第一篇：老人與海英文讀書報告

A Book Report of The Old Man and the Sea

The Old Man and the Sea is a novel written by Ernest Hemingway, an American novelist.The story is set in the 20th century after World War II, which is based on the novel written true story Hemingway himself has experienced.Exactly, it’s a story of an epic struggle between an old, seasoned fisherman and the greatest catch of his life.Leading character Santiago, an aged Cuban fisherman, has set out to sea and returned empty-handed.At first 84 days, he did not even fish one fish.He did not have enough food, and many locals to doubt his fishing technique.Some even laugh at him.So, He decided to go to the sea to fish food and proved that he is a skilled fisherman.On the eight-fifth day of his unlucky streak, Santiago does as promised, sailing his skiff far beyond the island’s shallow coastal waters and venturing into the Gulf Stream.At noon, a big fish, marlin, take the bait that Santiago has placed before.Although the old man expertly hooks the fish, but he cannot pull it in.Instead, the fish begins to pull the boat.He knows perfectly well very difficult to win, but still did not give up.Since then, they began their three-day fighting.The entire time, Santiago, endures constant pain from the fishing line.Eventually, the third day, the fish tires, and Santiago manages to pull the marlin in close enough to kill it with a harpoon thrust.However, things do not go smoothly as he expected.On his way home, he is attacked buy several crowds of shark.Although he kills the sharks in the end, they have devoured the marlin’s precious meat, leaving only skeleton.The old man arrives home before daybreak, and sleeps very deeply.Later on, the old man wakes up and finds the little boy Mandolin staying with him, and decides to go to sea to fish again.In fact, the story contains many different symbols and themes.By reading this book, I was deeply impressed by the old man and what he said “a man can be destroyed but not defeated.” Santiago, though destroyed at the end of the novella, is never defeated.Instead, he emerges as a hero.Santiago’s struggle does not enable him to change man’s place in the world.But the struggle somehow enables him to meet his most dignified destiny.The old man sets a good example for us.He teachers us that we should fight and never lose faith, never give up.No matter how hard the life is, it’s possible for us to overcome the difficulties.

第二篇：老人與海 讀書報告 英文

《老人與海》讀書報告

Book Report of The Old Man and the SEA

The Old Man and the SEA is a midium-length novel written by Ernest miller

Hemingway ,who was born in America.Hemingway went through a quite rough life.He experienced two wars.The wars brought lots of honor to him, followed by 237 scars of wounds and frightening memories which can never be driven away.As far back as 1939, Hemingway began to prepare for the novel.But in fact, the novel was not be published until 1952.“A man is not made for defeat.” “A man can be destroyed but not defeated.”After reading the book The Old Man and The Sea , my brain is filled with these two

sentences.Santiago is a true man who taught me to face difficulties bravely and to be confident in my life.The Old Man and the SEA is a story that a old fisherman, Santiago, did not catch any fish in 84 days.At first, a boy named Manolin used to go fishing with Santiago.But after 40 days without any fish ,his parents arranged the boy to go to another boat, because they thought it would unlucky to let the boy stay with the old man.However, in the eighty fifth day ,the old man rowed the boat far away in the early morning ,and to his surprise, he caught a marlin which was bigger than the boat.The old man struggled with the big marlin in the following two days, and finally speared it.However, the injured fish left a trace with blood, leading hundreds sharks to

battle.The old man tried his best to fight with sharks, but when he arrived at

harbor ,the old man fell down exhaustedly ,only to find there was just a huge fishbone left.The boy came to visit the old man and he believed the old man was not a loser.He told the old man "He did not beat you.Not the fish.That afternoon, the old man slept.He met a lion in his dream.In the story, Santiago is the symbol of those who will never give in to the

difficulties no matter how hard they are.The sharks stands for some resistance, even disasters.Santiago showed his optimism.Even if he just caught a fish born, he still a winner in spirit.After reading the novel, we can understand what is true brave.We may meet

various of difficulties and challenges in our life.Facing to them, what should we do? Santiago has given us a powerful answer.I think the old man is the lion in his dream __a lion that will never give up ,no matter what difficulties he met.Never give up__ that'swhat The Old Man and the Sea told us.

第三篇：老人與海英文讀書報告

A Book Report of The Old Man and the Sea The Old Man and the Sea is a novel written by Ernest Hemingway, an American novelist.The story is set in the 20th century after World War II, which is based on the novel written true story Hemingway himself has experienced.Exactly, it’s a story of an epic struggle between an old, seasoned fisherman and the greatest catch of his life.Leading character Santiago, an aged Cuban fisherman, has set out to sea and returned empty-handed.At first 84 days, he did not even fish one fish.He did not have enough food, and many locals to doubt his fishing technique.Some even laugh at him.So, He decided to go to the sea to fish food and proved that he is a skilled fisherman.On the eight-fifth day of his unlucky streak, Santiago does as promised, sailing his skiff far beyond the island’s shallow coastal waters and venturing into the Gulf Stream.At noon, a big fish, marlin, take the bait that Santiago has placed before.Although the old man expertly hooks the fish, but he cannot pull it in.Instead, the fish begins to pull the boat.He knows perfectly well very difficult to win, but still did not give up.Since then, they began their three-day fighting.The entire time, Santiago, endures constant pain from the fishing line.Eventually, the third day, the fish tires, and Santiago manages to pull the marlin in close enough to kill it with a harpoon thrust.However, things do not go smoothly as he expected.On his way home, he is attacked buy several crowds of shark.Although he kills the sharks in the end, they have devoured the marlin’s precious meat, leaving only skeleton.The old man arrives home before daybreak, and sleeps very deeply.Later on, the old man wakes up and finds the little boy Mandolin staying with him, and decides to go to sea to fish again.In fact, the story contains many different symbols and themes.By reading this book, I was deeply impressed by the old man and what he said “a man can be destroyed but not defeated.” Santiago, though destroyed at the end of the novella, is never defeated.Instead, he emerges as a hero.Santiago’s struggle does not enable him to change man’s place in the world.But the struggle somehow enables him to meet his most dignified destiny.The old man sets a good example for us.He teachers us that we

should fight and never lose faith, never give up.No matter how hard the life is, it’s possible for us to overcome the difficulties.簡介

The Old Man and the Sea is one of Hemingway's most enduring works.Told in language of great simplicity and power,it is the story of an old Cuban fisherman,down on his luck,and his supreme ordeal——a relentless,agonizing battle with a giant marlin far out in the Gulf Stream.Here Hemingway recasts,in strikingly contemporary style,the classic thene of courage in the face of defeat,of personal triumph won from los.Written in 1952,this hugely successfully novella confirmed his power and presence in the literary world and played a huge part in his

winning the 1954 Nobel Prize for Literature.Ernest Hemingway The Old Man and the Sea may very well become one of the true classics of this generation.Certainly, the qualities of Ernest Hemingway's short novel are those which we associate with many great stories of the past: near perfection of form within the limitations of its subject matter, restraint of treatment, regard for the unities of time and place, and evocative simplicity of style.Also, like most great stories, it can be read on more than one level of meaning.On one it is an exciting but tragic adventure story.Sustained by the pride of his calling, the only pride he has left, a broken old fisherman ventures far out into the Gulf Stream and there hooks the biggest marlin ever seen in those waters.Then, alone and exhausted by his struggle to harpoon the giant fish, he is forced into a losing battle with marauding sharks;they leave him nothing but the skeleton of his catch.On another level the book is a fable of the unconquerable spirit of man, a creature capable of snatching spiritual victory from circumstances of disaster and material defeat.On still another it is a parable of religious significance, its theme supported by the writer's unobtrusive handling of Christian symbols and metaphors.Like Coleridge's Ancient Mariner, Hemingway's Cuban fisherman is a character allowing the imagination of his creator to operate simultaneously in two different worlds of meaning and value, the one real and dramatic, the other moral and devotionally symbolic.老 人 與 海

〔美〕海明威? 楊枕旦 譯注

《老人與海》完全可能成為當(dāng)代一部名副其實的經(jīng)典作品。厄納斯特?海明威的這部短篇小說無疑具有以往許多巨著的共同特點： 在題材所限的范圍內(nèi)幾乎達(dá)到形式上的完美無缺、處理方法謹(jǐn)嚴(yán)、注意時間和地點的統(tǒng)一，行文簡潔而內(nèi)涵很深。另外，和極大多數(shù)巨著一樣，海明威的這篇小說讀起來可有不止一層的意思。一方面，這是一個激動人心的帶有悲劇性的冒險故事。故事講到一個精神沮喪的老漁人，在他對職業(yè)的自豪感(他留下的唯一自豪感)的支持之下，冒險遠(yuǎn)航至墨西哥灣流并在那里釣住了一條該水域中從未見過的最大的馬林魚。故事接著說到他孤零零地、在因奮力叉住這條大魚而耗盡了力氣之后，被迫投入一場和一群海盜似的鯊魚的絕望的搏斗之中，結(jié)果是那些鯊魚只給他留下了獵獲物的一具骨架。另一方面，這又是一個寓言，它描述了人所具有的不可征服的精神力量——一個人如何從災(zāi)難和實際失敗的環(huán)境中攫取精神上的勝利。再一方面，這是帶有宗教意義的一種隱喻，作者不引人注目地給這一主題添加了基督教的一些象征和比喻。和柯勒律治筆下的“老水手”一樣，海明威筆下的古巴漁民是這樣一個角色，他容許作者的想象力同時在兩個領(lǐng)域中活動，這兩個領(lǐng)域具有不同的意義和價值，一個注意寫實，有著動人的情節(jié)；另一個則側(cè)重道德說教，充滿象征的意義。

For eighty four days old Santiago had not caught a single fish.At first a young boy, Manolin, had shared his bad fortune, but after the fortieth luckless day the boy's father told his son to go in another boat.From that

time on Santiago worked alone.Each morning he rowed his skiff out into the Gulf Stream where the big fish were.Each evening he came in empty-handed.桑提亞哥老人已經(jīng)八十四天沒有捕到一條魚了。最初，一個年輕的孩子曼諾林和他一起分擔(dān)惡運，但在過了四十天倒霉日子之后，孩子的爸爸讓孩子到另一條船上干活去了。從那個時候起，桑提亞哥只是一個人干活。每天早晨他劃著小船到有大魚出沒的墨西哥灣流去，每天晚上他總是兩手空空地回來。

The boy loved the old fisherman and pitied him.If Manolin had no money of his own, he begged or stole to make sure that Santiago had enough to eat and fresh baits for his lines.The old man accepted his kindness with humility that was like a quiet kind of pride.Over their evening meals of rice or black beans they would talk about the fish they had taken in luckier times or about American baseball and the great DiMaggio.At night, alone in his shack, Santiago dreamed of lions on the beaches of Africa, where he had gone on a sailing ship years before.He no longer dreamed of his dead wife.孩子喜歡并且可憐這個老漁人。曼諾林要是自己沒有掙到錢，就會乞討或偷竊以保證桑提亞哥有足夠的食物和新鮮的魚餌。老人謙卑地接受孩子的好意，謙卑中帶有某種隱而不露的自豪感。晚餐時(吃的是大米飯和黑蠶豆)他們總會談?wù)撛谶\氣好的日子里一起捕獲的大魚，或是談?wù)撁绹陌羟蛸惡蛡ゴ蟮牡荫R吉奧。夜間桑提亞哥一個人躺在自己的小棚屋里，夢見非洲海灘上的獅子，幾年前他航海去過那個地方。他不再夢見自己死去的老婆了。

On the eighty-fifth day Santiago rowed out of the harbor in the cool dark before dawn.After leaving the smell of land behind him, he set his lines.Two of his baits were fresh tunas the boy had given him, as well as sardines to cover his hooks.The lines went straight down into deep dark water.在第八十五天，桑提亞哥在寒冷的黎明前的黑暗中，把小船劃出了港口。在把陸地的氣息拋在身后之后，他放下了釣絲。他的兩個魚餌是孩子給他的鮮金槍魚，還有把魚鉤遮蓋起來的沙丁魚。釣絲垂直地下到暗黑的深水里。

As the sun rose he saw other boats in toward shore, which was only a low green line on the sea.A hovering man-of-war bird showed him where dolphin were chasing some flying fish, but the school was moving too fast and too far away.The bird circled again.This time Santiago saw tuna leaping in the sunlight.A small one took the hook on his stern line.Hauling the quivering fish aboard, the old man thought it a good omen.Toward noon a marlin started nibbling at the bait which was one hundred fathoms down.Gently the old man played the fish, a big one, as he knew from the weight on the line.At last he struck to settle the hook.The fish did not surface.Instead, it began to tow the skiff to the northwest.The old man braced himself, the line taut across his shoulders.Although he was alone and no longer strong, he had his skill and knew many tricks.He waited patiently for the fish to tire.太陽升起時，他看到別的一些船只都頭朝著海岸，在海上看來海岸象是一條接近地平線的綠帶子。一只盤旋的軍艦鳥給老人指明了海豚追逐飛魚的地方。但是魚群游得太快、也太遠(yuǎn)了。這只猛禽又在盤旋了，這次桑提亞哥瞧見金槍魚在太陽光下躍起。一條小金槍魚咬住了他艉纜上的魚鉤。老人在把顫動的金槍魚拉上船板以后，心想這可是一個好兆頭。

The old man shivered in the cold that came after sunset.When something took one of his remaining baits, he cut the line with his sheath knife.Once the fish lurched suddenly, pulling Santiago forward on his face and cutting his cheek.By dawn his left hand was stiff and cramped.The fish had headed northward;there was no land in sight.Another strong tug on the line sliced Santiago's right hand.Hungry, he cut strips from the tuna

and chewed them slowly while he waited for the sun to warm him and ease his cramped fingers.That morning the fish jumped.Seeing it leap, Santiago knew he had hooked the biggest marlin he had even seen.Then the fish went under and turned toward the east.Santiago drank sparingly from his water bottle during the hot afternoon.Trying to forget his cut hand and aching back, he remembered the days when men had called him Campeon and he had wrestled with a giant Negro in the tavern at Cienfuegos.Once an airplane droned overhead on its way to Miami.快到中午時，一條馬林魚開始啃起一百深處的那塊魚餌來了。老人輕輕地擺布那條上了鉤的魚，根據(jù)釣絲的份量他知道那準(zhǔn)是一條大魚。最后他猛拉釣絲把魚鉤給穩(wěn)住了。但是，那條魚并沒有浮出水面，反而開始把小船拖著往西北方向跑。老人打起精神，斜挎在肩膀上的釣絲繃得緊緊的。他雖然孤身一人，體力也不如從前，但是他有技術(shù)，他懂得許多訣竅。他耐心地等待魚累乏下來。

Close to nightfall a dolphin took the small hook he had rebaited.He lifted the fish aboard, careful not to jerk the line over his shoulder.After he had rested, he cut fillets from the dolphin and kept also the two flying fish he found in its maw.That night he slept.He awoke to feel the line running through his fingers as the fish jumped.Feeding line slowly, he tried to tire the marlin.After the fish slowed its run.he washed his cut hands in sea water and ate one of the flying fish.At sunrise the marlin began to circle.Faint and dizzy, he worked to bring the big fish nearer with each turn.Almost exhausted, he finally drew his catch alongside and drove in the harpoon.He drank a little water before he lashed the marlin to bow and stern of his skiff.The fish was two feet longer than the boat.No catch like it had ever been seen in Havana harbor.It would make his fortune, he thought, as he hoisted his patched sails and set his course toward the southwest.日落之后，寒意襲人，老人冷得發(fā)抖。當(dāng)他剩下的魚餌中有一塊被咬住時，他就用自己那把帶鞘的刀把釣絲給割斷了。有一次那條魚突然一個側(cè)身，把桑提亞哥拉得臉朝下地跌了一跤，老人的頰部也給劃破了。黎明時分，他的左手變得僵硬并抽起筋來了。那條魚還是一直往北游，一點陸地的影子都瞧不見了。釣絲又一次猛的一拉，把老人的右手給勒傷了。老人肚子餓得發(fā)慌，就從金槍魚身上割下幾片肉，放在嘴里慢慢嚼著，等著太陽出來曬暖他的身子和減輕手指抽筋的痛苦。

An hour later he sighted the first shark.It was a fierce Mako, and it came in fast to slash with raking teeth at the dead marlin.With failing might the old man struck the shark with his harpoon.The Mako rolled and sank, carrying the harpoon with it and leaving the marlin mutilated and bloody.Santiago knew the scent would spread.Watching, he saw two shovel nosed sharks closing in.He struck at one with his knife lashed to the end of an oar and watched the scavenger sliding down into deep water.The other he killed while it tore at the flesh of the marlin.When the third appeared, he thrust at it with the knife, only to feel the blade snap as the fish rolled.The other sharks came at sunset.At first he tried to club them with the tiller from the skiff, but his hands were raw and bleeding and there were too many in the pack.In the darkness, as he steered toward the faint glow of Havana against the sky, he heard them hitting the carcass again and again.But the old man thought only of his steering and his great tiredness.He had gone out too far and the sharks had beaten him.He knew they would leave him nothing but the stripped skeleton of his great catch.第二天早上，這條魚蹦出了水面。桑提亞哥瞧見魚的躍起，知道自己釣到了一條未見過的最大的馬林魚。一會兒魚又往下沉去，轉(zhuǎn)向了東方。在熾熱的下午，桑提亞哥節(jié)省地喝起水壺里的水。為了忘掉劃破的手和疼痛的背，他回想起過去人們?nèi)绾畏Q他為“優(yōu)勝者”和他如何在西恩富戈斯地方一家酒館里和一個大個子黑人比手勁。有一次一架飛機(jī)嗡嗡地從頭上掠過，向邁阿密飛去。

All lights were out when he sailed into the little harbor and beached his skiff.In the gloom he could just make out the white backbone and the upstanding tail of the fish.he started up the shore with the mast and furled sail of his boat.Once he fell under their weight and lay patiently until he could gather his strength.In his shack he fell on his bed and went to sleep.黃昏之際，一條海豚吞食了他重新放上魚餌的小鉤子。他把這條“魚”提到了船板上，小心不去拉動他肩上的釣絲。休息一會之后，他切下幾片海豚肉并且把在海豚胃中發(fā)現(xiàn)的兩條飛魚留了下來。那天夜里他睡著了。他醒來時覺得當(dāng)這條魚跳起時釣絲就滑過他的手指。他緩慢地把釣絲放松，盡力想把這條馬林魚拖乏。在這條大魚放慢跳躍時，他把劃破的雙手放在海里洗，并且吃了一條飛魚。日出時，這條馬林魚開始打起轉(zhuǎn)來了。老人感到頭暈?zāi)垦＃M力把大魚在每轉(zhuǎn)一圈時拉得更近一些。他雖然幾乎筋疲力盡，終于還是把自己的捕獲物拉得和小船并排在一起并用魚叉猛擊這條馬林魚。他喝了一點水，然后把馬林魚捆綁在他那條小船的頭部和尾部。這條馬林魚比船還長兩英尺。哈瓦那港從來沒有見過捕到這么大的魚，他扯起有補(bǔ)丁的船帆開始向西南方向駛?cè)ィ南脒@下要發(fā)財了。

There the boy found him later that morning.Meanwhile other fishermen, gathered about the skiff, marveled at the giant marlin, eighteen feet long from nose to tail.When Manolin returned to Santiago's shack with hot coffee, the old man awoke.The boy, he said, could have the spear of his fish.Manolin told him to rest, to make himself fit for the days of fishing they would have together.All that afternoon the old man slept, the boy sitting by his bed.Santiago was dreaming of lions.— Excerpts from Masterpieces of World Literature in Digest Form 一個小時以后，他瞧見了第一條鯊魚。這是一條兇猛的尖吻鯖鯊。它飛快地游了過來，用耙一樣的牙齒撕這條死馬林魚。老人用盡余力把魚叉往鯊魚身上扎去。尖吻鯖鯊打著滾沉下去了，帶走了魚叉，而且已經(jīng)把馬林魚咬得殘缺不全，鮮血直流。桑提亞哥知道血腥味會散開來。他望著海面，看到兩條犁頭鯊游近來了。他用綁在槳的一頭的刀子擊中了其中的一條，

第四篇：《老人與海》讀書報告

內(nèi)容梗概：

風(fēng)燭殘年的老漁夫圣地亞哥一連八十四天都沒有釣到一條魚，幾乎快餓死但他仍然不肯認(rèn)輸，而充滿斗志，他的希望和自信從未消失。終于在第八十五天釣到一條身長十八尺，體重一千五百磅的大魚。大魚拖著船往海里走，老人頑強(qiáng)地和大魚搏斗，左手抽筋，頭暈眼花，經(jīng)過兩天兩夜后，他終于殺死大魚，把它拴在船邊。但反途中卻遭到很多鯊魚攻擊，老漁夫并不畏懼，誓死守衛(wèi)自己的戰(zhàn)果，又一個個殺死了鯊魚，最后只剩下了一支折斷的舵柄作為武器。結(jié)果受到一群鯊魚的攻擊，老人無力應(yīng)對，大魚仍難逃脫被吃光的命運，最后老人筋疲力盡地拖回一副魚骨架。

讀書心得：

讀完《老人與海》我感觸很深，腦海中老人在茫茫大海中與大魚作斗爭的畫面揮之不去，老人的樂觀堅強(qiáng)，不懼困難的精神讓我敬佩，讓我折服。我挑選自己體會比較深的幾個方面寫了自己的讀書心得，記錄此刻的感悟。

一、孩子的支持與關(guān)懷

小說主人公是一位年邁體衰瘦骨嶙峋的老漁夫圣地亞哥，陪伴他左右的是一個從五歲就跟隨他的小男孩，老人時運不濟(jì)接連四十天沒有捕到魚，男孩不得已在父母安排下上了另外一條船，跟隨別人打魚。男孩對老人充滿崇敬與愛戴，他沒有從此拋棄老人，五歲時跟隨老人打魚，魚差點把船撞碎，他與老人海上共患難的場景始終不曾忘記，男孩的善良讓我感動，“只要我活著你就絕不會不吃飯就去打魚”，他給忍饑挨餓的老人拿來飯菜，并細(xì)心帶來刀叉和湯匙，用餐巾紙包著。還為自己粗心大意沒有想到給老人帶肥皂和干凈的毛巾而懊惱，并想再給老人弄件襯衫、夾克衫、鞋子和毯子來讓他過冬，男孩一直照顧關(guān)懷著老人。他不僅給予老人物質(zhì)上的關(guān)懷，還給了老人極大的心靈安慰，他一直相信老人，一直支持老人，認(rèn)為老人是最好的漁夫，男孩始終相信他們能捕到大魚。男孩的支持也多多少少給了老人勇氣與信心，老人在與大魚作斗爭的過程中時時念叨“要是那孩子在就好了”，男孩是老人的精神支柱之一。

老人也曾風(fēng)光過，英雄遲暮，也許有人會譏笑諷刺，有人會同情，有人會忘記你曾經(jīng)的光輝，只知道你現(xiàn)在的落魄，但有那么一個人，默默地陪伴你，支持你，相信你，是幸運的。我們在生活中也要盡可能的給予他人鼓勵支持，一句鼓勵的話，也許很簡短，卻可能給別人帶來無盡的力量。

二、機(jī)遇只給有準(zhǔn)備的人

老人第八十五天出海打魚他把釣索垂得比任何人更直，別的漁夫讓釣索隨著海流漂去，他總是把它們精確地放在適當(dāng)?shù)牡胤健Ｕf不定今天就轉(zhuǎn)運了，每一天都是一個新的日子，他情愿做到分毫不差。這樣，運氣來的時候，就有所準(zhǔn)備了。

機(jī)遇只給有準(zhǔn)備的人，老人一絲不茍的做好工作，不因為之前沒有收獲而懈怠松散，即使每天的工作是重復(fù)的，是無趣的。老人時刻準(zhǔn)備著能夠捕到大魚，好運也光顧了他。

三、老漁夫——永不認(rèn)輸?shù)臉酚^主義精神。

不因他人的嘲諷而懷疑自己。老人接連八十四天沒有收獲，不少漁夫拿老人開玩笑，老人并不生氣。另外一些上了些年紀(jì)的漁夫望著他，感到難受。但老人的希望和自信從未消失，他愉快而不肯認(rèn)輸。人生路上我們應(yīng)堅持自己的夢想，不因別人的輕視嘲笑而放棄，不因條件的惡劣不利而認(rèn)輸，相信自己，堅信通過努力一定可以實現(xiàn)自己的夢想。

堅持就是勝利。第八十五天出海，他終于有了意外的收獲，但卻是一條極大的魚，老人被魚拖到了遠(yuǎn)海。他要對付的這條魚，是他見過最大的，比他聽說過的還要大，糟糕的是他的沒有足夠的武器，沒有足夠的力氣，沒有幫手。但他沒有就此放棄，而是竭盡所能，苦苦和大魚僵持著，互相拿彼此沒有辦法，老人左手抽筋，右手被繩索勒得鮮血淋漓，頭暈眼花，汗流浹背，體力嚴(yán)重透支，纏斗了兩天兩夜，斗智斗勇，終于將大魚刺死。老人的堅持令人佩服，老人永不服輸?shù)木窳钊司次罚鎸?qiáng)大的對手，老人的斗志被激發(fā)，他拼死斗爭到底，老人這種精神值得我們學(xué)習(xí)。回想自己，面對困難有多少次輕言放棄？面對挫折有多少次軟弱低頭？破釜沉舟，背水一戰(zhàn)的勇氣可曾有過？有時候，打敗我們的不是困難本身，而是我們自己那畏懼的內(nèi)心；毀掉夢想的不是它的遙不可達(dá)，而是我們不肯堅持到底的放棄。保持樂觀，自我激勵。老人在與大魚斗爭的過程中，也曾想過放棄，但他及時的激勵自己，給自己打氣，為了給自己增強(qiáng)信心，他回想起那回跟碼頭上力氣最大的大個子黑人比手勁的光景，整整一天一夜，兩只手緊握著，雙方都竭力將對方的手使勁朝下壓到桌面上。勢均力敵，老人使出渾身力氣，最終贏得勝利，如果一心想要做到的話，就能夠打敗任何人。老人相信自己曾經(jīng)可以，現(xiàn)在也可以。他自言自語的給自己心理暗示，“手，不要抽筋。頭，為了我熬下去吧，不要暈。”努力的想要保持頭腦清醒，他堅信自己可以取得勝利。有時候自我激勵何嘗不是一種有效的方法，奮斗的過程是孤獨的，我們要做自己的心靈伴侶，我們要做自己的支持者，我們要為自己加油。以往的成就也能激勵我們，給我們信心與動力，困境中不妨想想曾經(jīng)的勝利，堅持下去，不斷前進(jìn)。

即使一無所得也不會輕言放棄，只為證明自己不是弱者。老人在返航途中遭遇鯊魚的襲擊，他盡力抗?fàn)帲鄣酵卵罱K只收獲了一副魚的骨架。面對鯊魚群。老人沒有放任它們肆意搶奪自己的戰(zhàn)利品，他依舊想盡千方百計趕走鯊魚。他表現(xiàn)出無與倫比的力量和勇氣，不失人的尊嚴(yán)，是精神上的勝利者。

生活中，我們應(yīng)不吝嗇的給予本人幫助與支持，也應(yīng)時不時地給自己鼓勵，要有永不服輸?shù)臉酚^主義精神。凡成大事者都有超乎常人的意志力、忍耐力，也就是說，碰到艱難險阻或陷入困境，常人難以堅持下去而放棄或逃避時，有作為的人往往能夠挺過去，挺過去了就是勝者。生活中能壓倒一切的不算是強(qiáng)者，不被一切壓倒的人才是真正的強(qiáng)者。所以，戰(zhàn)勝自我，超越自我，充實自我，以最大的熱情去擁抱生活。

第五篇：老人與海讀書報告

《老人與海》讀書報告

學(xué)號：00000000姓名：000000專業(yè)班級：000000000000 摘要：

1作者簡介主要內(nèi)容

3本書獨到之處作者在書中傳達(dá)的信息讀后感與評析

一． 作者簡介 歐內(nèi)斯特·米勒爾·海明威（1899—1961），美國小說家。1899年7月21日，海明威出生在美國伊利諾伊州芝加哥郊外橡樹園鎮(zhèn)一個醫(yī)生的家庭。他的父親酷愛打獵、釣魚等戶外活動，他的母親喜愛文學(xué)，這一切都對海明威日后的生活和創(chuàng)作產(chǎn)生了不少的影響。中學(xué)畢業(yè)后，海明威在美國西南的堪薩斯《星報》當(dāng)了6個月的實習(xí)記者。這家報館要求新聞報道簡捷明快。海明威在《星報》受到了良好的訓(xùn)練。他對創(chuàng)作懷著濃厚的興趣，一面當(dāng)記者，一面寫小說。他的創(chuàng)作得到當(dāng)時著名小說家的鼓勵和指點。他的一生非常的坎坷，經(jīng)歷過兩次世界戰(zhàn)爭。戰(zhàn)爭讓他得到榮譽(yù)，伴隨榮譽(yù)的是他身上237處的傷痕和趕不走的惡魔般的戰(zhàn)爭記憶。因為這些不尋常的經(jīng)歷，他創(chuàng)作出許多經(jīng)典的作品，《太陽照樣升起》、《永別了，武器》、《非洲的青山》、《乞力馬扎羅山的雪》等。其中《老人與海》榮獲了諾貝爾文學(xué)獎和普利策獎。這部小說創(chuàng)下了人類出版史上空前絕后的一個紀(jì)錄：48小時售出500萬冊，50小時售出530萬冊！當(dāng)他被宣布為當(dāng)年的普利策文學(xué)獎得主時，評論界一致稱好。海明威自己認(rèn)為 “是這一輩子所能寫的最好的一部作品”。1961年7月2日，蜚聲世界文壇的海明威用自己的獵槍結(jié)束了自己的生命。整個世界都為此震驚，人們紛紛嘆息這位巨人的悲劇。美國人民更是悲悼這位美國重要作家的隕落。

二． 內(nèi)容簡介

老漁夫桑提亞哥在海上連續(xù)84天沒有捕到魚。起初，有一個叫曼諾林的男孩跟他一道出海，可是過了40天還沒有釣到魚，孩子就被父母安排到另一條船上去了，因為他們認(rèn)為孩子跟著老頭不會交好運。第85天，老頭兒一清早就把船劃出很遠(yuǎn)，他出乎意料地釣到了一條比船還大的馬林魚。大魚拖著船往大海走，但老人依然死拉著不放，即使沒有水，沒有食物，沒有武器，沒有助手，而且左手又抽筋，他也絲毫不灰心。經(jīng)過兩天兩夜之后，他終于殺死大魚，把它拴在船邊。但受傷的魚在海上留下了一道腥蹤，引來無數(shù)鯊魚的爭搶，老人奮力與鯊魚搏斗，到最后只剩下一支折斷的舵柄做為武器。結(jié)果，大魚仍難逃被吃光的命運，最終，老人筋疲力竭地拖回一副魚骨頭，讓其他的漁夫佩服不已。老人回到家，倒在床上，沉沉的睡去。孩子來看老頭兒，他認(rèn)為桑提亞哥沒有被打敗。那天下午，桑提亞哥在茅棚中睡著了，夢中他見到了獅子。

三． 本書特色

《老人與海》是海明威一生思想和藝術(shù)探索的總結(jié)，是他賴以獲得 1954年諾貝爾文學(xué)獎的主要代表作。他運用象征手法、巧妙的細(xì)節(jié)描寫、簡練含蓄的語言、生動形象的比喻編織出一個感人的故事，一個新奇獨特的具有雙重審美層面的審美體，小說的“冰山頂部”峻拔易透，而“水面以下”的大千世界則深藏若虛，讓讀者去揣摩、聯(lián)想、體會。海明威在《老人與海》中通過局部修辭手段的象征手法來賦予這部小說的象征性。

1．故事的主人公圣地亞哥是“生命英雄”的象征。他敢于向人生的種種磨難宣戰(zhàn)，向人的生命的極限挑戰(zhàn)并超越它，以生命換榮譽(yù)、換尊嚴(yán)，從前所未有的角度震撼人心地展示了人的生命價值。在與大海、大馬林魚和鯊魚的較量中，他以自信、勇敢、強(qiáng)悍的英雄形象奏響了一曲深沉低回的大提琴協(xié)奏曲。

2．鯊魚主要代表一切破壞性的力量，是掠奪成性，制造災(zāi)難，阻止人們達(dá)到理想境界的各種破壞性惡勢力的象征

3．作者通過多處象征性描寫，有意識地把老人比作基督的化身。在故事的全過程中，老人經(jīng)歷了兩次被釘十字架的過程。如，當(dāng)老人圣地亞哥看到星鯊時，不禁“Ay”了一聲。作者描述道：“這個詞兒是沒法翻譯的，也許不過是一聲叫喊，就像一個人感到釘子穿過他的雙手，釘進(jìn)木頭時不由自主地發(fā)出的那種喊叫聲”。作者在這里暗示的“這一個人”就是“被釘十字架的耶穌”。最生動的一點是老人拖著那巨大的魚骨架回來后，“肩扛著桅桿開始往堤岸上爬去”時，曾回頭望那綁在船邊的馬林魚的殘骸。這一靜止的鏡頭顯示出老人作為一個基督正在開始另一次苦難的歷程，而魚作為另一個基督正被綁在十字架上。這些象征性的描寫是在暗示在美國耶穌重又被釘上了十字架，基督精神死亡了。通過這種隱晦的描寫表達(dá)了作者對美國現(xiàn)實的極度悲觀。

4．小說中一個極其重要的象征物，是圣地亞哥魂系夢縈的“那群獅子”，它代表旺盛的生命力和青春，象征著老人對力量的追求和對強(qiáng)者的向往，每次夢見“那群獅子”后都給老人增添了無窮的精神力量。群獅象征著同情弱者，仇視邪惡，既能創(chuàng)造人問奇跡，又能戰(zhàn)勝各種邪惡勢力的團(tuán)結(jié)友愛的群體。

5．群獅的個體模式表現(xiàn)在老人圣地亞哥同鯊魚搏斗到手無寸鐵的風(fēng)度，是海明威筆下硬漢形象的高度概括和升華，標(biāo)志著后期海明威在思想上的發(fā)展

與進(jìn)步，寄托著他的理想及對人類的希望。小說的結(jié)尾“The old man was dreaming about the lions”，這是一個富有寓意的回聲，體現(xiàn)了海明威的人生哲學(xué)與道德理想，即不向命運低頭，永不服輸?shù)亩肥烤窈头e極向上的樂觀人生態(tài)度。雖然他拖回的只是一副魚骨架，但他在精神上卻始終是個勝利者。

四． 本書傳遞價值取向

海明威通過硬漢子的生命價值所探求的生命倫理范疇已超越了西方傳統(tǒng)的主體優(yōu)先倫理的單一性和狹隘性，而正是這種狹隘、狂妄的主體優(yōu)先倫理，使得個人價值要么迷失于欲望之中，要么淪陷于因人與人之間的利益一致性喪失而導(dǎo)致的爾虞我詐、相互隔閡之中。《老人與海》中，在老人與孩子、大海、大馬林魚、大鰲魚的相處中，讀者看到了一種更加開放、拓展的多元生命倫理存在。可以說從老人釣到大馬林魚為起點，到老人失去大魚，實際上是海明威與桑提亞哥一起進(jìn)行了一次關(guān)于生命倫理的質(zhì)問、反思和探尋的過程。起初，老人把船劃到很遠(yuǎn)的地方，并在天亮前投出所有誘餌。不言而喻，老人的行為充滿自信，更確切地說是一種帶有主體價值優(yōu)先的自信。當(dāng)帶著這份自信同魚搏斗時，一邊驚嘆大魚之美，一邊又不斷反思他和大魚之間到底是一種什么現(xiàn)實性關(guān)系，為自己殺死大魚尋找借口。一方面，他認(rèn)為魚是他的兄弟、他的朋友，生命如此美麗的魚誰都不配吃它;一方面，他又意識到打魚是他的責(zé)任，他必須弄死它。既然老人和那條美麗的大魚是朋友、兄弟關(guān)系，那么，生命倫理價值到底指向魚還是指向人?老人反思的結(jié)果是:“我不在乎誰害死誰”。從老人的答案中，我們體會到一種突破人的主體倫理狹隘性的生命倫理，那就是大魚與人有完全平等的生存權(quán)力。然而，生存權(quán)力的平等并不等于現(xiàn)實性倫理價值的平等。老人最終殺死了大魚，但是老人并沒有因為主體優(yōu)先意識得以張揚而驕傲自豪，反而為殺死大魚而痛苦難過，老人用一句話來概括出自己最終失去勝利果實的原因就在:“只怪我出海太遠(yuǎn)了”，毀掉了大魚和自己的好運。此后，老人就從主體價值優(yōu)先的狹隘倫理中解脫出來，進(jìn)入到與獅子同在的甜蜜夢鄉(xiāng)。托夢去超越現(xiàn)實性倫理的困惑，去實現(xiàn)與大自然中所有生命共生共存的理想。

意識到世界的荒誕和人生悲觀，那么人怎樣才能面對現(xiàn)實，應(yīng)該怎樣在現(xiàn)實社會中生存下去呢?海明威及其海明威式的硬漢們不斷思考和求索這些問題的答案。經(jīng)過長時間的努力追索，最終他們自以為找到了結(jié)果，那便是選擇和準(zhǔn)則。選擇對于海明威而言就是一種相對的自由。因為身處危險四伏的世界，如果人依據(jù)自己的意志進(jìn)行了選擇，那么就意味著并沒有被困難所嚇倒，意味著人在一定的范圍內(nèi)獲得了自由。這種選擇在海明威作品中表現(xiàn)為面向大自然，選擇去過相對獨立的生活。在海明威的眼里，準(zhǔn)則就是選擇之后的行動和行動原則，是包含勇氣、尊嚴(yán)、忍耐在內(nèi)的精神，這些精神使一個處在痛苦、焦慮、絕望中的人成為真正的人，勇敢地面對死亡，在注定要失敗的斗爭中英勇頑強(qiáng)、無所畏懼，最大限度地展現(xiàn)“重壓下的風(fēng)度”。至此，我們完全有理由相信，海明威的選擇和準(zhǔn)則賦予了生活和生存在海明威的世界里，當(dāng)人面對來自他人的對抗和競爭時，表現(xiàn)出主體自由、孤獨和相互間的破壞力。以自我為中心的人本主義意識把個體從一切類的本質(zhì)禁錮中解放出來，賦予每一個生命個體以自由。當(dāng)然，如果把自我意識放在首位，人的感受理應(yīng)是自由的。

五． 讀后感與評析

海明威說：“我試圖描寫一個真正的老人，一個真正的孩子，真正的大海，一條真正的魚和許多真正的鯊魚。然而，如果我寫的足夠逼真的話，他們也能代表許多別的事物。事實上他做到了。而且做得非常出色。

老人的身上有一種永不言敗的精神，它讓他與大海和命運發(fā)出了挑戰(zhàn)。他的船是舊的，船帆是破爛的，一切都昭示著他以前打魚時并不順利。但他頑強(qiáng)的精神支撐著他向所有的挫折發(fā)出不屈的音符，為他的人生譜寫一曲優(yōu)美壯闊的樂章。他依然堅持著——依然堅持著。他不懈地與大海抗?fàn)帲c命運抗?fàn)帲c所有的挫折與不如意抗?fàn)帯Ｈ松囊饬x就在于這種不懈的抗?fàn)帲缭綍r間與生命的抗?fàn)帲?/p>

什么是失敗？失敗就是跌倒。什么是英雄？英雄就是失敗后能從跌倒之處爬起，繼續(xù)向目標(biāo)前進(jìn)的人。失敗并不可怕，可怕的是自己對失敗屈服，而一旦屈服，那么所有夢想都不會實現(xiàn)，這在現(xiàn)實生活中有著極其重要的意義。人生恰似出海捕魚，難免會遇到困難與挫折，勇敢地去面對，即使沒有成功，也不會給人生留下遺憾。我們會是生活的強(qiáng)者，我的們?nèi)松矔蛭覀兊呐Χ省?/p>

“ 我和你奉陪到死！”這個硬漢如是說。這在暗喻他自身的英雄所在，還有他趨向堅韌的力量。故事的頭尾都出現(xiàn)了一個叫馬諾林的男孩，他希望繼承老人的事業(yè)。何止捕魚的事業(yè)需要繼承，這副錚錚鐵骨又何嘗不為我們崇敬，供奉與學(xué)習(xí)呢？在老人的故事里為什么會有孩子出現(xiàn)？那是因為年輕象征著力量和希望，即便是老人，他的內(nèi)心同樣是年輕的。在老人的故事里為什么會有獅子的出現(xiàn)？文中多次描寫到獅子，阿非利加的海灘上，獅子在笑鬧嬉戲。它們浮現(xiàn)在老人的夢中，一直在老人的心中，同時揭示了老人永遠(yuǎn)不會老的意志。有人說老人哪里勝利了？他明明沒有帶回那條大魚。但是勝利并不在于是否帶回了魚，而是在于他有沒有挑戰(zhàn)自己的極限。老人成功了，他打到了那條讓所有人驚訝的大魚，至于到底有沒有帶回來已經(jīng)不重要了，能打到這條魚本身已經(jīng)是個奇跡。

老人的故事不僅象征著人與自然的關(guān)系，而且象征著整個人類堅不可摧的精神。在現(xiàn)實中，他雖然失敗了，但在精神上，他卻是勝利者。他那頑強(qiáng)拼搏的精神展示了人的高貴與尊嚴(yán)。遍顧人生，誰沒經(jīng)歷過失敗呢？哪怕再成功的人，都曾經(jīng)歷過失敗。失敗的原因可以不盡相同，大無論如何失敗總是一個讓人難以承受的打擊。再出海，你就會有勝利的希望，我想，這種險惡的人生環(huán)境和這種堅韌的人生態(tài)度，正是這部作品越來越吸引人的原因。老人說:“人不是為失敗而生的，一個人可以被毀滅，但絕不可以被打敗。”這就說明了人生的含義，英雄的含義與生命的意義。因此，勝利在這部小說中已經(jīng)不再重要，重要的是一個人的生命價值。

海明威的這部小說榮獲了諾貝爾文學(xué)獎和普利策獎。這個骨頭里留有幾百塊彈片的硬漢作家，恰當(dāng)?shù)貙懗隽松膹?qiáng)度，告訴我們怎么去面對人生的生老病死，亦告訴我們心的寬度應(yīng)如海一般。老人是孤獨的，他是在理想的道路上前行的旅人，但他又是不孤獨的，因為他的意志力是那樣堅強(qiáng)。

《老人與海》是一部值得仔細(xì)玩味的不朽名著，能讓我們在暴風(fēng)驟雨來臨前獲得勇氣，獲取力量。讓我們知道不管遇到什么困難都信心十足地去面對，堅持到底，永不退縮，向全世界大喊：“我就是英雄！”