而市井的、所謂宏大構思，是非自然的。自然元素穿透時間的力量特別大，它不會因為某個事件和政治形式的過期而使文學喪失光彩。”

我還是想將它稱為平和。

那些名垂千古的詩篇，如陶淵明，悠然而淡泊；如李白，絢麗而傲氣；如杜甫，悲憫與擔當；如蘇軾，豪放而淡然；如李清照，婉約與幽怨……這些作者，都有著他們自身的特點，而他們用詩篇將這種特點揮灑而出，讓世人、后人，嘆為觀止，心生敬慕。

平和自然也是其中的一種。

雖不如李白的絢麗多彩，不如杜甫的沉重，不如李清照的婉約，但它就在那里，靜靜地看著，不悲，不喜，不怒，不怨，這，也是一種頗為難得的意境。

我向往平和，它能穿透千年時間，一下子打動一個人的內心，它就是最本質的、接近自然元素的東西，它不被時間左右，不管一千年兩千年，總會作用到人的身上。

《九棟》寫作于上世紀八十年代末到九十年代初。當時鄒靜之住在愛人單位分的一間小平房里，小平房里隔出來一個小廚房，廚房里有一張餐桌，那里就是鄒靜之寫作的空間。每天上午，家人出門去了，陽光照在餐桌，他就開始在餐桌上用方格紙寫作，“所有的語氣、所有的感覺是從容的、投入的、沉浸的”,鄒靜之這樣形容自己當時的狀態。在后來的寫作以及成為知名編劇之后，鄒靜之常努力尋找當年寫《九棟》那些故事時的感覺，卻都找不到了。在創作由嚴歌苓小說《陸犯焉識》改編的電影劇本《歸來》時，他原本覺得在自己很滿意的兩處寫作中也許能找到當年寫作的感覺，但最后仍然找不能到，“情調和個人的悲苦都不是《九棟》的特點。”

不談情調，無關個人悲苦。

旨在記錄時代，記錄一個孩童的所見所聞。

令人羨慕的平和。

而這種平和，在我看來，也就是最大的情懷。

平和不是淡漠，淡漠是漠視生命，不在乎外物，以自我為中心，而平和是釋然，恰如佛家的心境。

我時常在想，什么是真實，我終于在《無問西東》之中找到了答案：

“做什么和誰在一起，你看到什么聽到什么，有一種從心靈深處滿溢出來的不懊悔也不羞恥的平和與喜悅。”

對，平和，與真實是分不開的——浮躁只會讓人迷茫，迷茫會讓人困惑，分不清虛實，步入虛妄。

讀這本《九棟》，我不能說我得到了太多，但我能感受到平和，發覺此刻的我才是真的我。

合上書，書中的內容雖有些模糊，但那種平和的心境卻揮之不去。

拈花一笑，萬物皆釋然。

提筆一書，真實躍紙上。

平和蘊真實。

第二篇：洛麗塔書評 讀后感

洛麗塔

她的笑容，在海邊的小木屋里綻放，潔白的蕾絲褲邊，和女孩的青春一樣甜蜜、美好。

她的死亡，是所有災難的開端，美好的事物背后似乎總是隱藏著巨大的破壞力和毀滅性。

“洛麗塔，我生命之光，我欲念之光，我的罪孽，我的靈魂，洛麗塔，舌尖向上分三步，從上腭往下輕輕落在牙齒上，洛、麗、塔。”他說。

當她在花園里遇到一位衣衫被花灑淋濕卻依然踮起雙腳看著畫報的時候，他知道，他的光，他的火，他的罪惡與靈魂最真實的黑暗，在那個瞬間全部復活了。

后來的情節，出乎意料但也是在情理之中。

他被這個小妖女給迷惑了，無法自拔，傾注了所有的疼愛和妥協，一個男人，幾乎用了他的全部，來試圖保存這一份亂倫之愛。

洛麗塔的嬌媚、調皮，在畫面上跳動著，呼之欲出。而終于，她要離開了，但就算在受過許多苦難之后，她再一次找到他，卻只是為了錢。當洛麗塔無情出走之后，再次見面的他說，你一碰我，我就死了。

當日如花妖女，現在只剩下枯枝還鄉。蒼白、世俗、臃腫、腹中骨肉是別人的，但是我愛她，她可以褪色，可以凋零，怎樣都可以但是我只要看她一眼，就好似萬般柔情，涌上心頭。

面對已經懷孕的她，他心里的聲音依舊是

“我望著她，望了又望。一生一世，全心全意，我最愛的就是她，可以肯定，就象自己必死一樣肯定??她可以褪色，可以枯萎，怎樣都可以。但我只望她一眼，萬般柔情，便涌上心頭......”

他給她錢，要她跟他走。她依然執意不肯。她是從未愛過他的。他終于明白過來。老淚縱橫，掏盡身上所有的錢、所有的支票都給她然后倉皇地離開。

這些話，令人心痛。看完整部影片，我沒有感受到絲毫的罪惡感，沒有對Humbert有憎恨和唾棄。雖然，從道德觀念上看，他的行為令人難以接受，而實際上，他只是去愛了美好的事物而已，而已。

也許是因為人不可抑制的情欲，也許是因為個中的欺騙和背叛，又或者，是因為愛情本身，它無關年齡，就注定是一場劫難和宿命，人與生俱來的原罪。

每一份深刻的愛情，只要不是邪惡的，都不該被詛咒。

袁婧馨

第三篇：《紅字》書評 讀后感

Book Review Of The Scarlet Letter

The Scarlet Letter offered an extraordinary thinsight into the norms andbehavior of the 17

century in American Puritan society.The female who gave birth to a baby out of wedlock would be jailed for three months and sentenced to wear a symbol of her adultery—a scarlet “A” on her dress all the time.It concerned about the moral, emotional and psyschological effect of sin on people in general.It was not a simply love story but a story of sin.The Scarlet letter by Nathaniel Hawthorne used the scarlet letters to symbolize the harshness ofPuritan society, showing that how they branded sinners for life.thThe story happened in Boston in 17 century.It narrated love affairs between three person, One was the punished woman Hester Prynne, the other was his husband who called himself Roger Chillingworth.He was an old misshappen man and a doctor.Hester did not love him at all.Another man was a young minister, Dimmesdale, who had a high position

among ministers and was highly respected among his people in town.Hester and Dimmesdale loved each other.But their love was forbidden at that time.It was sinful.Due to this, Hester was punished by society with a letter A on her chest, which considered an evil and a shame.In this novel, the mainline seemd to be around the letter A.Hester was brave enough to face the cruel reality.She was always with a mind of courage.She had been alone with her child for so long, with little communication.Shame!Hopelessness!Loneliness!Hester had to wear the letter A day after day, seven years as for punishment and ill fame.When a woman had lived through a difficult experience, her character changed a great deal.If she been all tenderness, she would die.If she survived, the tenderness would leave her.Hester?s charitable deeds and quite humility had earned her a reprieve from the scorn of the community.The letter on her chest represented

her work on earth, always helping others, without excepting any thanks.Never afterwards, did that scarlet letter leave her chest.The townspeople no longer view the letter as a punishment, but rather as representing her great strength and bravery and they said it means ?Able?.But Arthur Dimmesdale, his sin against Hester and Pearl was that he would not acknowledge them as his wife and daughter in the daylight.He kept his dreadful secret from mysterious heart trouble, seemingly caused by psychological distress, what's worse, he was an advisor to the townspeople about their sins.After Mr.Dimmesdale?s death, no one changed more in appearance than Roger Chillingworth.All his strength and energy had been used to harm his patient.This unhappy man aimed to add to the suffering of the young minister.When the evil old man no longer had such a purpose, the devil took him back to the hell.It is a curious subject of observation,however, whether hatred or love are not of the same place.Each takes a great deal of emotion from one person.The two feelings seem basically the same, except that one is smiled upon by God, while the other is worshipped by the devil.The two lovers had ever decided to flee to Europe, where they could live with their daughter Pearl as a family.They felt a sense of release there.However, their plan failed.When Hester died, she was buried next to Dimmesdale.The two shared a single tombstone with a deep colored letter A shining brightly.What stuck me when I read this, and remains with me today,is that it is those who presume to punish sin who are the real sinners, Chillingworth?s life is one devoid of human feeling, devoid of any real joy as he lies in the stone cold bed of hatred and revenge.And to a lesser extent so it is with Dimmesdale who cannot forgive himself, who secretly flagellates himself so that his life becomes a hell on earth.On the other hand there is Hester who finds forgiveness and love with good works and in the jioy of her beautiful and precious Pearl and in her unstinting love for Dimmesdale and her hope and faith that a better life will come.09英語2班

鄧楚欣

第四篇：《紫色》書評 讀后感

Reviews of The Color Purple

As a girl, Celie, struggles through life while she slowly matures into a woman, she discovers the irony and hatred associated with life.This woman's life — her personal journal forms the incredibly well written story, The Color Purple.However, this story's meaningful content comes with a price: graphic sexual content and inappropriate language.Putting this aspect aside, The Color Purple's interesting plot twist kept me hooked throughout the story;I wanted to keep reading, and read I did, until I felt too tired to keep my eyes open.The Color Purple informs readers of the harsh lives of African American women who lived in the early 1900's.Terrible examples of the discrimination they received permeate this story, but they help to convey the author's message: no matter what happens, if you have hope, you will get through the tough times.Celie, the protagonist in this book, sets an example for everyone in the world today.Her husband constantly abuses her mentally, physically, and sexually；yet she never gives up hope, never stops dreaming of a better life, and in the end she learns how to live, learn, and love.After I finished reading this story, I began to appreciate many of the possessions I once took for granted.I finally

realized the cold hard reality of pain in this world, and even though I may think I can't live through another day, compared to many other people, my problems are non-existent.09英語2班

鄧楚欣 Chrisdina

第五篇：中國文脈讀后感書評

中國文脈讀后感書評

我平時讀書，喜歡挑作者，喜歡挑書的封皮。

寒假里，閱讀組推薦了幾部書，我先上網搜了一下所有書目的介紹，打算選出自己比較喜歡的來讀。第一眼，我就看到了余秋雨的名字，毫不猶豫先搜尋了他的《中國文脈》，屏幕上，黑色的封皮，厚重典雅，配以一簇大紅的零星碎片在左下角，撩撥著我的心，所以當即拍下了這本書。這部書一共分三個部分：

一是中國文脈。余秋雨先生追溯到了我國古詩的源頭——《詩經》，還談到了諸子百家中的老莊孔孟，從體裁上來看還賞析了楚辭、秦碑、漢賦等；然后縱橫大唐詩文，點評南唐李煜，盛贊了宋代豪放詞風及愛國情懷。隨后，他論元雜劇、明清小說，最后來到近現代，回望了王國維、陳寅恪等學者。這一路寫來，就像一把梳子把中國雜亂的文學史按年代、體裁及歷史作用清晰地梳理開來，讓我的腦中的歷史文學知識立即呈立體狀。

二是筆墨歷史。作者縱覽歷史，回望過往，從甲骨金文，一直寫到清代和近代。寫了漢字之于其他語言的不同之處。它的書寫是一種集體人格程序，有風范和表情，不僅是集體的審美，更有韻致，推進了文化的美學品格。漢字千年，歷久彌堅，漢語魅力，當并不只遣詞達意，更須在用典引文、在修辭造境之上。

三是用了三個話題來說中國的上古時代，從猜測皇帝到感悟神話，然后寫殷墟甲骨，考古記事。余先生回溯了黃帝和炎帝的時代，他列舉了很多史家對于上古中國歷史的質疑，認為華夏文明皆是外來，或者，認為上古根本不存在什么三皇五帝，都是后人的神話傳說。

以我的學識，讀起本書來覺得有些費勁，但卻有一種“高山仰止，景行行止”的感覺。我通過閱讀本書，把上大學時期學到的古代文學史回顧一遍，又親近了中國歷史。在品讀“中國文脈”的過程中，似乎能從余秋雨先生的文字中聽到中國古人的呼吸，感受到他們身上的體溫。循著這條脈絡，我感覺自己好像在探尋自己生命和文化的源頭。余秋雨先生說自己想通過梳理中國文化的脈絡來重塑人格，我想他做到了，對于我而言，我讀過他的這本書后就深深地感受到自己的精神像被一位高深的長者智者導引著，忘記了眼下的喧鬧與物欲，忘記了世俗的紛擾，只想徜徉于中國文化的洪流中，去感受、去思索、去探尋、去收獲，這不正是重塑自己人格嗎？想來，在當今社會中能讓人擺脫紛繁陸離的世界，精心潛讀的書籍真的不是很多呀！對于中國文字，我雖然每天都在教，但是它的演變、他的美、他的精髓我從未想過，讀了本書，我剎那間發現原來漢字竟然是一種藝術，感謝余秋雨先生帶我領略了一座如此令人目不暇接的藝術寶庫，作為一名語文老師，我還可以把這座寶庫的鑰匙交給學生，讓他們也同我一樣感受中國漢字的魅力，這是一件多么好的事情啊！至于最后的一部分內容，我只做了了解性的閱讀，覺得他有很多歷史的專業知識，我有些看不懂。最受益的還是前兩個部分的內容。

網上評述《中國文脈》是“最好看的中國文學簡史”，我想這個評論一點都不為過。