第一篇：關(guān)于書評和讀后感

關(guān)于書評和讀后感

王長來

上周給學(xué)生布置的題目是寫一篇讀書筆記，為了開闊思路，并沒有如以往一般要求是去讀名著名家的作品，只說寫你喜歡的書。然而交上來的東西卻讓我有些失望，轉(zhuǎn)而深思。一貫以來我們總是板著面孔作文，名著也不是不好，名家也不是不值得去研究，然而對于學(xué)生來說，卻總是如同咸亨酒店的氣氛，讓人活潑不得，長久下來竟成了寫讀書筆記的規(guī)矩。這次有意讓學(xué)生放開了寫，絕大部分同學(xué)還是端著一本正經(jīng)的架子，滿紙慷慨激昂，或者“深思”，又或者“感動”，卻未必見到真情實感。甚至如學(xué)生最喜愛的武俠、奇幻、言情之類的感想，也多寫得八股文一般，讓人哭笑不得。

其實讀后感真的不應(yīng)該刻意要求什么，讀后感應(yīng)該是一個人讀書之后記錄下的感想，別人怎么可以評價自己的心情？所以我只能說一些讀后感（評論）討巧的寫法，并不覺得這是讀后感的正途。

首先是觀點。要想引人注目，標(biāo)題要好，觀點要勁爆。當(dāng)然不是要你胡編亂造，而是在邏輯的基礎(chǔ)上注重一個新字。越是好的，越為眾人熟悉，你講個平平淡淡的觀點，只怕首先輸?shù)粢话搿Ｓ^點新而

有力，別人才有看的欲望。可以參考下這類題目，比如林妹妹是萬貫家財，比如韋小寶是個帥哥，首先就讓人有瞅上一眼的欲望。

有了觀點，論證一定要有力，千萬不能讓感情控制住自己的筆。就像一個MM，你在寢室成天叨念美啊漂亮啊，一臉陶醉。兄弟們都想聽聽咋個漂亮法，你又不說，翻來覆去就是一句真漂亮啊，非被打死。寫評寫一樣，不能老把觀點拿出來說，感情沖動之時下筆往往是情感的激蕩而忽略了細節(jié)，建議稍稍平靜下再寫。

論證的時候，要么大量引用書中原句和情節(jié)，微言大義地分析，要么就是揣度人物心理性格，一切分析合情合理，自然能說服讀者相信你的觀點。如果能讓他們覺得“原來如此，我怎么沒想到”，那文章就成功了。

但觀點不是時時都能出新，里面的句子也早被人用濫，人家的心得評論寫得比原著多了不知多少，比如《四書》《紅樓夢》，那就剩兩樣：感情和文筆。

不能說理了，咱就抒情吧。也是那千古流傳人盡皆知的主題，只要文筆得當(dāng)，大家還是愿意隨著你的文字去重溫舊夢。除了情，穿插著書中的情節(jié)，將那些大家都知道唯獨書中人物當(dāng)局者迷的東西說出來，就像讀者自己在說一般。不是每個人都有能力寫出自己所思所想，有人幫他說了，自然舒服。

這是相當(dāng)考驗文字能力的。因為大眾化的感情觀點人人可以寫，只有人家文筆沒你好，你抒出去的情能引起共鳴，別人的不可以時候，你才能不泯然眾人。

還有一種方式，就是用理論去解析文章。個人來說，我并不喜好這種文章。一是分析需要很多理論去支撐，高中階段很難掌握這么多條條條框框，若是少少的，又難免班門弄斧之嫌，更怕用得不當(dāng)被老師認為半罐水響叮當(dāng)。另外，你要知道讀你文章的人也不一定就知道那么多理論，或許看了會佩服會覺得高深，但不一定喜歡。同樣的，你喜歡歷史小說還是歷史課本？再者，理論未免枯燥，很難引起讀者共鳴，人家想來找知己說說心里話，結(jié)果遇上一堆看不懂的東西，怕是又會損失一批支持者了。

自然，用這個要求衡量學(xué)生作文有些偏高，然而我們總是要給出一個方向，避免這連篇累牘地歌功頌德。那些名家名篇未必需要你去贊揚什么，而我卻希望你們在讀書的時候，得到一點屬于自己的東西。

第二篇：洛麗塔書評 讀后感

洛麗塔

她的笑容，在海邊的小木屋里綻放，潔白的蕾絲褲邊，和女孩的青春一樣甜蜜、美好。

她的死亡，是所有災(zāi)難的開端，美好的事物背后似乎總是隱藏著巨大的破壞力和毀滅性。

“洛麗塔，我生命之光，我欲念之光，我的罪孽，我的靈魂，洛麗塔，舌尖向上分三步，從上腭往下輕輕落在牙齒上，洛、麗、塔。”他說。

當(dāng)她在花園里遇到一位衣衫被花灑淋濕卻依然踮起雙腳看著畫報的時候，他知道，他的光，他的火，他的罪惡與靈魂最真實的黑暗，在那個瞬間全部復(fù)活了。

后來的情節(jié)，出乎意料但也是在情理之中。

他被這個小妖女給迷惑了，無法自拔，傾注了所有的疼愛和妥協(xié)，一個男人，幾乎用了他的全部，來試圖保存這一份亂倫之愛。

洛麗塔的嬌媚、調(diào)皮，在畫面上跳動著，呼之欲出。而終于，她要離開了，但就算在受過許多苦難之后，她再一次找到他，卻只是為了錢。當(dāng)洛麗塔無情出走之后，再次見面的他說，你一碰我，我就死了。

當(dāng)日如花妖女，現(xiàn)在只剩下枯枝還鄉(xiāng)。蒼白、世俗、臃腫、腹中骨肉是別人的，但是我愛她，她可以褪色，可以凋零，怎樣都可以但是我只要看她一眼，就好似萬般柔情，涌上心頭。

面對已經(jīng)懷孕的她，他心里的聲音依舊是

“我望著她，望了又望。一生一世，全心全意，我最愛的就是她，可以肯定，就象自己必死一樣肯定??她可以褪色，可以枯萎，怎樣都可以。但我只望她一眼，萬般柔情，便涌上心頭......”

他給她錢，要她跟他走。她依然執(zhí)意不肯。她是從未愛過他的。他終于明白過來。老淚縱橫，掏盡身上所有的錢、所有的支票都給她然后倉皇地離開。

這些話，令人心痛。看完整部影片，我沒有感受到絲毫的罪惡感，沒有對Humbert有憎恨和唾棄。雖然，從道德觀念上看，他的行為令人難以接受，而實際上，他只是去愛了美好的事物而已，而已。

也許是因為人不可抑制的情欲，也許是因為個中的欺騙和背叛，又或者，是因為愛情本身，它無關(guān)年齡，就注定是一場劫難和宿命，人與生俱來的原罪。

每一份深刻的愛情，只要不是邪惡的，都不該被詛咒。

袁婧馨

第三篇：《紅字》書評 讀后感

Book Review Of The Scarlet Letter

The Scarlet Letter offered an extraordinary thinsight into the norms andbehavior of the 17

century in American Puritan society.The female who gave birth to a baby out of wedlock would be jailed for three months and sentenced to wear a symbol of her adultery—a scarlet “A” on her dress all the time.It concerned about the moral, emotional and psyschological effect of sin on people in general.It was not a simply love story but a story of sin.The Scarlet letter by Nathaniel Hawthorne used the scarlet letters to symbolize the harshness ofPuritan society, showing that how they branded sinners for life.thThe story happened in Boston in 17 century.It narrated love affairs between three person, One was the punished woman Hester Prynne, the other was his husband who called himself Roger Chillingworth.He was an old misshappen man and a doctor.Hester did not love him at all.Another man was a young minister, Dimmesdale, who had a high position

among ministers and was highly respected among his people in town.Hester and Dimmesdale loved each other.But their love was forbidden at that time.It was sinful.Due to this, Hester was punished by society with a letter A on her chest, which considered an evil and a shame.In this novel, the mainline seemd to be around the letter A.Hester was brave enough to face the cruel reality.She was always with a mind of courage.She had been alone with her child for so long, with little communication.Shame!Hopelessness!Loneliness!Hester had to wear the letter A day after day, seven years as for punishment and ill fame.When a woman had lived through a difficult experience, her character changed a great deal.If she been all tenderness, she would die.If she survived, the tenderness would leave her.Hester?s charitable deeds and quite humility had earned her a reprieve from the scorn of the community.The letter on her chest represented

her work on earth, always helping others, without excepting any thanks.Never afterwards, did that scarlet letter leave her chest.The townspeople no longer view the letter as a punishment, but rather as representing her great strength and bravery and they said it means ?Able?.But Arthur Dimmesdale, his sin against Hester and Pearl was that he would not acknowledge them as his wife and daughter in the daylight.He kept his dreadful secret from mysterious heart trouble, seemingly caused by psychological distress, what's worse, he was an advisor to the townspeople about their sins.After Mr.Dimmesdale?s death, no one changed more in appearance than Roger Chillingworth.All his strength and energy had been used to harm his patient.This unhappy man aimed to add to the suffering of the young minister.When the evil old man no longer had such a purpose, the devil took him back to the hell.It is a curious subject of observation,however, whether hatred or love are not of the same place.Each takes a great deal of emotion from one person.The two feelings seem basically the same, except that one is smiled upon by God, while the other is worshipped by the devil.The two lovers had ever decided to flee to Europe, where they could live with their daughter Pearl as a family.They felt a sense of release there.However, their plan failed.When Hester died, she was buried next to Dimmesdale.The two shared a single tombstone with a deep colored letter A shining brightly.What stuck me when I read this, and remains with me today,is that it is those who presume to punish sin who are the real sinners, Chillingworth?s life is one devoid of human feeling, devoid of any real joy as he lies in the stone cold bed of hatred and revenge.And to a lesser extent so it is with Dimmesdale who cannot forgive himself, who secretly flagellates himself so that his life becomes a hell on earth.On the other hand there is Hester who finds forgiveness and love with good works and in the jioy of her beautiful and precious Pearl and in her unstinting love for Dimmesdale and her hope and faith that a better life will come.09英語2班

鄧楚欣

第四篇：《紫色》書評 讀后感

Reviews of The Color Purple

As a girl, Celie, struggles through life while she slowly matures into a woman, she discovers the irony and hatred associated with life.This woman's life — her personal journal forms the incredibly well written story, The Color Purple.However, this story's meaningful content comes with a price: graphic sexual content and inappropriate language.Putting this aspect aside, The Color Purple's interesting plot twist kept me hooked throughout the story;I wanted to keep reading, and read I did, until I felt too tired to keep my eyes open.The Color Purple informs readers of the harsh lives of African American women who lived in the early 1900's.Terrible examples of the discrimination they received permeate this story, but they help to convey the author's message: no matter what happens, if you have hope, you will get through the tough times.Celie, the protagonist in this book, sets an example for everyone in the world today.Her husband constantly abuses her mentally, physically, and sexually；yet she never gives up hope, never stops dreaming of a better life, and in the end she learns how to live, learn, and love.After I finished reading this story, I began to appreciate many of the possessions I once took for granted.I finally

realized the cold hard reality of pain in this world, and even though I may think I can't live through another day, compared to many other people, my problems are non-existent.09英語2班

鄧楚欣 Chrisdina

第五篇：中國文脈讀后感書評

中國文脈讀后感書評

我平時讀書，喜歡挑作者，喜歡挑書的封皮。

寒假里，閱讀組推薦了幾部書，我先上網(wǎng)搜了一下所有書目的介紹，打算選出自己比較喜歡的來讀。第一眼，我就看到了余秋雨的名字，毫不猶豫先搜尋了他的《中國文脈》，屏幕上，黑色的封皮，厚重典雅，配以一簇大紅的零星碎片在左下角，撩撥著我的心，所以當(dāng)即拍下了這本書。這部書一共分三個部分：

一是中國文脈。余秋雨先生追溯到了我國古詩的源頭——《詩經(jīng)》，還談到了諸子百家中的老莊孔孟，從體裁上來看還賞析了楚辭、秦碑、漢賦等；然后縱橫大唐詩文，點評南唐李煜，盛贊了宋代豪放詞風(fēng)及愛國情懷。隨后，他論元雜劇、明清小說，最后來到近現(xiàn)代，回望了王國維、陳寅恪等學(xué)者。這一路寫來，就像一把梳子把中國雜亂的文學(xué)史按年代、體裁及歷史作用清晰地梳理開來，讓我的腦中的歷史文學(xué)知識立即呈立體狀。

二是筆墨歷史。作者縱覽歷史，回望過往，從甲骨金文，一直寫到清代和近代。寫了漢字之于其他語言的不同之處。它的書寫是一種集體人格程序，有風(fēng)范和表情，不僅是集體的審美，更有韻致，推進了文化的美學(xué)品格。漢字千年，歷久彌堅，漢語魅力，當(dāng)并不只遣詞達意，更須在用典引文、在修辭造境之上。

三是用了三個話題來說中國的上古時代，從猜測皇帝到感悟神話，然后寫殷墟甲骨，考古記事。余先生回溯了黃帝和炎帝的時代，他列舉了很多史家對于上古中國歷史的質(zhì)疑，認為華夏文明皆是外來，或者，認為上古根本不存在什么三皇五帝，都是后人的神話傳說。

以我的學(xué)識，讀起本書來覺得有些費勁，但卻有一種“高山仰止，景行行止”的感覺。我通過閱讀本書，把上大學(xué)時期學(xué)到的古代文學(xué)史回顧一遍，又親近了中國歷史。在品讀“中國文脈”的過程中，似乎能從余秋雨先生的文字中聽到中國古人的呼吸，感受到他們身上的體溫。循著這條脈絡(luò)，我感覺自己好像在探尋自己生命和文化的源頭。余秋雨先生說自己想通過梳理中國文化的脈絡(luò)來重塑人格，我想他做到了，對于我而言，我讀過他的這本書后就深深地感受到自己的精神像被一位高深的長者智者導(dǎo)引著，忘記了眼下的喧鬧與物欲，忘記了世俗的紛擾，只想徜徉于中國文化的洪流中，去感受、去思索、去探尋、去收獲，這不正是重塑自己人格嗎？想來，在當(dāng)今社會中能讓人擺脫紛繁陸離的世界，精心潛讀的書籍真的不是很多呀！對于中國文字，我雖然每天都在教，但是它的演變、他的美、他的精髓我從未想過，讀了本書，我剎那間發(fā)現(xiàn)原來漢字竟然是一種藝術(shù)，感謝余秋雨先生帶我領(lǐng)略了一座如此令人目不暇接的藝術(shù)寶庫，作為一名語文老師，我還可以把這座寶庫的鑰匙交給學(xué)生，讓他們也同我一樣感受中國漢字的魅力，這是一件多么好的事情啊！至于最后的一部分內(nèi)容，我只做了了解性的閱讀，覺得他有很多歷史的專業(yè)知識，我有些看不懂。最受益的還是前兩個部分的內(nèi)容。

網(wǎng)上評述《中國文脈》是“最好看的中國文學(xué)簡史”，我想這個評論一點都不為過。