第一篇：豬之死讀后感（定稿）

I am not only a pig

Ⅰ

Life is a bright light.In a warm and bloomy spring season, I was born.And I was delighted the same as many new lives who first came to the earth.Not only I wanted to jump for joy and told the world about my coming, but also I wanted to run for excitement and greeted with all beings.Although it was impossible for us to stay with our mother all the time, I still knew that true life was wonderful.As a shoat, I would also be sold to other masters someday.My brothers were worried about it, but I was excited about it instead.I wondered who would be my master, and what did he look like.I even had faith in that I was a lucky shoat so that I would own a master who would care about me and love me.In a bright and beautiful day in spring, I was still in the dream where I ate a lot.They were delicious and wonderful.However, a noisy conversation disturbed me continually.I finally waked up and looked around the world.There was a man, serious but kindly.He was observing us and seemed to think about something.Shortly after it, I realized he was choosing one of us to his house.Maybe I was fatter or healthier;finally I turned into the lucky fellow and was ready for being sent to his house.I wished for it.The next day I was sent to my present owner’s home.There was a pigpen at the bottom of an old orchard below the house.By watching my owner’s behavior, I soon knew I would live in a faded building.Though it was old, but I still liked it for that there was also a pleasant yard to move about in, shaded by an apple tree that overhung the low rail fence.I was satisfied with it.It was my home from now on.Then I lived for several days happily.My owner fed me everyday and made sure that I was well slept every night.I was so content with the life current situation.Ⅱ

However life is not perfect.And maybe some time is painful.One day morning, I felt so weak that I could not stand steadily with headache.Meanwhile, there were unknown red dots on my body.I was so afraid of them and I wanted to tell my master quickly, but I could not move my pace.It was so pity.What I could do was to wait for my owner to discover my abnormality.Soon after, it was about four o’clock in the afternoon;my owner came to find me.Though I was stretched out in the sawdust, I still could guess he must have noticed my failure to appear at the trough for my supper.My owner was shocked by me and soon asked others for help.After he ended the call, I thought he might have gotten the measure to save me, but he did not take any actions.He sank into a chair and seemed to think about something.After a few minutes later, he left.I was so sad and could not understand his behavior.After his leave, I felt more uncomfortable for one more hour.I could not help wondering why did he not to help me to relieve my pain.I started to hate him.Although it was painful, I still made up my mind to do something instead of wasting time lying on there.I wanted to take a fresh breath outside.After a while, I saw my owner and his son coming here.There seemed to be something on their hands.I still was in low spirits and I simply greeted with them.Suddenly, my front legs were

grabbed and something terrible was turned into my throat while I shouted.Fortunately, I became free after a few minutes.However, I felt uncomfortable and I got more hate for my owner for that he did so rudely to me.In the following days, when my owner came to feed me, I always stared at him angrily.I should let him know my dissatisfaction with him.But in fact I felt more uncomfortable and there seemed to be something bad was coming.I gradually had no appetite for any food.One night, I even vomited.It was terrible.While I became sicker, I gradually found my owner’s kindness.Once, he felt my ears as someone might put his hand on the forehead of a child.His hands were so warm and my cool ears became warmer for them.I was happy.What’s more, he did not give me up and obviously was worried about me.He took another action to help me.Though it was painful for me, I still was hopeful for it and wanted to get my health back.But it did not work.Finally, there were lots of people who felt pity for me except the dog who was a bad guy without a kind heart.Maybe it was time for me to leave.Ⅲ

I am on the way to heaven.I chose to die outside, because I thought I would be freer without pain under the sky after my death.I wanted that my owner found me easily and could pray for me.Actually, I was not only a pig.I had my own thoughts and feelings.What’s important, I was grateful for my life and wanted to cherish it.But it was so pity.But I still thought I was on the way to heaven and I believed next time I would be given the chance to live well.(11級英語2班桑曉婷111501220)

第二篇：《大象之死》讀后感

在《讀者》雜志上看到一篇名為《大象之死》的文章，讀后心情很是郁悶，文章內容概述如下：

大象一旦意識到衰老，將成為象群的累贅時，便悄無聲息地離群而去，開始自己的命運轉移。它獨自艱難跋涉，耐心尋覓，選定一片向陽又隱蔽的草坪，準備在對青年時代的回憶中老死

一天，當老象從恬靜的休憩中醒來，突然看到一雙子女站在自己面前，老象意外又欣慰，以為是孩子來接它回去共享天倫之樂，便客氣地說：老人應該懂得適時回避，我過得很好，就不跟你們回去而成為你們的累贅了。孩子們卻說：我們不是來接您回去的。老象詫異：那是為什么呢？孩子們囁囁半天終于發話了：我們是為了您的遺產而來。老象大駭：我一生赤條條來，赤條條去，遺產從何談起。孩子們說：待你百年之后，你的一對象牙……老象一下蒙了，氣得渾身發抖，以淚洗面。它顫巍巍站起，顫巍巍前行，突然繃緊筋骨，低下頭顱，猛地沖向一棵千年古樹，咔嚓嚓--雷電轟擊一般，一對粗壯的象牙齊根斷下，接著，老象又一次沖向千年古樹，頭顱碎裂，鮮血飛濺，老象依偎著老樹，頹然倒下。倒下還大睜雙眼，仿佛一部古老的《天問》。

以物喻人，現今社會尊老愛老敬老之風實在堪憂，父母二老辛辛苦苦養大四五個孩子，而四五個孩子卻養不起兩位老人，老人身體健康時盡量少給兒女添麻煩，還盡可能多地幫孩子的忙。而一旦疾病纏身，生活不能自理時，便成了孩子們的累贅，在最需兒女贍養孝敬時，兒女們卻唯恐躲閃不及，相互之間不是比著盡孝心，而是唯恐自己吃虧。前些天電視一訪談節目，女兒要將親生父母趕出家門，原因是自己的老公和父母合不來。在父母無其它住所堅持不走的情況下，作為女兒一紙訴狀將含辛茹苦將自己養大的父母告到法庭，看著悲傷絕望的老人泣不成聲訴說女兒的不孝時，我真替那位女人汗顏。對老人生前不養，待老人百年之后，為了那點可憐的遺產，親人之間反目成仇，恩斷義絕，人性的善良不知到了何方。

第三篇：名優之死讀后感

淺談話劇《名優之死》

《名優之死》是田漢先生于1927年創造的一部現實主義的話劇，短短三幕，道盡了無盡心酸。名優指的是劉振聲，用左寶奎的話來講，“老板最講究戲德，戲品”，就是這樣的一個人，最后卻死在了舞臺上，用自己的生命守護了內心的那份柔軟，那份執著。

田漢先生名寫名優之死，實際上是在寫藝術的沒落，現實的摧殘、以及對人性迷失的挽歌。

劉振聲是一個京劇演員，或許前面還應該加上“著名”兩個字，不過無所謂了，稱呼而已。我毋寧他是個普通人，或許這樣，他的身份會更明確一點。他的另外一個身份，是個守護者，戲劇藝術的衛道夫。終其一生，他在為著守護京劇而努力，為著阻止戲劇藝術的沒落。奈何人力有盡，他對于那些意圖摧殘藝術的人而言，太弱了，太弱了,弱的都不能引起對手的正視。

正是這個不被視為對手的對手，卻一直用自己的方式努力著，收養鳳仙、蕓仙、甚至最后的蕭郁蘭也稱他“父親”。他沒有兒女，卻把鳳仙姐妹當做了自己的孩子，藝術的接班人，“憑你說，我把你們領大是想拿你們賣錢嗎？是想靠你們養活我 嗎？都不是啊。我沒有兒女，我只想多培養出幾個有天分的，看重玩意兒的孩子，只想在這世界上得一兩個實心的徒弟。”這是他的原話，也是為他挽救戲劇藝術而做的旁白。

可是，最后，他失望了，費勁心思含辛茹苦培養出來的鳳仙卻成了楊大爺的玩物。可悲，可笑，可是卻又無力反抗。他們真是費著心思糟蹋藝術，不禁吸食著劉振聲的生命，也在斷絕著他對于藝術的希望。希望泯滅了沒有呢？沒有，不過這卻是劉振聲看不到的了。

唱戲本為消遣，愛好，但卻壓榨著劉振聲殘余的生命力。“何先生您知道咱們學上了這個玩意兒的，一輩子就沒有過休息的時候，好象命中注定了——他非得唱到死的那天不可！”這是他的原話，踏上了這條路，便沒有了停下來休息的選擇，職能不斷的向前、向前，即使身子虛弱，還要去唱，去演，正如他說的那樣，他非得唱到死的那天不可。簡簡單單的一句話，卻點名了一代名優的歸宿。這是誰的錯呢？誰讓劉振聲不休息呢？咱們看寶奎同學的話，“可是因為他欠的債太多，一時走不動，又因為合同的關系，老板一定不放他走，所以他總是帶著病上臺，一上臺他又是一樣的賣力，象今天這樣他還唱雙出哩”，這就解釋了為什么劉振聲不得空閑去休息。債、合同像枷鎖一樣將劉振聲綁在了這里，不得休息。面對不斷施壓的社會，他只能絕望，也許唯一的反抗只是選擇了一種體面的死亡方式吧。

對劉振聲傷害最深，打擊最重的還是愛徒鳳仙的背叛。人世間最能影響人的莫過于感情的背叛，愈親近的人所造成的影響也就越大。少年時的背叛或許會改變一生，不惑之年的背叛，則會加速心力的衰竭。

于劉振聲而言，少年時的鳳仙表現是極為出色的。這樣使得劉振聲不惜花費重金來打造鳳仙，為的不是名，也不是利，只是不想外加不忍罷了。鳳仙長大了，楚楚動人，身段苗條，嗓音極好，似乎完全符合劉振聲的預期，劉振聲滿意極了。

可是就是這樣的一個人，卻深深的傷透了劉振聲的心。原因是她背叛了，義無反顧的背叛了，只是為了出名而已。為了出名，把自己給了別人，投進別人懷抱，搔首弄姿賣弄風騷。怎么可以？怎么可以這樣？劉振聲一遍遍的問著自己，一遍遍的不知要領，或許不是不知，只是不愿罷了。

總之，她背叛了。而他卻不敢去反對，即使明知道他對她不懷好意，即使自己的心很痛，可是就是不能，不能啊。只能借酒精來麻醉自己，借酒精來沖淡內心的那抹鮮紅。

劉振聲的生命也走到了盡頭，最后的反抗，不過是生命逝去的奏曲而已。他終于完成了自己的諾言，倒在了舞臺上。眼中卻閃動著何先生的話，“會有一天這世界變了，唱玩意兒的也翻了身，該唱的時候盡情地唱，該休息的時候舒舒坦坦地休息。”

真的會有這么一天么？劉振聲閉上了眼睛，一代名優溘然長逝。

第四篇：帝王之死讀后感

《 帝王之死》讀后感

引用：帝王之死中國歷史上死得最看的二十七位帝王、三十九位皇后，柏楊日：我用雜文體寫歷史，形式上嬉笑怒罵，內心沉重無比。

帝王之死不比你我小民之死，小民死就死啦，帝王死了恐怕就勢如山崩，絲毫不爽地引起百千萬人頭落地。所以，帝王死于非命，不僅關系他一個人，也關系百千萬人，甚至關系他身家所系的王朝或政權。

按作者柏楊的計算，從皇帝軒轅到清代溥儀，中國出現了三百九十七個帝和一百六十二個國王，這五百五十九個稱王稱帝的頭目中，約有三分之一死于非命。而帝王之死，無論是幸運地因與“宮廷內如山如海的美女們晝夜上床，旦旦而伐”以致死在龍榻上，還是不幸地以帝王之尊而被絞死、餓死、囚死，起因都是自做孽的制度結構。在男性爭權奪勢的世界，政治因素高于一切。

正文：從小，我們就聽慣了古代“禪讓”、“大禹”等故事。中國古代歷史在學家手中，一塵不染，美得像個夢。各種美好品質一一體現，我也曾對此深信不已，也被“堯、舜、禹”感動過，認為中國歷史就是如此一清二白。

自從讀了《帝王之死》之后，我有了新的認識。什么“禪讓”，什么“圣人”，說白了全是不可能。歷史撕去了美麗的面紗之后，露出了狼狽不堪的本質。

沒有“禪讓”，只有逼皇退位。；沒有“圣人”，只有一只只披著羊皮的狼。

“粉面紅顏不過殺人利劍，俏麗佳人盡是帶血骷髏。”你且看那歷史上各個國王為了美女爭得頭破血流、你死我活，盡顯貪婪本性。；奪位之戰更是慘不忍睹，各個王子只為坐上王座，在權力面前，親情淡化了.......一品宮門深似海啊。

當然，我們也不能僅憑一本書便下結論，集百家之長。只是今后不能太相信“紙上的歷史”。歷史，只有人名是真的。

第五篇：《蘇格拉底之死》讀后感

《蘇格拉底之死》讀后感

公元前399年，蘇格拉底70歲的那個年頭，被人控告不敬神靈和蠱惑青年。面對這種莫須有的指控，蘇格拉底并沒有逃走，還是接受了。在辯護中，蘇格拉底大義凜然，剛毅不屈，駁斥了對他的指控，因而激怒法官，最后被投票判處死刑。

后人想不通：在這么一個自由的社會里，怎么可能發生對蘇格拉底的審判呢？當時的社會，難道沒有對人才、對知識的尊重嗎？以投票的形式定罪公平嗎？

現代人關于那現代的民主來衡量古代希臘的民主政治，因此，蘇格拉底之死用現代人的眼光看是對個人自由與權力的踐踏。

其實，古代希臘的民主政治同現代世界形形色色的民主政治并不同。在現代的民主政治中，個體一面屬于群體，一面卻享有作為個體的獨立性，享有自由。但在古希臘，個體完全屬于群體，他沒有脫離群體之外的自由。當時在雅典是不存在個人權威的，既沒有知識的權威，也沒有道德的權威，一切都得服從人民群體。

雅典社會是一個民主社會，但不是一個法治社會。蘇格拉底之死正是有民主而無法治造成的悲劇。

為了減少類似多數人犯錯誤的可能，為了避免民主社會墮落為暴民社會的危險，現代社會都在踐行著制度化的民主―法治。后世的思想家和實踐家都認為只有法制才能制止多數人對正義的威脅，我國進行現代化建設是以這個為奮斗目標的。

對雅典民主的發展史，對法國大革命，對我國“文化大革命”等進行反思后，我們并不能充分否定哪種性質的理論學說，但可以提出新的主張以供發展的實踐去證實或證偽。法治的民主觀就是反思后的結論之一。

制定法律，建立市場經濟，進行政治體制改革，走中國特色社會主義道路??經過多方面長期不懈的努力，我們才能逐漸地邁向民主與法治的國度。

只有安定的民主才是真正的民主，只有法治的民主才具有權威，具有生命力。蘇格拉底以自己的生命為代價為我們提供了“前車之鑒”，我們不能僅僅成為雅典悲劇的看客。