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清明上河圖英文簡(jiǎn)介

時(shí)間:2019-05-13 05:23:29下載本文作者:會(huì)員上傳
簡(jiǎn)介:寫(xiě)寫(xiě)幫文庫(kù)小編為你整理了多篇相關(guān)的《清明上河圖英文簡(jiǎn)介》,但愿對(duì)你工作學(xué)習(xí)有幫助,當(dāng)然你在寫(xiě)寫(xiě)幫文庫(kù)還可以找到更多《清明上河圖英文簡(jiǎn)介》。

第一篇:清明上河圖英文簡(jiǎn)介

張擇端<清明上河圖>英語(yǔ)視頻介紹mp3下載(中英對(duì)照)

Qingming Shanghe Tu is the masterpiece of Zhang Zeduan,a Song Dynasty artist which vividly capture the thriving lif of people from the Song Dynasty of in the capital of Bianjing(today's Kangfeng)

《清明上河圖》是背誦畫(huà)家張擇端的一幅存世精品,一精致的工筆記錄了背誦首都汴京(今開(kāi)封)的繁榮城市生活。

The entire piece ,painted in hand scroll format, deployed the method of scatter perspective mapping,bringing in varied landscape and numerous human characters all dressed differently.它以長(zhǎng)卷形式,采用散點(diǎn)透視的構(gòu)圖法,將繁榮的景物納入統(tǒng)一而富于變化的畫(huà)面中,畫(huà)中人物神情各異,衣著不同。

And performing various activities forming a drama with a flowing rich rhythm 其間穿插各種活動(dòng),極富戲劇性,構(gòu)圖疏密有致,節(jié)奏和韻律變化豐富。

Beijing City,depicted in the scroll,was the hub of the land and water ways and the passageway of all transportations at that time.《清明上河圖》描繪的北宋汴京,當(dāng)時(shí)正是水道遍布的“水陸要沖,運(yùn)路咽喉”.After being designated as the capital.Bianjing City saw further economic and culture development.With a population of more than one million, it was truly a metropolitan in all aspects.定都于此后經(jīng)濟(jì)、文化進(jìn)一步發(fā)展,人口超過(guò)百萬(wàn)是當(dāng)時(shí)名副其實(shí)的國(guó)際大都市。The scroll unfolds from right to left,moving from the countyside progressivety into the inner city.畫(huà)面順序從右到左,由一片郊野逐步進(jìn)入都市。

From its unique angle,the painter illustrates people from all wails of life and their economic activities,giving the audience a much richer perspective than if he only depicted inner city life.畫(huà)家慧眼獨(dú)具,將當(dāng)時(shí)豐富的市井生態(tài)全部涵蓋與內(nèi)。比單獨(dú)繪制內(nèi)域的場(chǎng)景更容易讓人民了解到當(dāng)時(shí)城市的全貌。What differented the Bianjing city in Song Dynasty from her predecessor was that all the street walls were removed.宋代的汴京,臨街的坊墻被拆除,市民可以面街而居,臨街開(kāi)店。

Transforming the former feadal closed city with fortress like walls into an open commercial house.封建堡壘式的封閉性城市有此變成了開(kāi)房的商業(yè)城市.Historical records tell us there were altogether mor 6,400 households involved in businesses of all kinds that recovered oer 100 sectors.汴京商業(yè)手工業(yè)的戶(hù)數(shù),據(jù)記載,總共有六千四百多戶(hù),將近一百幾十個(gè)行業(yè).Restaurants or eateries in particular,were the most thriving type of business.這其中尤以酒樓,各種飲食店最為旺盛.As depicted the hustling and bustling in front of “Sun Yung Shop” demonstrate that this restaurant is one with the highest standard.途中描繪的孫羊正店們前車(chē)來(lái)人往,熙熙攘攘,正店是規(guī)格最高的酒店.The other smaller ones were called “foot shop.” In addition numerous teahouses and cafes are scattered across all the streets.除了“正店”以外,汴京還有很多被成為“腳店”的中,小酒樓.此外,更有大批茶坊,食店散布于街頭巷尾.The scroll also depicts other forms of commercial activities.An inn like the Home of Official Wang was a regular place to stay for scholars abound in the capital city for the imperial examinations.畫(huà)中還描繪了其他商業(yè)形式,如這家“久住王員外家”是當(dāng)時(shí)的一家客棧,有很多趕考的學(xué)子常住在此.Nearby, a labor market is naturally formed with a group of sedan carriers waiting to be hired.在此處,自然行成了一個(gè)人力市場(chǎng),一群轎夫狙擊在此等待被雇傭.The Bianhe River is indispensable to the economic and commercial development of Bianjing City,and therefore brought the city prosperity, which led to it being called the “Golden Waterway”.繁榮的商業(yè)離不開(kāi)汴京的遠(yuǎn)河,汴河是當(dāng)時(shí)名副其實(shí)的黃金水道,這對(duì)于當(dāng)時(shí)汴京城市經(jīng)濟(jì)的發(fā)展和繁榮,具有十分重要的意義.Accordingly , the painter Zhang Zeduan spent one third of all effort to capture this thriving shipping business in the early 12th century.所以張擇端在<清明上河圖>中不借用三分之一篇幅和大量筆墨來(lái)精心描繪汴河的航運(yùn).再現(xiàn)了十二世紀(jì)初汴京水上最重要的交通干線(xiàn)的繁忙運(yùn)輸景象.There are two short and round shaped ships with a loading capacity of over 500 tons that are dorked along the river.這兩艘停靠在岸邊的船是一種形制圖短的清船,載重量達(dá)500噸以上.The shipping industry thrived in the Song Dynasty, and grew to a great scale as early as the year 997 producing as many as over 3,000 ships.宋朝的造船業(yè)很發(fā)達(dá),在公元997年,官方造船便達(dá)三千多米,宋朝的造船業(yè)很發(fā)達(dá),在公元997年,官方造船便達(dá)三千多艘.This type of ship is more convenient to operate, with adjustable under the mast.這種船在欄桿下使用了轉(zhuǎn)軸,能調(diào)整帆的角度,以迎合風(fēng)向的變化.In the painting there is a big ship which faces great difficulty in passing through the bridge.Since it cannot be lowed by the boat trackers in the middle of the river.Only by lowering the must is the ship then able to be towed past the bridge with help from over and beside the bridge.此處一艘大船即將過(guò)橋,船到這里無(wú)法由纖夫牽引,只能放倒桅桿,靠著橋上與橋邊的引導(dǎo)慢慢通過(guò).However due to the fast current and the ships position the must falls to recline completely, and this chaos attracts the crowds attention.而因水勢(shì)急,船身橫直,桅桿也未能完全放倒,一片緊張忙亂,引得橋上眾人關(guān)注.This scene or incident,illustrated right in the middle of the entire painting truly shows the painters magnifice skills.這事全圖的正中位置,也是畫(huà)家的神來(lái)之筆,以一個(gè)危機(jī)時(shí)間,匯聚了全圖的焦點(diǎn).The bride given its beautiful shape and design is fittingly named the Ranbow Bridge.要穿過(guò)的這座橋,形式優(yōu)美,婉如飛虹,故名曰虹橋.The highty advanced architecture design at that time is fully illustrated by its entire wooden structure which has a thin shape and wide span.它全部以木石結(jié)構(gòu)實(shí)現(xiàn),如此淺薄的形制,如此大的跨度,足見(jiàn)該橋結(jié)構(gòu)的先進(jìn).The Song Dynasty shipbuilding technology contributed vastly to the development of important and report trade.Merchant ships travelled East Asia , Southeast Asia,Arab and even the Mediterranean silk, poecelain and tea constitute the main export goods, water herbal, and jewelry are the major import.This herbal shop give s a glimpse of the prosperous trade during that period.事實(shí)上,宋代的造船技術(shù),還成就了發(fā)達(dá)的海外貿(mào)易.上傳活躍于東亞,東南亞,乃至阿拉伯.地中海等地區(qū),主要出口絲綢,瓷器,茶葉等.進(jìn)口主要喲香藥,象牙,珠寶等,從這家香藥鋪便可窺見(jiàn)一斑.Land transportation much like the waterway in Bianjing City is developing as well.The painting actually shows cannel caravans moving slowly is developing as well fully loaded with Weaten goods, which are to have mome all the way from the Silk Road.除了繁忙的水道航運(yùn)之外,汴京的陸路交通也相當(dāng)發(fā)達(dá).<在清明上河圖>中的城門(mén)一側(cè)竟然出現(xiàn)了一支滿(mǎn)載這西域商貨的駝隊(duì)正在緩緩前行,據(jù)說(shuō)他們是沿著漫漫的絲綢之路一路走過(guò)來(lái)的.As the Song Dynasty cities progress with prosperity , the social standing of the citizen is raised with aspiration for a richer cultural life.Correspondingly, arious street entertainment venues are formed to accommodate the citizen favourite activity, such as story telling , operation saying and many other types of performances for them to relax and enjo.宋代商業(yè)繁榮,城鎮(zhèn)不斷發(fā)展,市民階層地位也日益上升,市民文化崛起.與此相適應(yīng),出現(xiàn)了很多切合市民階層的娛樂(lè)場(chǎng)所,與符合其口味的表演藝術(shù),旺旺有說(shuō)書(shū),評(píng)話(huà),講史,小唱,戲曲等表演.市民再次休憩,消遣.Alongside these economic and cultural advancements, the Song Dynasty also witnessed great progress in the areas of public health.宋代城市不僅在經(jīng)濟(jì).文化領(lǐng)域成就巨大,在公共衛(wèi)生與醫(yī)療領(lǐng)域也頗有建樹(shù).Zhao Taichengs Residence shown in the Zhao Taichengs Residence as shown in the painting is one such illustration.Taicheng is the abbreviation for imperial doctor.趙太丞家便是一列,太丞是太醫(yī)丞的簡(jiǎn)稱(chēng).宋代的醫(yī)官可以從事第二職業(yè),給普通百姓治病.The imperial doctor could his secondary occupation also treat ordinary people thus benefitting the citizens to leave both easy access us well as professional medical treatment.汴京人有所謂病揾之說(shuō),及時(shí)因?yàn)榭床》奖?而且醫(yī)術(shù)也較高明.方井

In the painting, there is a specially shaped well outside the imperial doctors Residence with low walls built of rand earth , which serves to prevent dust from entering the well.There are many such wells in Bianjing City that leave standard shape and are under proper and unfied management.醫(yī)鋪旁有一口特殊的井,該井呈田字形,并臺(tái)后有夯土筑的矮墻,防塵刮落井中.當(dāng)時(shí)的汴京喲很多這樣的井,形制統(tǒng)一,也有統(tǒng)一的管理.Befor the Song Dynasty, night markets were banned.However Zhao Kuangym, the first emperor of the Song Dynasty , ordered that there be no curfew before the three drum hour , thus making Bianjing a sleepless city.宋代以前,夜市往往被批禁.入宋以后,宋太祖趙匡胤順應(yīng)形式下令,京城夜市至三股以來(lái),不得禁止,汴京由此成為一個(gè)不夜城.This animated ersion of the ancient painting not only reproduces the daily,daylight life of the city , but also Recreates the same scenes.Sing the night time lighting to bring out the charming and flourishing city in the night.此次感動(dòng)<清明上河圖>,以數(shù)字的方式不光重現(xiàn)了畫(huà)中所描繪的日景,還創(chuàng)造性的重現(xiàn)了夜間的汴京.華燈初上,人流如織,夜里的汴京比白天更佳嫵媚與繁花.There are countless such details to explore in this painting.The value of the work you have seen so far not only in depicting the urban life of an ancient Song Dynasty city, but also in demonstrating superb artistic skills and historical documentary value.The animated and moving

<清明上河圖>中還有無(wú)數(shù)這樣的細(xì)節(jié)可以探究.它的價(jià)值不僅在于對(duì)北宋汴京的城市生活的描繪.而且在于它飽含高超藝術(shù)的同時(shí)具備了極強(qiáng)的歷史文獻(xiàn)價(jià)值.此次感動(dòng)<清明上河圖>,歷史的畫(huà)卷,智慧的長(zhǎng)河,是借由當(dāng)今的數(shù)字化3D圖像技術(shù).Ultimately to present a vivid city life of the Northern Song Dynasty.最終呈現(xiàn)活靈活現(xiàn)的北宋城市生活.Thanks to today advanced technology , we have a chance to witness the lifestyle of the ancient Chinese people.通過(guò)今天的技術(shù),使我們有機(jī)會(huì)重新看到古代中國(guó)人的生活.As well as draw transportation from it for ourselves through this meaningful dialogue which allows us to traverse the gaps of history.而這種穿越歷史的對(duì)話(huà),對(duì)我們今天的城市生活也充滿(mǎn)了啟示.

第二篇:清明上河圖英文簡(jiǎn)介

There is no doubt that the Riverside Scene at Qingming Festival is not only one of the most famous ancient Chinese paintings but also the world picture in the most outstanding art works.The Riverside Scene at Qingming Festival was painted by the Northern Song painter Zhang Zeduan who was good at the traditional Chinese paintings designed work with special techniques for representing places, tower, buildings and other topics.The Riverside Scene at Qingming Festival is 24.8cm high and 528.7cm long which describes the legendary northern Song dynasty tomb sweeping festival scenery of Pyankung, but, to our surprise in the painting there are a total of 1643 people from the whole social bracket and 208 animals.If you put your heart into the painting, you may find the people and animals alive and even can hear their talks.It is amazing.So, the painting is not our Chinese art treasures but also the world's.

第三篇:清明上河圖英文介紹

Ascending the river on Qingming Festival is one of the ten most famous Chinese paintings that are regarded as a nation treasure, kept in the palace museum in Beijing.It is a typical genre painting of the northern song dynasty which was painted by a famous painter—Zhang Zeduan.It portrays the buildings and daily lives of people in the capital Bian Jing, in Northern Song dynasty.The first part of the scroll is the beautiful spring scenery in the suburb which includes several cottages, bridges, streams, old trees and small boats.This part presents the certain time and customs of Qingming and makes preparation for the following part.The middle part is the busy wharf of Bian river, the vital communication line in song dynasty.The third part is the crowded downtown streets where the buildings are arranged in order, including tearoom, wine shops, hotels, temples, moreover, there are medicine shops, fortune-telling booth, face-lifting booths and some other booths that are barely imaginable.The streets are filled with various people from various professions, wearing various clothes, doing various things.The picture seems alive and full of energy and vitality, just like the scenery is vividly in our eyes, you can see the people walk by and hear what they are talking about.Through the busy and prosperous life in the picture, you can gain a satisfying and happy feeling, and you may feel that even in different time about one thousand years apart you can know their lives and understand what they are doing.* They will never know people in future would appreciate them in picture and research into their lives.Maybe we live in today ,studying or working hard to find a good job to get what we think a better life, all these in the eyes of future’s people is just a subject to study, but the various inner sour, sweet, bitter, hot feeling ,who will know, only themselves.Just like in the picture, the person drinking a cup of tea may worry about the harvest of this year, the person who are speaking with others with smile may be annoyed and do not want to hear what the person opposite her said.I think appreciating painting is an interesting activity, especially the Chinese paintings which pay more attention to the spirit rather than the form.Zhang Zeduan planned the composition of persons, buildings, transportations, trees, streams subtly, achieving sense of three-dimensional space.Furthermore, He cultivated every person vividly so they have their own action and spirit.To sum up, the painting Ascending the river on Qingming Festival achieves the goal that all Chinese painters pursue—to capture the spirit as well as the form of subjects.It has a very high historical value and art level.

第四篇:清明上河圖

《清明上河圖》

北宋末期畫(huà)家張擇端的著名作品《清明上河圖》,生動(dòng)地記錄了中國(guó)十一世紀(jì)末期到十二世紀(jì)初的物質(zhì)面貌與精神面貌,真實(shí)地記錄了從廣闊原野到高聳城廓,從交通發(fā)達(dá)到商業(yè)興旺,從勞務(wù)市場(chǎng)到就業(yè)創(chuàng)業(yè),從緊張工作到休閑愜意,從自然風(fēng)光到人文風(fēng)光,從建筑特征到景點(diǎn)設(shè)施,從生動(dòng)人物到動(dòng)物植物的社會(huì)全貌,折射出作者對(duì)歷史的真實(shí)性、嚴(yán)肅性、合理性、責(zé)任性和全面性的真實(shí)寫(xiě)照,對(duì)今天的會(huì)計(jì)人員起到了真實(shí)反映的示范作用,要求人們客觀地、公正地反映經(jīng)濟(jì)信息和社會(huì)特征,對(duì)中國(guó)的會(huì)計(jì)文化層面有一定的貢獻(xiàn)。

一、從廣闊原野到高聳城廓看真實(shí)地反映了宋代勞動(dòng)人民的固定資產(chǎn)和流動(dòng)資產(chǎn)

廣闊原野。小橋旁一只小舢板栓在樹(shù)蔸上,幾戶(hù)農(nóng)家小院錯(cuò)落有致的分布在樹(shù)林之中,幾棵高高地樹(shù)枝上有四個(gè)鴉雀窩,打麥場(chǎng)上有3個(gè)石碾子,羊圈里有幾只羊,羊圈旁還有雞籠鴨舍,茶館邊的一家農(nóng)戶(hù)飼養(yǎng)著兩頭牛,遠(yuǎn)處田野里,農(nóng)民正在為禾苗澆水施肥,禾苗正在茁壯地成長(zhǎng)??。從這個(gè)廣闊的原野上真實(shí)地記錄了我國(guó)宋代的農(nóng)業(yè)景象與養(yǎng)殖業(yè)景象,反映了我國(guó)小農(nóng)經(jīng)濟(jì)的繁榮昌盛概況。高聳城廓。城門(mén)高大宏偉,氣壯山河,街面商場(chǎng)林立,有茶樓、酒館、當(dāng)鋪、作坊、布莊、診所,還有小商販。貨攤上商品琳瑯滿(mǎn)目、五光十色,有菜刀、剪子、雜貨??。城市功能齊全,作者真實(shí)地反映了當(dāng)時(shí)社會(huì)的物質(zhì)文明和精神文

明狀態(tài),是人類(lèi)文明的進(jìn)步。

從會(huì)計(jì)學(xué)的視角而言,《清明上河圖》[1]中的廣闊原野到高聳城廓全面地記錄了汴京城市的固定資產(chǎn)內(nèi)容有城門(mén)、店鋪、茶樓、酒樓、作坊、商場(chǎng)、醫(yī)院、民居、官府、宅第、橋梁、碼頭、船只、廟宇、公廨??;其流動(dòng)資產(chǎn)有商品、貨物、藥品、工具、用具、家具、牲畜、動(dòng)物、植物、莊稼??;其無(wú)形資產(chǎn)有老字號(hào)店鋪、老字號(hào)商品、商標(biāo)權(quán)、土地使用權(quán)、專(zhuān)有技術(shù)權(quán)??;其資產(chǎn)種類(lèi)繁多,結(jié)構(gòu)合理,自然和諧,發(fā)展有序,這些資產(chǎn)的存在為人類(lèi)持續(xù)發(fā)展作出了歷史性貢獻(xiàn)。

二、從交通發(fā)達(dá)到商業(yè)興旺看真實(shí)地反映了宋代勞動(dòng)人民的社會(huì)分工和有序發(fā)展

交通發(fā)達(dá)。在陸路交通上,人行道路川流不息的人群,有坐轎的,有騎馬的,有挑擔(dān)送貨的,有趕毛驢運(yùn)貨的,有駕車(chē)送貨的,還有推獨(dú)輪車(chē)的??,大橋南面和大街相互融通,街道向東西兩邊延伸,一直延伸到城郊去了。在水路交通上,汴河上流來(lái)往船只很多,可謂千帆競(jìng)發(fā),百舸爭(zhēng)流。有的船只停泊在碼頭附近,有的船只正在河中行駛,有的船只負(fù)載過(guò)重,還有很多纖夫正在拉纖,有的船只落下風(fēng)帆,有的船只正在使勁撐篙,有的船只正在安全通過(guò)橋洞,還有的船只正在裝貨或卸貨,可見(jiàn),汴河水運(yùn)繁忙而緊張,安全而有序,真實(shí)地反映了汴河流域的水運(yùn)繁榮興旺。

商業(yè)興旺。街市林立,地?cái)偯懿?,?chē)輛穿梭,貨船云集,商

品繁榮,琳瑯滿(mǎn)目,各行各業(yè),應(yīng)有盡有,車(chē)水馬龍,交易有序,彬彬有禮,真實(shí)地記錄汴京城市的商業(yè)興旺與經(jīng)濟(jì)生活的繁榮昌盛情況。

從會(huì)計(jì)學(xué)的視角來(lái)看,從交通發(fā)達(dá)到商業(yè)興旺是歷史變革的必然產(chǎn)物,“要想富,先開(kāi)路?!边@一先進(jìn)思想意義深遠(yuǎn),構(gòu)建水陸交通基礎(chǔ)網(wǎng)絡(luò)設(shè)施,拓展綜合運(yùn)輸經(jīng)營(yíng)體系,推動(dòng)農(nóng)業(yè)社會(huì)向商業(yè)社會(huì)發(fā)展是投資學(xué)獲得經(jīng)濟(jì)效益的社會(huì)實(shí)踐。

三、從勞務(wù)市場(chǎng)到就業(yè)創(chuàng)業(yè)看真實(shí)地反映了宋代勞動(dòng)人民的人力資源管理和人力資源運(yùn)用

勞務(wù)市場(chǎng)活躍。在溪溝小橋的腳行門(mén)前有不少勞動(dòng)工人,在一塊不大的勞務(wù)廣場(chǎng)上有的勞工或立或坐或打瞌睡或干脆躺下休息,看樣子這些勞工都在養(yǎng)精蓄銳,以求一席職位,尤以廣場(chǎng)上的勞務(wù)人員生意非常興旺,說(shuō)明了勞動(dòng)力的需求是通過(guò)勞務(wù)市場(chǎng)這一中介組織而公開(kāi)進(jìn)行的,證明了勞務(wù)市場(chǎng)的公眾性和需求性。

就業(yè)創(chuàng)業(yè)興旺。從畫(huà)卷中可以看出人們的職業(yè)相當(dāng)寬廣,有士紳、農(nóng)夫、商賈、醫(yī)卜、僧道、胥吏,篙師、纜夫、武士、力夫、把式,從職業(yè)中可以看出人們的職業(yè)涉及到當(dāng)時(shí)社會(huì)的農(nóng)業(yè)、工業(yè)、商業(yè)、交通、建筑、醫(yī)學(xué)、藝術(shù)、修理、廟宇、公廨等等行業(yè)或行當(dāng),人們的勞動(dòng)情緒緊張而又愉快。

從會(huì)計(jì)學(xué)的視角來(lái)看,不論是就業(yè)或者是創(chuàng)業(yè),勞動(dòng)者必須具備目標(biāo)正確、人脈通天、禮儀當(dāng)先、知識(shí)鋪路、素質(zhì)良好、心

態(tài)快樂(lè)、精神可貴、任勞任怨八大要素,要注重人力資源成本的比較,使其投資成本少、見(jiàn)效快的人力資源效益。勞動(dòng)力市場(chǎng)的開(kāi)設(shè)與開(kāi)放要看當(dāng)時(shí)當(dāng)?shù)厝嗣裾娜肆Y源政策管理水平而論,當(dāng)政府關(guān)注民生時(shí),勞務(wù)市場(chǎng)就活躍興旺,當(dāng)政府不關(guān)心民眾疾苦時(shí),勞務(wù)市場(chǎng)就死氣沉沉,可見(jiàn),汴京城市官員是很關(guān)心老百姓的民生問(wèn)題,真可謂:就業(yè)是民生之本,創(chuàng)業(yè)是富民之根。

第五篇:英文簡(jiǎn)介

我叫李永亮。首先,我在2010年畢業(yè)于大連工業(yè)大學(xué)服裝設(shè)計(jì)專(zhuān)業(yè),畢業(yè)后在大楊創(chuàng)世股份有限公司從事銷(xiāo)售行業(yè),工作了1年時(shí)間。我很喜歡大連,這也是我畢業(yè)后決定留在大連的原因,但是,這個(gè)城市這個(gè)工作,都是比較安逸的,作為年輕人,應(yīng)該不斷的去奮斗,不應(yīng)該提前享受安逸的生活,所以我選擇來(lái)北京發(fā)展,這里的壓力會(huì)大一些,同樣,動(dòng)力也會(huì)大一些,因?yàn)槟悴慌ぷ鞯脑?huà),那么你就將會(huì)被淘汰,因此,我會(huì)很用心很努力的對(duì)待我的工作!

My name is Li Yongliang.First of all, I graduated in 2010 at the Dalian

University clothing design special field, after graduation DaYangChuangShi limited company in sales, working for 1 years.I very like Dalian, this is my

graduation decided to stay in Dalian reasons, however, the city of the work, are relatively comfort, as a young man, should continue to struggle, should not to enjoy the easy life, so I choose to come to Beijing to develop, the pressure will be greater, similarly, power will be larger, because you don't work hard, you will be eliminated, therefore,I will be very hard very hard to deal with my work!

我是一個(gè)很隨和的人,平時(shí)很容易相處,很愛(ài)交朋友,在生活上,只要平淡簡(jiǎn)單點(diǎn)就行,但必須經(jīng)過(guò)現(xiàn)實(shí)考驗(yàn)。對(duì)待工作很認(rèn)真,如果是我喜歡的工作而且這個(gè)職位還有上升的空間,我會(huì)很用心很努力的走到那個(gè)位置,為了生活的更好,必須得努力去工作。

I am a easy going person, usually very easy to get along with, love to make friends, in life, as long as Insipid and simple point on the line, But to must pass the test of reality.Works very seriously, if I like the work and this position also increased the space, I will be very hard very hard to get to this position, In order to live better, must work hard

4年的服裝設(shè)計(jì)學(xué)習(xí),讓我對(duì)服裝時(shí)尚很敏感,做過(guò)一年的職業(yè)裝銷(xiāo)售,我對(duì)服裝的店面銷(xiāo)售,與客戶(hù)的需求分析,店面陳列,貨品管理,售后服務(wù)等都有了一個(gè)全面的認(rèn)知years of fashion design learning, let I to fashion very sensitive, Done a year occupation installed sales, Make me to high-end clothing store sales and customer demand analysis, store display, merchandise management, after-sales service and have a comprehensive understanding of

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