第一篇：王宏2011年設(shè)計(jì)師年終總結(jié)報(bào)告

2011年設(shè)計(jì)師年終總結(jié)報(bào)告

在忙碌和期望中，2011年即將結(jié)束。在年終歲尾的時(shí)候，不由得回首昨天，展望今天，期待明天。

回首初到公司到現(xiàn)在已經(jīng)4個(gè)月有余，當(dāng)初的情景歷歷在目。初見公司還在裝修，但我從公司的裝修標(biāo)準(zhǔn)和各方面的要求看來，這里覺得是一個(gè)有著國際性想法和動(dòng)力的公司。所以這也就成就我來這里工作的想法，希望和KOK這個(gè)品牌一起成長。

到這里工作的期間，遇到了很多未成想象的阻力。這也是我在別的品牌沒有遇到過的。雖然以前的路很平穩(wěn)，很順暢，待遇也豐厚。但我覺得一個(gè)人更需要的是思想的提升，前進(jìn)的動(dòng)力。這才是最重要的。在這幾個(gè)月的時(shí)間里，充分的了解公司的內(nèi)在文化和精神倡導(dǎo)。在諸位領(lǐng)導(dǎo)的帶領(lǐng)下，領(lǐng)略了大品牌的魅力。創(chuàng)新和精益求精。更堅(jiān)定了我想進(jìn)步的動(dòng)力。

作為廣州市意大利奇美旗（香港）休閑用品有限公司，能夠成為其中一名員工，我深感榮幸。在此工作的期間，感受到了領(lǐng)導(dǎo)的信任，同事的互助，團(tuán)隊(duì)的協(xié)作。現(xiàn)將在此期間工作情況作如下的總結(jié)：

在設(shè)計(jì)上，過去的設(shè)計(jì)過于時(shí)裝休閑，所以在很多設(shè)計(jì)上比較飄，設(shè)計(jì)的風(fēng)格上更是喜歡偏愛自己的喜好。很多時(shí)候沒有好好靜下來想設(shè)計(jì)，只是想快點(diǎn)出成績。急于求成，最后圖紙畫了很多，還是整盤皆輸，從這讓我認(rèn)識(shí)到在這樣要求高，精，尖的設(shè)計(jì)公司里，要想創(chuàng)造精品中的精品，更是需要靜下心去想設(shè)計(jì)的真正含義，首先對(duì)于款式風(fēng)格靈魂的表現(xiàn)更是需要認(rèn)真的分析，其次對(duì)于顏色的運(yùn)用更是需要有深度。在次要分析高端人群的需求。通過過去的鞋子，讓我認(rèn)識(shí)到，一只鞋子的完美體現(xiàn)，哪怕是一個(gè)小小的細(xì)節(jié)，都需要我們付出百倍的努力，這才能成就出一只精品的鞋子。

在心態(tài)上總是想著多多益善，這是設(shè)計(jì)工作中最不可取的，畫龍點(diǎn)睛最重要。2012年是令人期待的一年，我希望，在新的一年里，有新的開始，我更是要總結(jié)過去，眺望未來。分析失敗的原因，和工作中的不足。多借鑒其他大品牌的設(shè)計(jì)，不斷充實(shí)自己，在工作之余多關(guān)注市場(chǎng)的發(fā)展形式，根據(jù)本企業(yè)的發(fā)展理念，設(shè)計(jì)出大氣、獨(dú)特迎合市場(chǎng)的產(chǎn)品。力爭在下一個(gè)季度里，設(shè)計(jì)出真正符合公司靈魂的鞋子。

在新的一個(gè)季度里。

一.形體上要多偏向于中跟顯修長的頭型。

二.皮料顏色上要沉穩(wěn)大方。皮料的質(zhì)地上要柔軟，多采用打蠟皮，擦色皮。配皮已羊絨為主，漆皮，花皮，蛇皮特殊材料為輔。

三.飾扣上采用質(zhì)感強(qiáng)烈，線條上要簡單優(yōu)美。

四.底花上要以真皮大底為主，配以車線，雕刻，烙印，與不同材質(zhì)不同創(chuàng)意的結(jié)合。增強(qiáng)底花的實(shí)用性，可觀性。

五.款式上要盡量簡潔大方，多運(yùn)用線條，局部的點(diǎn)綴，細(xì)節(jié)上需要巧妙的變化。工藝上要精湛，一絲不茍。

時(shí)間是無窮的，競(jìng)爭是殘酷的。只有不斷的完善自己，才能更好的更優(yōu)秀在更好環(huán)境里生存。鋼鐵的紀(jì)律預(yù)示著非凡的成績，以極高的工作熱情全身心地投

入工作中去。在此，我希望2012的工作邁上一個(gè)新的臺(tái)階。在龍年里為公司貢獻(xiàn)出自己應(yīng)有的一份力量。

意大利奇美旗（香港）休閑用品有限公司

設(shè)計(jì)師：王宏

2012年1月12日

第二篇：實(shí)習(xí)總結(jié)報(bào)告20131932王宏

西 南 交 通 大 學(xué) 信 息 科 學(xué) 與 技 術(shù) 學(xué) 院

通 信 工 程 專 業(yè)

工 程 實(shí)習(xí)報(bào) 告

——總 結(jié) 報(bào) 告

年 級(jí): 2013 學(xué) 號(hào): 20131932 姓 名: 王 宏 專 業(yè): 通信工程

二零一六年七月

一、實(shí)習(xí)的內(nèi)容

本次實(shí)習(xí)分為校內(nèi)實(shí)習(xí)和校外實(shí)習(xí)。校內(nèi)實(shí)習(xí)：

1.（1）FPGA基礎(chǔ)實(shí)驗(yàn)： 學(xué)習(xí)使用硬件描述語言 VerilogHDL 建模組合邏輯和時(shí)序邏輯模塊。學(xué)習(xí)使用 Quartus II 軟件進(jìn)行 FPGA 工程設(shè)計(jì)。學(xué)習(xí)使用 ModelSim 軟件對(duì) FPGA 設(shè)計(jì)進(jìn)行仿真。學(xué)習(xí)使用 FPGA 開發(fā)板。學(xué)習(xí)使用 SignalTapⅡ工具觀測(cè)和分析設(shè)計(jì)結(jié)果。主要包括計(jì)數(shù)器，半加法器，邏輯位運(yùn)算器，數(shù)據(jù)選擇器，移位寄存器。

（2）偽隨機(jī)序列發(fā)生器設(shè)計(jì)：掌握偽隨機(jī)序列的概念、性質(zhì)和產(chǎn)生原理。學(xué)習(xí)使用 VerilogHDL 硬件描述語言對(duì)邏輯設(shè)計(jì)建模。熟悉 FPGA 開發(fā)設(shè)計(jì)的流程。主要是m序列發(fā)生器建模，仿真，開發(fā)板驗(yàn)證。

（3）載波信號(hào)發(fā)生器設(shè)計(jì)：了解模擬信號(hào)的數(shù)字表示方法。學(xué)習(xí)正余弦查找表的原理、應(yīng)用和建模方法。學(xué)習(xí)FPGA 模塊化設(shè)計(jì)。了解 FPGA 芯片和數(shù)模轉(zhuǎn)換器（DA）相互配合的工作方式。

體會(huì)硬件設(shè)計(jì)的思想和原則。

2.點(diǎn)對(duì)點(diǎn)光傳輸組網(wǎng)：了解 SDH 傳輸?shù)幕靖拍睢⒓軜?gòu)和技術(shù)性能。了解 Optix155/622 型光傳輸交換機(jī)的結(jié)構(gòu)和性能。學(xué)習(xí)點(diǎn)對(duì)點(diǎn)組網(wǎng)的連接方式。學(xué)習(xí)點(diǎn)對(duì)點(diǎn)組網(wǎng)的電話業(yè)務(wù)和數(shù)據(jù)業(yè)務(wù)的配置方法。

3.VLAN互通配置：VLAN（Virtual Local Area Network）即虛擬局域網(wǎng)，通過將局域網(wǎng)內(nèi)的設(shè)備邏輯劃分成一個(gè)個(gè)網(wǎng)段，從而實(shí)現(xiàn)虛擬工作組。VLAN 技術(shù)是將一組有著相同需求的計(jì)算機(jī)工作站從邏輯上劃分到同一個(gè)虛擬局域網(wǎng)，它與物理上組成的局域網(wǎng)有著相同的屬性。正由于它是邏輯的而不是物理的劃分，因此同一個(gè) VLAN 內(nèi)的各個(gè)工作站無需被放置在同一個(gè)物理空間里，也就是說這些工作站可以屬于不同的物理 LAN 網(wǎng)段。同一個(gè) VLAN 內(nèi)的端口可以實(shí)現(xiàn)二層報(bào)文的互通，不同 VLAN 之間的端口二層是隔離的，即一個(gè) VLAN 內(nèi)的廣播和單播流量不會(huì)轉(zhuǎn)發(fā)到其他 VLAN 中，這樣有助于控制流量、減少設(shè)備投資、簡化網(wǎng)絡(luò)管理、提高網(wǎng)絡(luò)的安全性。

4.基于 MATLAB 的 MIMO 傳輸仿真：本課程設(shè)計(jì)的目的是了解移動(dòng)通信關(guān)鍵技術(shù)了解數(shù)字通信系統(tǒng)仿真流程，學(xué)會(huì)用Matlab 實(shí)現(xiàn)基本的調(diào)制解調(diào)、無線信道等通信模塊。學(xué)習(xí)并實(shí)現(xiàn) MIMO 空時(shí)處理技術(shù)，通過本次實(shí)踐學(xué)習(xí)和掌握性能分析的思路和方法。產(chǎn)生瑞利衰落信道，畫出其 pdf 曲線，并與標(biāo)準(zhǔn)瑞利分布 pdf 曲線進(jìn)行對(duì)比；產(chǎn)生均勻分布的二進(jìn)制信源，對(duì)其進(jìn)行 QPSK 調(diào)制，在單發(fā)單收?qǐng)鼍跋拢抡嫒鹄诺繯PSK 調(diào)制的誤碼率性能；產(chǎn)生兩路獨(dú)立等概均勻分布的二進(jìn)制信源，分別對(duì)其進(jìn)行 QPSK 調(diào)制，在 2 ? 2場(chǎng)景下，假設(shè)信道為獨(dú)立同分布的瑞利信道，仿真采用迫零均衡時(shí) MIMO 傳輸?shù)恼`碼率性能；產(chǎn)生獨(dú)立等概均勻分布的二進(jìn)制信源，對(duì)其進(jìn)行 QPSK 調(diào)制，在1 ? 2場(chǎng)景下，假設(shè)信道為獨(dú)立同分布的瑞利信道，仿真采用最大比合并時(shí)空間分集的誤碼率性能；產(chǎn)生獨(dú)立等概均勻分布的二進(jìn)制信源，對(duì)其進(jìn)行 QPSK 調(diào)制，在1 ? 3 場(chǎng)景下，假設(shè)信道為獨(dú)立同分布的瑞利信道，仿真采用最大比合并時(shí)空間分集的誤碼率性能。

校外實(shí)習(xí)：

主要是關(guān)于Java語言開發(fā)安卓手機(jī)的軟件，幫助將學(xué)校的知識(shí)用到工作中。

二、心得體會(huì)

通過這次工作實(shí)習(xí)，讓我學(xué)到了很多課堂上更本學(xué)不到的東西，仿佛自己一下子成熟了 許多，懂得了做人做事的道理，也懂得了學(xué)習(xí)的意義，時(shí)間的寶貴，人生的真諦。明白人世 間一生不可能都是一帆風(fēng)順的，要勇敢去面對(duì)人生中的每個(gè)驛站！這讓我清楚地感到了自己 肩上的重任，看清了自己的人生方向，也讓我認(rèn)識(shí)到了工作中應(yīng)該有仔細(xì)認(rèn)真的工作態(tài)度，要有一種平和的心態(tài)和求知的精神，不管遇到什么事都要總代表地去思考，多聽別人的建議，不要太過急燥，要對(duì)自己所做事去負(fù)責(zé)，不要輕易的去承諾，承諾了就要努力去兌現(xiàn)。單位 也培養(yǎng)了我的實(shí)際動(dòng)手能力，增加了實(shí)際的操作經(jīng)驗(yàn)，對(duì)實(shí)際的文秘工作的有了一個(gè)新的開 始，更好地為我們今后的工作積累經(jīng)驗(yàn)。我知道工作是一項(xiàng)熱情的事業(yè)，并且要持之以恒的品質(zhì)精神和吃苦耐勞的品質(zhì)。

在學(xué)校，只有學(xué)習(xí)的氛圍，畢竟學(xué)校是學(xué)習(xí)的場(chǎng)所，每一個(gè)學(xué)生都在為取得更高的成績而努力。

在這里是工作的場(chǎng)所，每個(gè)人都會(huì)為了獲得更多的報(bào)酬而努力，無論是學(xué)習(xí)還是工作，都存在著競(jìng)爭，在競(jìng)爭中就要不斷學(xué)習(xí)別人先進(jìn)的地方，也要不斷學(xué)習(xí)別人怎么做人，移提高自己的能力。記得老師曾經(jīng)說過大學(xué)是一個(gè)小社會(huì)，但我總覺得校園里總少不了那份純真，那份真誠，盡管是學(xué)學(xué)搞笑，學(xué)生還終歸保持著學(xué)生的身份，而走進(jìn)企業(yè)，接觸各個(gè)的客戶，同事，上司等等，關(guān)系復(fù)雜。得去面對(duì)從未面對(duì)過的一切。在實(shí)際工作中，可能會(huì)遇到書本上沒學(xué)到的，又可能是書本上的只是一點(diǎn)都用不上的情況。或許工作中運(yùn)用到的只是很簡單的問題，只要套公式是的就能完成一線任務(wù)，有時(shí)候我會(huì)埋怨，實(shí)際操作這么簡單，但為什么書本上的知識(shí)讓人學(xué)的這么吃力呢？這是社會(huì)與學(xué)校脫軌了嗎？也許老是是正確的。雖然大學(xué)生生活不像踏入社會(huì)，但總算是社會(huì)的一部分，這是不可佛人的事實(shí)。作為一個(gè)新世紀(jì)的大學(xué)生，應(yīng)該懂得與社會(huì)上各方面的人交往，處理社會(huì)所發(fā)生的各方面的事情，這就意味著大學(xué)生要注意到社會(huì)實(shí)踐，社會(huì)實(shí)踐必不可少。畢竟，四年大學(xué)念完后，我已經(jīng)不再是一名大學(xué)生，是社會(huì)中的一份子了。要與社會(huì)交流。為社會(huì)做貢獻(xiàn)。只懂得紙上談兵是遠(yuǎn)遠(yuǎn)不及的，以后的人生旅途是漫長的，為了鍛煉自己成為一名合格，對(duì)社會(huì)有用的人才，多接觸社會(huì)是很有必要的。

這次實(shí)訓(xùn)我覺有以下幾點(diǎn)好處：

1.幫助我們鞏固在學(xué)校的知識(shí)，將這些知識(shí)運(yùn)用到工作中。2.借助自己了解了自己的潛力和定位。3.幫助我們學(xué)習(xí)了企業(yè)的氛圍。

4.幫助自己了解了一些職場(chǎng)的規(guī)則和注意事項(xiàng)、這次實(shí)訓(xùn)的不足之處：

1.社交能力差。在校專業(yè)學(xué)習(xí)不錯(cuò)，表現(xiàn)很好。但性格內(nèi)向、拘謹(jǐn)。進(jìn)入實(shí)習(xí)就業(yè)崗位后，由于不善交談和表現(xiàn)，很難融入到新的集體 2.動(dòng)手能力差

3.自己還是不能很好的運(yùn)用自己在學(xué)校學(xué)到的知識(shí)。

三、實(shí)習(xí)的建議

1.學(xué)校應(yīng)該多組織這種，把學(xué)到的知識(shí)用到工作中。2.實(shí)習(xí)前應(yīng)該對(duì)Java語言進(jìn)行一個(gè)提前的基礎(chǔ)培訓(xùn)。

第三篇：王宏杰 工作總結(jié)

工作總結(jié)

時(shí)光荏苒，歲月如梭，轉(zhuǎn)眼間2017年已接近尾聲。2017年是系統(tǒng)體制改革、ETC收費(fèi)車道順利開通的關(guān)鍵年。一年里，我們?cè)谑召M(fèi)工作上取得了一定的成績，但是離所要達(dá)到的目標(biāo)還有一定的距離。作為收費(fèi)班長，我深知自身應(yīng)該要擔(dān)當(dāng)起的責(zé)任。在帶好班集體，為領(lǐng)導(dǎo)分憂解難，做好收費(fèi)班管理等工作上應(yīng)在多下功夫，為大時(shí)尼奇收費(fèi)工作做出貢獻(xiàn)。關(guān)于一年工作，我做如下總結(jié)：

一．班組工作

我們收費(fèi)一班，共有收費(fèi)員7名，監(jiān)控員3名。我們都在為了同一個(gè)目標(biāo)而努力，這個(gè)目標(biāo)就是要把收費(fèi)工作給做好，努力成為站級(jí)甚至是局級(jí)優(yōu)秀班集體。一年里，我們班從收費(fèi)業(yè)務(wù)、文明服務(wù)、安全生產(chǎn)、工作紀(jì)律、打擊逃費(fèi)與超限車輛、加強(qiáng)學(xué)習(xí)等方面展開工作。

1.收費(fèi)業(yè)務(wù)

收費(fèi)業(yè)務(wù)的好壞直接影響收費(fèi)工作的順利開展。我們每月有目標(biāo)、有計(jì)劃、有步驟的學(xué)習(xí)和考核，熟悉掌握各類收費(fèi)政策及操作流程。努力提高應(yīng)對(duì)突發(fā)事件、特殊事件能力，保證收費(fèi)現(xiàn)場(chǎng)的暢通。

2.文明服務(wù)

收費(fèi)亭做為站所形象的窗口，我們的一言一行、一舉一動(dòng)都代表著站所以及局里的形象。我們班要求每一個(gè)成員都嚴(yán)格做好文明服務(wù)，做到每一輛車必須做到唱收唱付，著裝整潔統(tǒng)一，面帶微笑、說文明用語。

3.安全生產(chǎn)

我在工作中時(shí)刻恪守“安全意識(shí)”，嚴(yán)把安全觀，嚴(yán)格按照局里和收費(fèi)站要求做好安全工作，經(jīng)常組織學(xué)習(xí)安全知識(shí)及應(yīng)急安全演練。按時(shí)按標(biāo)準(zhǔn)完成班組安全日志、安全學(xué)習(xí)、安全檢查、安全會(huì)議，積極做到全年零事故。

4.工作紀(jì)律

無規(guī)矩不成方圓，經(jīng)常組織本班同志學(xué)習(xí)各項(xiàng)規(guī)章制度，做到人人都嚴(yán)格要求自己。平時(shí)工作從小事做起、從細(xì)節(jié)抓起，杜絕各類違紀(jì)違規(guī)現(xiàn)象的發(fā)生，當(dāng)班期間，堅(jiān)決不做與工作無關(guān)的事情。

5.打擊逃費(fèi)與超限車輛

在打擊逃費(fèi)與超限車輛方面，尤其是沖卡車方面收效甚微，還需要改進(jìn)工作方法和力度。

6.加強(qiáng)學(xué)習(xí)

今年是系統(tǒng)體制改革、ETC收費(fèi)車道順利開通的關(guān)鍵年，許多新的制度、新的操作流程及操作技巧都發(fā)生了改變。我們積極組織開展學(xué)習(xí)，提升業(yè)務(wù)能力，加強(qiáng)自身素質(zhì)，努力做好收費(fèi)工作。

二．個(gè)人方面 1.放眼大局

作為一名班長，就要比收費(fèi)員擔(dān)待的多，吃苦在前，享受在后，處理特情的時(shí)候時(shí)刻站在站所的角度，去分析、去思考。上級(jí)領(lǐng)導(dǎo)下發(fā)的每一份文件，班長要在第一時(shí)間學(xué)習(xí)并熟記于心，通過班會(huì)傳達(dá)給員工。讓班組成員能夠在實(shí)際工作中從容應(yīng)對(duì)，最重要的是能夠認(rèn)真熟練地貫徹和執(zhí)行。

2.抓業(yè)務(wù)

一班的業(yè)務(wù)水平一直不錯(cuò)，但是下半年出現(xiàn)的操作失誤還是較多，究其原因是因?yàn)樾逻M(jìn)員工較多造成的，針對(duì)此現(xiàn)象我們進(jìn)行了系統(tǒng)的培訓(xùn)，只有通過系統(tǒng)的培訓(xùn)才能夠從根本上解決問題。一點(diǎn)一點(diǎn)抓起，最終取得了很明顯的成效。

3.加強(qiáng)班組成員之間的溝通

班長要在班組成員之間搭建起交流的橋梁。別看平時(shí)大家都各忙各的，但是也會(huì)因?yàn)榉N種原因產(chǎn)生一些矛盾，這時(shí)候班長的協(xié)調(diào)能力就得到了體現(xiàn)，協(xié)調(diào)好了班組成員之間的矛盾，班組氛圍就好了，班長的工作也能順利的開展。

三、存在不足

在不斷系統(tǒng)實(shí)踐的同時(shí)，我應(yīng)當(dāng)要加強(qiáng)學(xué)習(xí)，提升自己的覺悟，及時(shí)跟領(lǐng)導(dǎo)溝通，讓領(lǐng)導(dǎo)了解班組的情況。我深刻知道，在大時(shí)尼奇收費(fèi)所作為一名收費(fèi)班長，需要的能力還應(yīng)該更多，對(duì)此我將在以后的工作中向領(lǐng)導(dǎo)及老員工學(xué)習(xí)，取長補(bǔ)短，爭取以更高的姿態(tài)去面對(duì)工作。

第四篇：王力宏演講

I never thought I would be addressing you, the esteemed members of the Oxford Union, without a guitar or an erhu, without my crazy stage hair and costumes, but I did perform in the O2 Arena in London last week.I’m not sure if any of you [x]…

But in many ways that is similar to what I’m talking about today, that is, introducing Chinese pop music.See, I’m actually an ambassador for Chinese pop, whether I like it or not, for both music and movies, and today I’m here to give you a State of Union address.It’s not the Oxford Union, it’s the union of East and West.I want to frankly and openly and honestly talk about how we’ve done a good job, or how we’ve done a bad job, of bringing Chinese pop to the West.And I also want to impress upon all of you here today the workings of that soft power exchange and how each of us is involved in that exchange.Soft power, a term I’m sure you’re all familiar with, coined by Rhodes Scholar and Oxford alumnus Joseph Nye, is defined as the ability to attract and persuade.Shashi Tharoor called it, in a recent TEDTalk, “the ability of a culture to tell a compelling story and influence others to fall in love with them”.I like that definition.But I want to put it in collegiate term for you students in the audience.The way I see it, East and West, are kinda like freshmen roommates.You don’t know a lot about each other aside that you’re living with each other in the same room.And each one is scared the other’s gonna steal his shower time or wants to party when the other wants to study.It has the potential to be absolute hell.We all have horror stories of that roommate, we all heard about those stories.I know a lot of students here in Oxford have their own separate bedrooms.But when I was a freshman at Williams College [crowd interjects] You’re kidding!Woohoo!Well I had a roommate.And he was that roommate.Let’s just call him Frank.So Frank was my roommate and Frank liked nothing more than to smoke weed.[laughter] And he did it every day.And Frank had a 2-foot long bong under his bed that was constantly being fired up.For those Chinese speakers in the audience, Frank would 火力全開 on that bong.So I guess I was kinda the opposite of Bill Clinton, who tried marijuana but didn’t inhale: I didn’t try marijuana but I did inhale.Every single day.Second hand.And strangely enough, every time I go into our bedroom, I mysteriously end up being late for class.I was like, dude is it already 10 o’clock?

So, how many of you have lived with that Frank, or be a Frank? Having a roommate can be a recipe for disaster, but it also can have the potential of being the greatest friendship you’ve ever had.See, Frank, he didn’t make it to second year.And I got two new roommates instead: Stephan and Jason, and these days the three of us are the best of friends.So going back to my analogy, East and West, as roommates, do we want to be Frank, or do we want to be Steph and Jason, and I think in this day and age, in 2013, we should all be striving for the latter.I’m assuming we all agree that this is the goal that we all strive for.Now, let’s look at where we are in reality, in recent headlines, in the media include, Foreign policy [maybe?], China’s victim complex, Why are Chinese leaders so paranoid about the United States or the [AP, the Associated Press?], Human rights in China worse than US.Bloomberg says, on the cover of this magazine, Yes, the Chinese army is spying on you [laughter] And it’s such a great one that I want to show you the cover of the magazine [laughter][Ed:check out the photo on the right!] Yes, be very afraid![laughter]

There’s actually an extremely high amount of negativity and fear and anxiety about China, Sinophobia, that I think is not just misinformed and misleading and ultimately dangerous.Very dangerous.And what about how Westerners are viewed by Chinese? Well, we have terms for Westerners.The most common of which are gwailo, in Cantonese which means “the old devil”, laowai, meaning “the old outsider” in Mandarin, ang moh, which means “the red hairy one” in Taiwanese, and the list goes on and on.So are these roommates heading for a best friend relationship? I think we need a little help.And as China rise to power, I think it is more important than ever for us to more discerning about what we believe because after all, I think, that’s the purpose of higher education, and that’s why we are all here, to be able to think for ourselves and make our own decisions.China’s not just those headlines.The burgeoning economy with unique politics.It is not just the world’s factory or the next big superpower, it’s so much more, a billion people with rich culture, amazing stories, and as a product of both of those cultures, I want to help foster an understanding between the two.And [x] that incredible relationship, because knowing both sides of the coin, I really think that there is a love story waiting to be told, ready to unfold.And I’m only half joking when I said love story because I believe it is the stories that will save us and bring us closer together.And my thesis statement for today’s talk is that the relationship between East and West needs to be and can be fixed via pop culture, and I’m going to try and back it up.Now, the UN Sec-Gen Ban Ki Moon said, “There are no languages required in the musical world.That is the power of music.That is the power of heart.” Through this promotion of arts we can better understand the culture and civilisation of other people.And in this era of instability and intolerance, we need to promote better understanding through the power of music.The UN Sec-Gen thinks that we need more music, and I think that he is right.Music and arts have always played a key role in my life, in building relationships, replacing what once were ignorance, fear and hatred, with acceptance, friendship and even love.So I have a strong case for promoting music between cultures because it happened to me early in my life.I was born in Rochester, New York, I barely spoke a word of Chinese.I didn't know the difference between Taiwan or Thailand.[laughter] I was as American as apple pie, until one day on the 3rd grade playground, the inevitable finally happened: I got teased for being Chinese.Now every kid gets teased or being made fun of in the playground, but this was fundamentally different and I knew right then and there.So this kid let’s call him Brian [x].He started making fun of me, saying “Chinese, Japanese, dirty knees, look at these!” [laughing] We’re laughing now but it hurt!

I could still remember how I felt, I felt ashamed, I felt embarrassed.But I laughed along with everyone.And I didn't know what else to do.It was like having an out of body experience.As if I could laugh at that Chinese kid on the playground with all the other Americans because I was one of them, right? Wrong, on many levels.And I was facing the first and definitely not the last time the harsh reality was that I was minority in Rochester, which in those days had an Asian population of 1%.And I was confused.I wanted to punch Brian.I wanted to hurt him for putting me in that situation but he was faster than me, and he was stronger than me, and he would kick my butt and we both knew that, so I just took it in.I didn't tell anyone or share with anyone these feelings, I just held them in and I let them fester.And those feelings would surface in a strangely therapeutic way for me through music, and it was no coincidence that around at that time I started getting good with the violin, and the guitar and the drums.And I’d soon discovered that by playing music or singing that the other kids would for a brief moment forget about my race or color and accept me and then be able to see me for who I truly am: a human being who is emotional, spiritual, curious about the world, and has a need for love just like everyone else.And by the sixth grade, guess who asked me if I would the drummer of their band? Brian.And I said yes.And that’s when we together formed an elementary school rock band called… Nirvana.I’m not kidding, I was in a rock band called Nirvana before Kurt Cobain's Nirvana was ever known… So when Nirvana came out, Brian and I were like, hey he’s stealing our name!But really what attracted me to music at this young age was just that, and still is what I love about music, is that it breaks down the walls between us and shows us so quickly the truth that we are much more alike than we [think?].And then in high school, I learned that music wasn’t just about connecting with others, like Brian and I were connected through music.It was a powerful tool of influence and inspiration.Sam [Nguyen?] was my high school janitor.He was an immigrant from Vietnam who barely spoke a word of English.Sam scrubbed the floors and cleaned the bathrooms of our school for twenty years.He never talked to the kids, and the kids never talked to Sam.But one day before the opening night of our school’s annual musical, he walked up to me holding a letter, and I was taken aback and I was thinking, why is Sam the janitor approaching me? And he gave me this letter that I’ve kept it to this day, it was scrawled in shaky hand written in all capitals and it read, in my all years working as a janitor at Sutherland, you were the first Asian boy to play the lead role.I’m going to bring my 6-year-old daughter to watch you perform tonight because I want her to see that Asians can be inspiring.And that letter just floored me.I was 15 years old and I was absolutely stunned.That was the first time I realized how music was so important.With Brian, it helped two kids who were initially enemies to become friends, but with Sam, music went beyond the one-on-one.It was an even higher level;it influenced others I didn’t even know, in ways I could never imagine.I can’t tell you how grateful I am to Sam to this day, he really is one of the people who helped me discover my life’s purpose, and I had no idea that something I did could mean more than ever imagined to an immigrant from Vietnam who barely even spoke English.Pop culture, music, and the other methods of storytelling, movies, TV dramas, they are so key, and they do connect us, like me and Brian, and do influence us, and inspire us.Then let’s take another look at this state of union, the East and West union, with this soft power bias.How is the soft power exchange between these two roommates? Are there songs in English that have become hits in China? Sure.How about movies? Well, there are so many that China has had to limit the number of Hollywood movies imported into the country so that local films could even have a chance at success.What about [x], well, [inaudible exchange with an audience member], yeah, and movies, well there was Crouching Tiger [Hidden Dragon], that was 13 years ago.Well, I think there’s a bit of an imbalance here.It’s called “soft power deficit”, that is to say the West influences the East more than vice versa.Forgive me for using “East” and “West” kinda loosely, it’s a lot easier to say than “English-speaking… language” or “Asian-speaking… language/Chinese”, I’m making generalisation and I hope you can go with me on this.And it’s just intrinsically a problem, this imbalance in pop culture influence.And I think so.In any healthy relationship, friendship, marriage, isn’t it important for both sides to make an effort to understand the other? And that this exchange needs to have a healthy balance? And how do we address this? As an ambassador for Chinese pop music and movies, I have to ask myself a question: Why does this deficit exist? Is it because Chinese music just [is lame?].Do you want me to answer that? [laughter] Yeah I think I see some of you are like, stop complaining and write a hit song!Psy did it!But there’s truth in that.The argument being that, the content that we’ve created just isn’t as internationally competitive.But why shouldn’t it?

Look at Korean pop, look at K-pop for example.Korean is an export-based economy and they are outward looking and they must be outward looking.Chinese pop on the other hand can just stay domestic, tour all over China, stick in territories and comfortably sustain.So when you’re that big and powerful, with over 160 cities in China with a million or more people, you tend to kinda turn inward and be complacent.So this certainly can be made an argument made for Chinese pop not being marketed with international sensibilities, but the other side of the argument I think is more interesting and thought provoking and even more true, is that Western ears aren’t familiar with and therefore don’t really understand how to appreciate Chinese music.Ouch!

The reason I think that the argument holds water though is because that’s exactly what I went through, so I happen to know a thing or two about learning to appreciate Chinese pop as a Westerner.'Cos I was 17 years old when I went from being an Asian kid in America to being an American kid in Asia, and the entire paradigm suddenly got flipped on its head.I grew up listening to Beastie Boys, Led Zeppelin, Guns and Roses, and I found myself in Taiwan listening to the radio and thinking, where’s the beat? Where’s the screeching guitar solos? Here I am as an American kid in Asia listening to Chinese music for the first time and thinking that “this stuff is lame.I don’t like it!” I thought it was cheesy, production value was low, and the singers couldn’t belt like Axl Rose or Mariah Carey.But then one day, I went to my first Chinese pop concert, and it was Harlem Yu performing at the Taipei Music Centre, and as he performed, I looked around the audience and I saw their faces and the looks in their eyes and their response to his music, and it was clear to me finally where the problem lay.It wasn’t that the music that was lacking, it was my ability to appreciate it and to hear it in the right way.The crowd, they would sing along and be totally immerse in his music, and I thought that it was significant, that I was missing the point and from now on, I was going to somehow learn how to get it, I was gonna learn how to hear with both ears, and I deconstructed and analysed what it was that made Chinese audiences connect with certain types of melodies, and rhythms, and song structures, and lyrics, and that’s what I’ve been doing for the past almost twenty years, and it took me a long time and I am still learning but at some point, I not only began to be able to appreciate the music but I started being able to contribute to it and create my own fresh spins on the tried-and-true.And I think this happens to everyone, really, who is on the outside looking in.It always looks strange if you looked at things from your perspective, you’re always going to think that these people are weirdos, what’s wrong with them, why are they listening to these stuff? And I’m saying that you can make the effort [x], it can be done, and I’m living proof of that.And as an ambassador of Chinese pop, I’m trying to get people to open up to a sound that they may not feel is palatable on the first listen.So what else can we do to reduce this imbalance in our popular cultures? Well, maybe we could talk a lot, tour more outside of China? But seriously, actually I think the tides have already started to change, very slowly, very cautiously, almost calculatedly.You see more cross-cultural exchange now, more interest in China, definitely a lot of joint ventures, a lot of co-productions in recent years, Iron Man 3, Transformers, [53?][laughter], Resident Evil, really it’s beginning to be kinda like a world pop, and that’s what I’m looking forward to and focusing on these days.There’s J-pop, there’s K-pop, there’s C-pop, and there’s like this W-pop that’s kinda starting to emerge.It’s world pop, and I love that idea.It’s not World Music.There used to be section in HMV called World Music, and I was like Ethnomusicology class in college.But world pop is more about breaking and tearing down age-old stereotypes, the artificial confines that have kept us apart for way too long.It’s a melting pot, and it’s mosaic, that even if we looked up close, we’d still see the colours and flavours of each culture in detail.And where can we go to listen to world pop? I don’t think there’s a world pop station or magazine, unfortunately, there are none--there should be.There is the internet, and YouTube has proven to be a driving force for world pop.Britain’s Got Talent made Susan Boyle the hottest act in the world, and she achieved that not through the record labels or the networks, but through grassroots sharing.Gangnam Style is another great world pop, and how that just took over became huge worldwide world pop phenomenon.So world pop as it suggests is a worldwide pop culture is something that can be shared by all of us and gives us a lot of common ground.So today, what’s my call of action? I’ve already proven multicultural exchange between the East and West, I think I have made that clear, but how? I think… you can all become pop singers, really, I think that’s the [x], unless that’s what you really want to.My call of action is this: build and protect that roommate relationship between the East and West.Value this relationship and take ownership of it.Don’t come to Oxford as an exchange student from Taiwan and only hang out with other Chinese students.Why would you do that? You could do that in [x] or Nanjing or wherever you came from.Don’t buy into the headlines or the stereotypes or in the hypernationalism.Think for yourselves, and this goes for the East and the West, both.Get to know one another and think for yourselves and don’t believe the hype.For just a moment, if we could just disregard the governments and what the media are saying, just for the sake of the argument, with our own tools of critical thinking, can we build relationships that actually see one another as individual human beings and not faces or members of a particular ethnicity or nationality? Of course we can do that.And that’s the goal and dream, I think of the romantic artists and the musicians, I think it’s always been there.And that’s what I reach for, and that makes music so powerful and so true, that breaks down instantly and disintegrates all the artificial barriers that we create between each other, government, nationality, black, brown, yellow, white, whatever colour you are, and shows each other our hearts, our fears, our hopes, our dreams, and it turns out in end that the East isn’t that far after all, and the west, well the west, ain’t so white.And through understanding each other’s popular cultures, we gain insight into each other’s heart and true selves.And for those of you who are just beginning that journey, the West and East, I want to invite you today on this amazing journey with me, and I, as an experienced traveller on this road, on this West and East road, I’ve prepared a mixtape for all of you today, of ten songs that I love.There, that’s a C-pop mixtape that you can check out.I was gonna bring you all CDs but my publicist reminded me lovingly that that would be illegal, that as a professional recording artist, I shouldn’t do that.But I still think that it works out nicely because you get to see the music videos as well on a lot of these songs.These ten songs are songs that I love and ten different Chinese artists to start you off on getting to know and love Chinese pop and I think these guys are awesome.I just want to wrap up by saying that being here on the Oxford campus really makes me nostalgic for my days at Williams.And when I look back on those four years, some of my fondest memories are spending time with my roommates Stephan Papiano and Jason Price.In fact Jason is here in the audience today, and made a special trip from London just to see me.And I suppose in the beginning we were strangers, we didn’t know much about each other, and sometimes we did compete for the shower and there were times we did intrude on each other's privacy, but I’ve always loved listening to Stephan’s stories about growing up in a Greek family and his opinions about what Greek food really was.Or Jason’s stories, about wanting to make violins and to live in Cremona, Italy like Antonio Stradivari and he did do that, and I will never forget many years later when I played a Jason Price handmade violin for the first time, and how that felt.They were always attentive and respectful when I told them what it was like for me growing up in a Chinese household with strict parents who always made me study.So we shared stories, but the strongest bonds between us were formed just sitting around and listening to music together.And I really do see that as a model for East and West.So I really want to share Chinese music with you today because it’s the best way I know how to create a lasting friendship that transcends all barriers and allow us to know each other truly, authentically and just as we are.

第五篇：王玉宏學(xué)習(xí)心得

用愛鑄就人生 擔(dān)當(dāng)促進(jìn)發(fā)展

創(chuàng)新實(shí)現(xiàn)成果

——參加小店區(qū)社區(qū)專職社工培訓(xùn)學(xué)習(xí)心得

2011年12月21日區(qū)社區(qū)建設(shè)管理局為全區(qū)210名專職社工舉辦了一次主題為“統(tǒng)一思想、加強(qiáng)管理、提升服務(wù)水平、提高素質(zhì)”的培訓(xùn)班，我參加了這次培訓(xùn)班學(xué)習(xí)。

培訓(xùn)班和去年一樣仍然由郝曉軍副局長主持，仍然由區(qū)黨校著名講師陳雅萍講課，但帶給我的卻依然是新鮮的精神盛宴，吸引我們思維的依然是震驚和更高深的感悟；從陳老師的講解思維中，我看出了明明白白的責(zé)任，以及在全省全面轉(zhuǎn)型跨越發(fā)展的關(guān)鍵時(shí)刻，加強(qiáng)社工自覺學(xué)習(xí)、提升服務(wù)水平，提高社工自身素質(zhì)的重要想和必要性；落在我們社工肩上的是任重而道遠(yuǎn)的重?fù)?dān)。

陳老師站在全世界經(jīng)濟(jì)和政治發(fā)展?fàn)顩r的最高平臺(tái)上，從省市區(qū)歷史發(fā)展的得失角度詳細(xì)和頗有邏輯的向我們解釋了省委袁純清書記在省第十次黨代會(huì)上題目為《率先走進(jìn)資源型地區(qū)轉(zhuǎn)型跨越發(fā)展新路，為加快實(shí)現(xiàn)全面建設(shè)小康社會(huì)目標(biāo)而努力奮斗》的講話，用奇特的“跳起來摘桃子”形象詮釋了省委省政府制定全省經(jīng)濟(jì)跨越轉(zhuǎn)型發(fā)展的科學(xué)思路的來源和形成思維體系的過程，使我們真正領(lǐng)會(huì)了黨和政府的每一項(xiàng)政策形成都是以服務(wù)于人民為最終目的，特別是使用許多數(shù)據(jù)對(duì)比、利用許多真實(shí)圖片來說明，我們不盡從中感到震驚，喚醒了埋在我們內(nèi)心深處的那份情感，一年來的工作，總認(rèn)為上級(jí)讓干啥，自己就干啥，上級(jí)的總體思路與我何干，我們只需機(jī)械的干好本職工作就可，至于什么服務(wù)全方位、目標(biāo)、定位、開拓思考、學(xué)習(xí)實(shí)踐、創(chuàng)新社會(huì)管理等詞語都不應(yīng)是我們社工應(yīng)該主動(dòng)涉獵的。通過學(xué)習(xí)，我們從無所謂中驚醒，我們社工的任務(wù)不再是表面的，而應(yīng)是較深層的；我們所從事的職業(yè)不是低下的，而是值得我們引以為自豪的；我們肩負(fù)著民生工程的前沿職責(zé)重?fù)?dān)；肩負(fù)著改革成敗、社會(huì)和諧的重?fù)?dān)；是創(chuàng)新社會(huì)管理的主力軍。

談及心得，通過學(xué)習(xí)我要從以下三點(diǎn)說一說我的思考：

一、用愛來鑄就自己燦爛的社工人生。

孫子曰：求其上，得其中，求其中，得其下，求其下，必?cái)　Ｗ鳛閷Ｂ毶绻さ娜松ɑ蛘呔驼f叫社工生涯吧）是否燦爛，完全取決于自己對(duì)自己的定位，高標(biāo)準(zhǔn)、高要求才能有較高的人生創(chuàng)建，社工的價(jià)值觀就是無償奉獻(xiàn)，用愛去播種服務(wù)之樹。袁純清書記再造新山西的發(fā)展目標(biāo)中有：區(qū)域發(fā)展的新格局（幸福指數(shù)），民生福祉有新的水準(zhǔn)，社會(huì)管理有新作為，發(fā)展環(huán)境有新氣象，幾條都與社區(qū)工作息息相關(guān)，機(jī)遇就在面前，就要到手邊靜等抓手可得，項(xiàng)項(xiàng)與我們社工有著緊密的聯(lián)系。愛崗敬業(yè)體現(xiàn)的是社工的工作根本；端正作風(fēng)，服務(wù)于民，體現(xiàn)的是社區(qū)工作的真諦；雷厲風(fēng)行，不拖拉，及時(shí)解決，體現(xiàn)的是社工工作的效果和目標(biāo)，艱苦奮斗，體現(xiàn)的是社工工作的思想精神。季羨林老先生在與溫家寶總理的談話時(shí)說“講和諧不僅要人與人的和諧，還要講人與自然的和諧，重要的是人的心理的和諧”，在社區(qū)，心理和諧的調(diào)解是社區(qū)工作的重中之重，這項(xiàng)工作是一項(xiàng)充滿愛、充盈愛、啟發(fā)愛、傳播愛的工作，愛的無私奉獻(xiàn)才能真正體現(xiàn)社工的價(jià)值。近期，區(qū)政府將社區(qū)工作人員的工資待遇提高問題一度提升到政府工作的重要位置，體現(xiàn)社工的工作在轉(zhuǎn)型發(fā)展中的重要性，為此，我認(rèn)為：燦爛的人生，社工也能創(chuàng)建，不過需要社工們用心和誠摯的愛為居民服務(wù)贏得。

二、用勇于擔(dān)當(dāng)來促進(jìn)社區(qū)管理工作的大發(fā)展。2000年從在城市建立社區(qū)以來，社區(qū)工作在企業(yè)機(jī)制轉(zhuǎn)變、社會(huì)轉(zhuǎn)型中的重要作用越來越體現(xiàn)出來，心理專家說過，每一個(gè)生活在社會(huì)的人，他對(duì)生活在周圍的每一個(gè)人都負(fù)有100%的責(zé)任，作為社區(qū)工作人員，勇于承擔(dān)責(zé)任，才能真誠為民負(fù)其責(zé)，才能真正造就全心全意為人民服務(wù)的真諦，才能成為居民的真正公仆。一年來，我在平陽路街道汽造社區(qū)的工作過程中體會(huì)到一點(diǎn)，社區(qū)工作大多是雜事，碎事，有些事你認(rèn)真去做，他就是事，你視而不見，它好像也無關(guān)大局，用這樣的態(tài)度去做社區(qū)工作，得到的效果肯定不會(huì)好的；工作中我認(rèn)真觀察到，往往用不負(fù)責(zé)任的工作作風(fēng)工作的社區(qū)的管理工作肯定沒有進(jìn)展，甚至?xí)雇耍晕艺J(rèn)為：作為社區(qū)工作主力軍的社區(qū)專職社工就應(yīng)培養(yǎng)勇于擔(dān)當(dāng)?shù)墓ぷ髯黠L(fēng)，樹立“居民的事再小，也是我們的大事”的工作理念，這樣，社區(qū)的每項(xiàng)工作才能夠做細(xì)，做到位、做完美，同時(shí)也能無遺漏，居民接受服務(wù)就更便捷，更全面，居民才能認(rèn)可你，才能在得到幫助后，愿意來配合和參與社區(qū)整體建設(shè)的集體活動(dòng)中，起到調(diào)動(dòng)居民積極參與社會(huì)的效果，所以我認(rèn)為，以勇于承擔(dān)責(zé)任的態(tài)度工作才能大力促進(jìn)社區(qū)整體管理水平的長足進(jìn)展。

三、結(jié)合本社區(qū)實(shí)際創(chuàng)新和探索社區(qū)管理新思路、新方 法實(shí)現(xiàn)和諧社區(qū)建設(shè)的新成效。

通過這次培訓(xùn)，結(jié)合我社區(qū)工作的實(shí)際，理順自己對(duì)社區(qū)管理的思考，我要講一講我社區(qū)對(duì)創(chuàng)新管理的新方法的探索和真對(duì)工作中遇到的問題向領(lǐng)導(dǎo)提出一項(xiàng)建議。

（一）新方法。兩年來，我社區(qū)黨支部書記兼主任楊改萍帶領(lǐng)全體工作人員嘗試一種我們給這種方法起名叫網(wǎng)格式包干服務(wù)法。汽造社區(qū)工作人員14人，轄區(qū)共20個(gè)小區(qū)，各小區(qū)狀況差異較大，根據(jù)實(shí)際情況，2010年年初，經(jīng)黨支部研究，嘗試將工作人員13人分成4小組，再將社區(qū)內(nèi)20個(gè)小區(qū)按區(qū)域分成四組，4組工作人員對(duì)應(yīng)承包4個(gè)小組，各小組都有社區(qū)主任楊改萍統(tǒng)一協(xié)調(diào)指揮下工作，各小組形成網(wǎng)格中的經(jīng)線，小組成員的配備根據(jù)承包小區(qū)特點(diǎn)來定，比如奧林花園、裕豐、供電、軍轉(zhuǎn)、人事這一組中，有計(jì)生工作較難抓的奧林花園和裕豐小區(qū)，這組中，城建工作普遍較難開展，就將計(jì)生工作人員和城建工作人員配置好一點(diǎn)。網(wǎng)格中的緯線是指每一組包干成員都是要具有綜合各口服務(wù)的能力，以及社區(qū)工作人員的相互協(xié)作的虛擬緯線。這種管理方法的特點(diǎn)是，1.居民接受服務(wù)較便捷，效率也高，所謂的“社區(qū)一人跑免去居民全跑動(dòng)”。

2、小組服務(wù)對(duì)自己承包的區(qū)域情況了解較熟，能夠更加細(xì)化服務(wù)，服務(wù)和解決問題較便宜。經(jīng)過兩年的管理實(shí)踐，這種方法較適合我社區(qū)的實(shí)際，管理效果較顯著。

（二）建議：關(guān)于建立全區(qū)志愿者展示平臺(tái)，實(shí)現(xiàn)區(qū)域志愿者資源共享的建議。

近幾年社區(qū)志愿者隊(duì)伍也在不斷壯大，隨著今年的志愿者注冊(cè)活動(dòng)的開展，志愿者工作管理更加規(guī)范，但是志愿者隊(duì)伍建設(shè)中還存在資源不平衡的現(xiàn)象，如有的社區(qū)是醫(yī)護(hù)人員集中的社區(qū)，這個(gè)社區(qū)的醫(yī)護(hù)志愿者就多，有的社區(qū)是軍隊(duì)社區(qū)，國防知識(shí)宣傳志愿者就較多，有的社區(qū)老年人較多，老年志愿者就多，這樣老年人較多的社區(qū)就需要醫(yī)護(hù)志愿者可在本社區(qū)就找不到，給普及志愿服務(wù)進(jìn)社區(qū)工作開展形成障礙。所以我認(rèn)為，如同商業(yè)廣告一樣，建議社區(qū)局出面，聯(lián)合志愿者協(xié)會(huì)，在網(wǎng)絡(luò)上開辟一個(gè)工作平臺(tái)，將注冊(cè)的全區(qū)志愿者的資料展示其中，當(dāng)某個(gè)需要志愿者服務(wù)的居民有這方面的需求時(shí)，就可通過平臺(tái)尋找到適合于他的志愿服務(wù)者，達(dá)到資源共享，更好地為需要志愿幫助的居民服務(wù)。

以上是我的學(xué)習(xí)心得，可能許多方面都很不深入，認(rèn)識(shí)不是太深刻，懇請(qǐng)領(lǐng)導(dǎo)們能夠多提寶貴意見，幫助指導(dǎo)我提高自身素質(zhì)，為社區(qū)建設(shè)和服務(wù)做出應(yīng)有的貢獻(xiàn)。

2011

平陽路街道汽造社區(qū)社工：王玉宏年12月25日 用愛鑄就人生

擔(dān)當(dāng)促進(jìn)發(fā)展

創(chuàng)新實(shí)現(xiàn)成果

--參加小店區(qū)社區(qū)專職社工培訓(xùn)

學(xué)習(xí)心 得

平陽路街道汽造社區(qū)

王玉宏