第一篇：電大論文封面-目錄-摘要

中央廣播電視大學人才培養模式改革和開放教育試點本科 __________會計學______________專業畢業設計(論文)

廣東廣播電視大學

畢業論文

題 目：關于汕頭合俊玩具廠破產清算會計核算的思考

姓

名：

卓楚麗

學 號：

***79

專 業： 會計學 入 學 時 間：

2013年春

指導教師及職稱：

肖海燕

所 在 電 大：

廣東廣播電視大學

目 錄

一、企業破產清算及其會計核算概述……………………………………………1

（一）企業破產及破產清算………………………………………………………1

（二）破產清算的會計核算………………………………………………………1

（三）破產清算會計科目的設賬及賬務處理……………………………………2

二、汕頭合俊玩具廠破產清算的會計核算………………………………………3

（一）汕頭合俊玩具廠破產接管時會計資料……………………………………3

（二）汕頭合俊玩具廠破產清算的會計核算……………………………………4

三、汕頭合俊玩具廠破產清算會計核算帶來的思考……………………………15 參考文獻……………………………………………………………………………16

內容摘要

從如何讓更多的瀕臨破產企業在激烈的競爭中繼續生存,以及以何種形式繼續在市場競爭中發揮自己的優勢而避開劣勢這個角度來談破產清算。企業破產清算是市場經濟體制下的一個永恒的話題。破產清算作為長期存在的事項,其財務問題則是一個不可回避的問題。本文通過對我國國有企業破產清算的各個階段,如破產財產的確認、估價、變價、分配為主線,論述其有關財產問題，使清算后企業通過清算實現規模經濟效應、經營和財務協同效應等。本文認為在破產清算實踐中，當被清算企業在評估調賬后仍處于資不抵債、凈資產為負數的情況，會計上應將資不抵債的數額列為遞延支出核算，這種處理方法有利于鼓勵優勢企業清算資不抵債的企業，減少因破產而增加的社會壓力。

【關鍵詞】破產

清算

企業

會計核算

第二篇：楊桂鳳論文封面—目錄—摘要 2

學號：1005030128

畢業論文

同創紙品包裝公司綠色營銷中的

問題及其對策

Tongchuang Packaging Paper Products Company in the Green Marketing of Problems and Countermeasures

學院 經濟管理學院 專業 市場營銷 班級 營銷專101班

學生

楊桂鳳

指導教師（職稱）

吳肖林(講師）

完 成 時 間 2013 年 3 月 4 日 至 2013 年 6 月 2 日

廣東石油化工學院畢業論文誠信承諾保證書

本人鄭重承諾：《同創制品包裝公司綠色營銷中的問題及其對策》畢業論文的內容真實、可靠，是本人在吳肖林指導教師的指導下，獨立進行研究所完成。畢業論文中引用他人已經發表或未發表的成果、數據、觀點等，均已明確注明出處，如果存在弄虛作假、抄襲、剽竊的情況，本人愿承擔全部責任。

學生簽名： 2013年6月2日

摘要

深圳同創紙品包裝有限公司是一家主要從事紙品包裝的制造型企業。經過多年的發展已經成長為具有一定發展前景的制造型企業。近年來我國的消費品從傳統的營銷方式逐漸地向綠色營銷不斷地發展，并且綠色營銷已引起全社會的普遍關注一些企業也在這方面也取得了良好開端，但從整體而言我國大多數企業還不具備綠色意識綠色消費的理念在紙制品包裝中綠色營銷的發展受到諸多因素的制約。近年來，環保的呼聲越來越高提倡更多的是使用環保的消費品。隨著經濟的迅速發展和人們生活水平的不斷提高,包裝在國民經濟中的地位越來越重要,與此同時,包裝所造成的環境污染和生態環境破壞也日趨嚴重。人們越來越清楚地認識到它對環境的危害,所以綠色包裝成為包裝界研究發展的方向。為了使同創紙品包裝有限公司得到更進一步的發展，本文將主要通過對紙品包裝開展綠色營銷所存在的問題進行詳細的研究，并為同創提高其綠色營銷水平提供建議和對策，以幫助同創紙品包裝做得更強更大。

關鍵詞：綠色營銷 存在問題 營銷策略

目 錄

摘要.............................................................I

一、引言...........................................................1

（一）研究背景..................................................1（二）研究的目的和意義...........................................1

（三）國內外研究現狀.............................................2

二、同創包裝公司綠色營銷現狀........................................5

（一）深圳市同創公司的概況.......................................5

（二）深圳市同創公司的綠色營銷現狀...............................5

三、同創包裝公司綠色營銷存在的問題..................................7

（一）紙品包裝綠色營銷觀念和營銷中存在的問題.....................7

（二）同創紙品包裝綠色營銷組合策略存在的問題.....................7

四、提高同創包裝公司綠色營銷水平的營銷對策..........................9

（一）積極樹立現代的綠色營銷理念.................................9

（二）提高同創公司綠色營銷水平的營銷策略.........................9

（三）加大公共關系營銷的推廣力度................................11

五、結論..........................................................13 參考文獻...........................................................14 致謝...............................................................15

第三篇：2封面、目錄、中文摘要關鍵詞示例

海爾集團內部控制研究報告

J080311**

張三

目錄（三號黑體居中）

(空一行)中文摘要(五號宋體)第一部分 公司背景介紹------------------------1 第二部分 ××公司內部控制五要素分析----------4 2.1內部環境分析---------------------------4 2.1.1組織架構---------------------------5 2.1.2發展戰略---------------------------6 ……

2.2風險評估分析---------------------------7.................第三部分 ××公司內部控制不足及相關建議------9 3.1××公司內部控制不足--------------------9 3.1.1×××------------------------------9 3.1.2×××-----------------------------10 3.2相關建議------------------------------12 3.2.1×××-----------------------------12 3.2.2×××-----------------------------13 第四部分 總結-18 參考文獻------32 附錄-----33

摘 要(三號黑體居中)

(空一行,四號宋體)隨著我國加入世貿組織三年多來，在我國零售業全面開放的發展新環境下，×××××企業在不斷發展自身實力的同時，也必須面對外資零售企業加快進軍中國市場的步伐，加大拓展中國零售業務的力度。企業在獲得………………………………(四號，宋體，1.5倍行距)

(空一行,四號宋體)關鍵詞(四號黑體)：XXXX，XXXX，XXXX，XXXX（四號宋體）

第四篇：論文封面電大機械設計制造畢業論文

北京廣播電視大學 畢業設計（論文）

題目：網絡考試系統

專業：年計算機科學與技術 學號：

姓名：

指導教師：

第五篇：畢業論文摘要、目錄

瓷器首飾的設計研究

摘要：本文力圖通過對目前世界首飾設計發展趨勢的分析，希望研究出能夠代表中國特色文化的瓷器首飾。

經濟的發展，科技的進步，生活水平的提高，人們對首飾的要求也跟著提高，等等一系列原因導致珠寶首飾傳統意義上的“ 保值 ”功能退居次要位置，代之而來的是審美、時尚、享受和健康。

盡管如此，全球化，統一化使得各國的生活方式和民族文化相互融合并逐漸趨于一致，最終導致了民族界限越來越小，民族特色首飾越來越少。面對這種情況，作為設計人員的我們唯一能做的就是宣傳愛國意識，傳播愛國情懷。而瓷器首飾本身就有很強烈的民族特征，在加上青花的效果和 “龍”圖紋的襯托，使得瓷器首飾的民族特征更加強烈，更加有利于宣傳愛國情懷的宣傳和表達。

雖然目前整個首飾行業發展已經邁入穩定狀態。但我相信瓷器首飾的出現將給首飾界帶來另一個無限的發展空間。

瓷器首飾它是當下最流行的“綠色產品”。它危害低,環保、節能、健康。它是你我最佳的選擇。

關鍵詞：瓷器首飾；時尚；中國文化；愛國情懷

中圖分類號：TB472

The Research on the Design of Porcelain Jewelry

Abstract: This paper tries to discuss eyewear design from the perspective of fun spirit by analyzing the present world development trend of eyewear design.We are familiar with eyewear as a product.Now，It is not only the use of correcting short-sightedness and astigmatism, but increasingly becoming a fashion carrier embodied the fun spirit as.For the consumers, the purchase of motivation is on fashion, on personality, on decoration.China's optical industry developed fast in recent years but the whole development of the industry has not been standardized, mature.China is the world's major production base of eyewear, the world's first production, but also can not be the forefront of the field.The lack of design capabilities, blindly follow the example is an important reason.China has a long history, which are rich in spiritual wealth is unique to us.In particular, the Chinese elements is more and more popular today, the using of the Chinese elements in eyewear design creativity is a practical sense.The interpretation of Chinese elements, of course, can not remain in superficial level.This paper wants to interpret the Chinese elements with fun spirit in eyewear design, make It has new content, in line with modern consumer and aesthetic needs.Keywords: Porcelain Jewelry ；Eyewear design ；Chinese elements

Classification: TB472

目次

摘要·······································································································································Ⅰ 目次·······································································································································Ⅲ 1緒論······································································································································1

1.1研究背景··························································································································1

1.2研究目的與意義··············································································································2 2瓷器概述······························································································································4

2.1瓷器的定義······················································································································4

2.2瓷器的發展及其現狀······································································································5

2.3瓷器產品的分析··············································································································6 3首飾設計概述······················································································································8

3.1首飾的定義及其分類······································································································8

3.1.1首飾的定義··················································································································8

3.1.1首飾的分類··················································································································8

3.2首飾設計的基本方法······································································································9

3.2.1點線面在首飾中的體現······························································································9

3.2.2色彩在首飾設計中的運用························································································10

3.2.3現代首飾的主要特征和形式美的法則···································································· 11

3.3首飾設計元素的選擇····································································································12

3.4首飾設計造型的演化····································································································13

3.5首飾設計圖案的選擇·································································································14

3.6套件首飾設計············································································································15

3.7現有首飾分析············································································································15 4瓷器首飾的設計················································································································16

4.1瓷器飾品的現狀及其發展前景····················································································16

4.2瓷器首飾的特點············································································································18

4.2.1瓷器首飾具有強烈的民族性····················································································18

4.2.2瓷器首飾是新型的“綠色首飾” ············································································183

4.2.3瓷器首飾具有的材質優勢························································································19

4.2.4瓷器首飾具有無可替代的色彩優勢········································································19

4.2.5瓷器首飾具有形式多樣性························································································20

4.2.6瓷器首飾具有獨特裝飾效果····················································································20

4.3瓷器首飾的加工工藝····································································································21 5瓷器首飾的設計理念及其運用························································································22

5.1碗造型及印章的寓意····································································································22

5.2青花圖案與現代亮麗的黃顏色分析對比····································································23

5.3龍文化的寓意················································································································24 6設計實踐部分····················································································································26

6.1產品構想························································································································26

6.1.1背景調查····················································································································26

6.1.2目標人群分析············································································································26

6.1.3材料選定····················································································································27

6.1.4產品定位····················································································································27

6.2設計初稿························································································································28

6.3產品分析························································································································28

6.4佩戴展示························································································································29

6.5設計效果圖····················································································································30

6.6設計版面························································································································31 7結論····································································································································32 參考文獻·······························································································································33 學位論文數據集···················································································································344