第一篇：國畫英文介紹

國畫的英文介紹（各方兼備，條理分明）

(原創文稿，歡迎朋友們交流借鑒)

Chinese traditional painting refers to paintings painted on Xuan paper or silk in ink by brush made of animal hair.It is the most highly appreciated form of Chinese art.However, there are some difference between Chinese paintings and western paintings.First of all, as you can see, only black ink are used in Chinese paintings while there are as many kinds of colors as one can finds in the nature.Secondly, Chinese artists attach much importance on grasping the spirit of the subject matter ,Chinese painters think the final goal of painting is not to reproduce what they see on the paper but is to express their own feelings.On the contrary, the western artists spare every effort to make their works vivid like photos.At last, the primary subject matter of Chinese painting is landscape while the most common subject matter of the western is the people from the upper class and religion legends.This is result from the different social status of the painters.In western society, most of the artists are professional and they make a living by drawing portraits for the rich and the churches.Things are much different in ancient

China.Most of Chinese painters are teachers or work in the government.They look painting as a leisure activity to cultivate their character.

第二篇：國畫介紹詞

國畫是我的愛是我的夢。從小我就喜歡寫寫畫畫，雖然還不知道什么是國畫？但每每在學校、公園看到畫家即場揮毫我都是擠到最前，生怕看不清楚，畫家寥寥幾筆就畫出了生動的畫面，盛開的牡丹、幽深的山水、雀躍的竹林、圣潔的荷花等等，這是我最初的國畫認識。隨著年齡的長大我對國畫有了進一步的認識從電視、書本、關盤、報紙、畫展。而這些也只是膚淺的感性認識，但它已經深深吸引了我，我反復尋找著生命的起源，苦苦尋覓著心中的向往。悠悠幾千年的歷史文化它的深遠它的博大，也許是我今生都無法探索徹底的，即使是這樣我也會全心全意地去尋找、去發現、去創作。

我在大學期間只是稍微接觸過國畫，沒有進行系統的學習是我大學生活中遺憾。但是沒想到機會來的這樣快。2014年，濰城區教育局組織教師進行國畫培訓。這給我們系統學習國畫提供了極大地便 一下我學習國畫的心得體會： 只有學習才知道膚淺，只有苦練才能進步，這是我的體會也是我的收獲，我在不斷的努力中進步也在刻苦學習中得到提升。我這個從來沒有拿過毛筆的來畫中國畫，這叫我一開始就不知所措。幸好遇到了一位好的專業老師，他教我們畫國畫時要用意念來畫，雖然說我現在還不能夠體會到其中的真諦，但在我這些天學習的過程中慢慢的我了解到原來中國畫光靠認真仔細是不行的，而是要靠心神一起，就像老師說的中國畫里要有一種氣，要有一種神韻在里面，畫中國畫就像在表達一個人的思想，反映著一個人的性格，表達著作者當時的一種心情。中國畫畫到現在我感覺到，要想把中國畫畫好就必須要用心來畫，要把你的思想融會貫通到畫里，畫的要磊磊落落，要瀟灑，要渾然天成。畫中國畫是一種享受，我到現在才明白過來，不享受的狀態下畫中國畫是畫不好的。盡管我現在的狀態還不是很好，還沒能夠領會中國畫的精神，但是在幾天的學習中我領悟到中國畫確實是最偉大的藝術，它是在塑造有靈氣的畫面，畫中的山山水水具有靈性，活靈活現，從中能體現出作者大氣磅礴的豪邁與灑脫。

中國畫的學習是我所學課程中最叫我放松的一門課程，雖然有時我不在狀態，但是我會盡量把心情調節好后再繼續進入狀態，我認為不在狀態的時候最好不要動筆，不然的話會越畫越糟糕。中國畫讓我又一次找到了放松心情的良藥，就如寫毛筆字一樣，雖然我沒有寫過毛筆字，但是我想應該一樣吧學國畫到最后我才慢慢懂得老師課上所說的話，心神一致，屏氣凝神，專注又不失灑脫，大氣又不失凝滯。再畫到某種程度的時候，就會在不知不覺中超脫自然，在筆墨之間把個人的情感個性在無形中流露出來，使個人與畫渾然一體。但是在灑脫之余又要格外注意整幅畫的筆墨布局以及視覺效果，我認為這是比較困難的。

首先是“筆墨”問題。“筆墨”一詞在中國畫的發展歷史上經歷了一個漫長的發展過程，是一個由“筆”向“墨”發展的過程。“筆墨”一詞用今天的理解，就是用筆用墨的方法、規矩、規范或指筆墨關系的內在構成程式，即筆墨的結構。筆墨的結構是中國畫藝術的核心，它處于構建中國畫藝術的塔尖之上，是最深層的核心元素，是決定中國畫純粹性的主導因素。

中國畫要想畫好，首推用筆，從“骨法用筆”到立形存質，以至趙孟頫先生提出“書畫同源”之說，都是在講用筆。后人稱元代王蒙“叔明筆立能扛鼎、五百年來無此君”，也是講用筆。程大利先生稱扛鼎之筆為“金剛杵”，很是形象。刀殺人取其鋒、槍傷人取其銳、杵致人死而無外傷，必立透紙背矣！柯思九則總結了寫竹竿用篆法、枝用草書法、寫葉用八分法。他們強調的都是畫者必工書，強調繪畫與書法的關系，筆情墨趣成了欣賞中國畫的主要內容。“筆”先指毛筆運筆的方式、方法，運筆而留下的筆痕、筆跡以及在宣紙之上留下的形狀印記，它是筆墨語言的基本元素。運筆速度的快慢、提案、節奏的變化以及筆鋒在運筆過程當中的中側變化，直接影響筆痕、筆跡的形狀，以及由此引起的視覺感受。運筆的方式方法古人總結了很多，如“十八描”，這是人物畫；山水畫則稱之“勾”、“斷”、“皺”、“披”；花鳥畫中，“勾”、“點”、“描”等等。黃賓虹先生則把下筆過程總結歸納為“平、圓、留、垂、變”五種。用筆的程式和構成是中國畫標記性特征，具有獨立的欣賞和審美價值

“氣韻”這是第二個問題。中國畫的“氣韻”又稱“韻味、神韻、神氣”，是學習中國畫之中比較神秘而又說不清楚的問題。中國畫的“氣韻”之說是始自六朝南齊人物畫家謝赫的《古畫品錄》。他提出“六法”作為品評當時人物畫的標準：

一、氣韻生動是也；

二、骨法用筆是也；

三、應物象形是也；

四、隨類賦彩是也；

五、經營位置是也；

六、轉移模寫是也。從此，六法之首的“氣韻生動”成為中國畫根本性審美標準。

因為筆中有陰陽，筆中有墨，墨中有筆，推而廣之，“六法”“六要”每一法每一要都要有氣有韻，一同結合起來，一幅繪畫作品才能達到“圖真”、“傳神”、“得其氣韻”的審美效果。

其實國畫的認識每個人都有自己的世界觀，國畫傳統美的概念是上留天下留地，繁而透、空而厚，水墨容情，色澤單純一般不超過三四種，這是一種純樸而又充滿無限靈氣的自然美。隨著社會的發展生活水平的提高，人們更向往的是一種復雜的美，絢爛多彩的美，既有西方的色彩又有東方的純樸，這都在我潛意識的追求中。

第三篇：實用英文介紹

Hello,everyone.My name is///.I'm twelve years old.I am a Middle school student.I was born in Panjin,It is an beautiful city.Now I study in Bohai No.1 Middle School.I'm in Class Three,Grade Two.There are thirteen-five students in our class.We have four classes in the morning and four classes in the afternoon.Our classes begin at 7:00 and end at 17:00.I love my teachers and my classmates.They are all very nice.There are three people in My family,my father my morther ang I.My father is a worker.He works in a factory.My mother is a worker,too.She works in Xinghai street.I like our family.I am good at math and Chinese.My English is so-so,but I often listening speaking reading and writing.I really like English very much.My favourite sport is football ang I like it very much.I'm good at computers.I hope to become a computer expert when I grow up.I will study hard to make my dream come true.Thank you!

Dear Sir or Madam,Thank you very much for reading my application and I am much honored to introduce myself here.My name is XXX.I am 24 years old and I come from ***, the capital of Hunan Province.I am seeking an opportunity to work with *** as a Engineer.My professional experience and my awareness of your unparalleled reputation have led me to want to work for your company.I have a bachelor degree with a major in Electronic field.I graduated from ***University-widely considered one of the most beautiful

universities of the world.During the 4 year undergraduate study, my academic records kept distinguished.I was granted scholarship every semester.Additionally, I applied a *** patent, it was authorized in 2005.In 2005, I got the privilege to enter the graduate program waived of the admission test.I selected Electronic Engineering of *** University to continue my study.In the passing1 year, my research and study dedicated to Linux.I applied another patent which was still in applying.I won the scholarship in 2006.Besides, I participated in many school activities, which widened my horizons and gave me many opportunities to do practical work in companies.All of that were very useful to my major study.During this period, I have learnt much.I learned the values of teamwork and commitment, how to win, how to work hard, how to concentrate and focus on goals, and how to balance my time and priorities.The passing years offered me a good chance to give full play to my creativity, intelligence and diligence.With a healthy body, with the solid professional knowledge, with the youthful passion, with the yearning for the future and the admiration of your company, I am eager to enter your company and make my share of contribution to it.Thank you for your patience.Best wishes.Sincerely yours,ABC

Any suggestion and the criticism.Thanks!

第四篇：國畫（范文）

填空：

1.生葉處：丁香頭；相合處：鵲爪；直杖處：釵股；從外畫入：疊；叢里畫入：迸跳 2.中國畫全稱“中國傳統繪畫”，古時稱“丹青”，簡稱“國畫”，它是一種蘊含著中國傳統文化底蘊并且有著鮮明民主特色的繪畫形式，是世界美術領域自成獨立體系。按照體現內容題材可以分為：人物畫、山水畫、花鳥畫。中國畫的三種題材分科并不是一開始就這樣分的，中國畫初期是以人物畫為主導地位，山水畫在魏晉時期才從人物畫背景中脫離出來并逐漸形成獨立畫科，花鳥畫到了唐代才開始獨立成科。至明清兩代更為突出，按照技法和藝術風格可以分為工筆畫和寫意畫。236 3.梅花

1.徐黃一體:指的是“兩家畫風，兩種面貌”，即西蜀黃笙、黃居寀父子與南唐徐熙、徐崇嗣祖孫，他們都是五代和宋初的著名花鳥畫家。黃家父子多服務于官廷，多畫宮中珍禽瑞獸，奇花怪石，畫風工細巧整，富麗明艷。徐熙則為江南處士，放達不羈，作畫以水墨為主，略施淡彩，墨跡與色彩不相掩映，這種畫風頗具瀟灑野逸之趣。他們形成了當時花鳥畫的兩大派也就是后來花鳥畫“工筆畫”和“寫意畫”兩種繪畫風格的前身，郭若虛《圖畫見聞志》評他們為“黃家富貴，徐熙野逸”。

2.四君子：是對“梅、蘭、竹、菊”四種花卉題材的總稱。明萬歷年間，黃風池輯《梅蘭竹菊四譜》，陳繼儒題稱“四君”，以梅、蘭、竹、菊隱喻君子的高尚品德，從此，稱這四種花卉為“四君子”。學習水墨畫的初學者以“四君子”入手是最好的途徑：不僅因為體現了畫家人格的高尚，其寓意好，而且竹子可學直線的配置和組合，蘭草曲線的構成，通過對梅花枝干的學習可聯想到其它樹枝干畫法，菊花葉子的構成了解之后就可畫各種各樣草花了。隨后，中國文人花鳥畫家常以梅蘭竹菊抒發自己情懷，利用蘭竹表現高潔，梅菊表現不畏強暴的高傲姿態。這種比喻如此貼切，使“人-社會-自然”成為不可分割的整體，其思想內容和審美價值超出了花卉本身的自熱形象，真正達到了物我交融的地步。

竹林七賢是指魏末晉初的七位名士：阮籍、嵇康、山濤、劉伶、阮咸、向秀、王戎。他們在生活上不拘禮法，清靜無為，聚眾在竹林喝酒，縱歌。作品揭露和諷刺司馬朝廷的虛偽。七人亦是當時玄學的代表人物。

3.《梅花喜神譜》南宋畫家宋伯仁所著現存最古老的梅花畫譜，“喜神”是寫生、寫像之意。全書分上、下兩冊，是中國第一部專門描繪梅花種種情態的木刻畫譜。因宋時俗稱畫像為喜神，故名。它收錄 100幅圖，分別描繪蓓蕾、小蕊、大蕊、欲開、大開、爛漫、欲謝、就實等梅花的種種形態。每圖多一枝一蕊，形象鮮明而富有變化；圖左邊題詩四句，圖上部根據花的情態標以寓意性畫。

4.文人畫：也稱“士人畫”，是中國繪畫的一個專門名稱。泛指中國封建社會中文人、士大夫所作之畫，以別于民間和宮廷繪畫。所謂文人畫再具體點講就是指有修養，有學問，重視人品畫品的文學家、哲學家、詩人、學者畫的畫。通常“文人畫”多取材于山水、花鳥、梅蘭竹菊和木石等，借以發抒“性靈”或個人抱負，間亦寓有對民族壓迫或對腐朽政治的憤懣之情。他們標舉“士氣”、“逸品”，崇尚品藻，講求筆墨情趣，脫略形似，強調神韻，很重視文學、書法修養和畫中意境的締造。文人畫注重水墨的運用，講究墨分五色。運用墨干濕濃淡渾厚蒼潤的微妙變化，體現出“淡而不薄、厚而不濁、蒼而不枯、潤而不滑”的韻味。5.寫意畫：寫意畫是相對于工筆畫而言的一種畫法，是中國畫的一種表現手法，是我們民族藝術最高的美學原則，是通過“外師造化，中得心源”、借助筆墨、以意造境的一種形式。寫意就是要求用粗放、簡練的筆墨，畫出對象的形神，來表達作者的心境。古人說作畫必先立意，所謂立意就是畫的主題。畫家在作畫之前應把意放在筆先，通過繪畫來表達他對生活的看法，把自然景色和個人的感情結合在一起。

6.院體畫：簡稱“院體”、“院畫”，中國畫的一種。一般指宋代翰林圖畫院及其后宮廷畫家比較工致一路的繪畫。亦有專指南宋畫院作品，或泛指非宮廷畫家而效法南宋畫院風格之作。這類作品為迎合帝王宮廷需要，多以花鳥、山水，宮廷生活及宗教內容為題材，作畫講究法度，重視形神兼備，風格華麗細膩。因時代好尚和畫家擅長有異，故畫風不盡相同而各具特點。

7.梅妻鶴子：宋·林逋隱居西湖孤山，以三百棵梅花為妻，兩只仙鶴為子，種植梅花飼養仙鶴，終生不娶，人謂“梅妻鶴子”，被傳為千古佳話。他的《山園小梅》詩中名句：“疏影橫斜水清淺，暗香浮動月黃昏。”是梅花的傳神寫照，膾炙人口，被譽為千古絕唱。典出——宋.沈括.《夢溪筆談》.卷十.人事。后比喻清高或隱居時也作：梅鶴因緣、妻梅子鶴。

8.王者之香：指的是蘭花的別名，說的是孔子與蘭花之間的一段美麗的傳說，孔子周游列國宣傳自己的政治主張卻沒有受到重視，從衛國返回魯國途中，在一幽谷里，孔子看到一株獨自生長的蘭花，孔子于是感嘆道：“蘭花具有王者之香，而現在都變成了雜草一般。”隨后又取琴彈琴一曲“奇蘭操”。來慰藉自己的失意心情。孔子將自己不得志的境遇比喻那株蘭花，蘭花別名王者之香正是由此而來。9.竹林七賢：古人說，竹子“既非花，亦非草，仍為竹”。竹子的美是非凡的，特別是成群的竹子形成靜謐而美好的空間，從古代就深深抓住了中國文人的心，其代表是魏晉時期的竹林七賢，阮籍、嵇康、山濤、劉伶、阮咸、王戎、向秀七人遠離當時充斥著戰亂和政治斗爭異常激烈的現實社會，聚集于“竹林”之中，盡情于痛飲與“暢談”之中，對于他們而言竹林無疑是超俗世間的場所，這七人的行為更是被后世所敬仰。

10.梅花主干、枝條、枝梢的用筆用墨關系。畫梅花起手先畫枝干，梅花的枝干是貫穿一副梅花作品的關鍵。畫梅花枝干的方法有很多，所有的方法古人云：“姿態，梅之骨骼。或疏而驕，或繁而勁，或老而媚，或清而健，本各不同...”都是為了表現梅花的不同姿態。用筆要肯定有力，中側鋒并用，同時注意行筆的輕重緩急。畫梅花老干時要注意干筆的用法，用筆是要中鋒、側鋒結合運用，行筆要蒼潤瘦勁。畫寫意梅花枝干用墨要注意濃淡變化。古人畫梅有句“濃寫枝頭淡寫梢...”正是強調不同質感的用墨變化。盡量保持使畫面和諧統一。11.《芥子園畫譜》：是清代文人沈心友邀集畫家王概、王著等人編輯的木板畫譜，成書于康熙48年，以木板彩色套印而成，并以沈心友的岳父李漁的別墅“芥子園”為此書命名。全書主要分為初集、二集、三集三部分，囊括山水畫譜、梅蘭竹菊譜、花卉草蟲翎毛譜、人物之精華內容。畫譜系統地介紹了中國畫的基本技法，淺顯明了，宜于初學者習用，故問世300余年來，風行于畫壇，至今不衰。許多成名的藝術家，當初入門，皆得惠于此。《芥子園畫譜》是一部中國傳統繪畫的經典課本。近代現代的一些畫壇名家如黃賓虹、齊白石、潘天壽、傅抱石等，都把《芥子園畫譜》作為進修的范本。所以“芥子園”這部書的名氣很大。從用筆方法到具體景物的筆墨技法，從創作示范再到章法布局，為學習者提供了完整的學習解決方案。

12.分析”孔雀升墩”和”月季花蕊四季不同”。這兩個例子表明了宋代畫風的一個側面,也就是“盡物之情態”。孔雀升墩：升,就是從低處向高處移動,墩,就是土堆。宋徽宗趙佶設立畫院,招考各地的畫師,造詣高深的就給予職稱。一次,宣和殿前的荔枝結果了,孔雀在樹下啄食掉落的荔枝, 把畫院的畫師叫來當場寫生。畫師各顯本領畫出了一幅幅的荔枝孔雀圖,送給宋徽宗評賞。趙佶看后,說:“你們雖畫行不錯,可惜都畫錯了。”“錯了?”畫師們個個非常驚愕。“孔雀上土堆,你們都畫成了先抬右腳。”趙佶指著畫上的孔雀,停了一會,他朝地上的孔雀一揚頦,說:“事實上,孔雀上土堆,往往是先舉左腳的。”畫師們有些不信,他們反復觀察,果然如趙佶說的。月季花蕊四季不同：徽宗在位時，龍德宮剛剛建成，徽宗詔令御用畫師在龍德宮的屏壁上繪圖，所挑選的畫師都是當時一流的高手。待到所有圖畫畫成后，徽宗瀏覽一遍，都看不上眼，唯有當他走到壺中殿前柱廊的一幅“拱眼斜枝月季花”前，才駐步觀賞起來，問隨從這幅畫是何人所作。聽說是一個新進宮廷畫院的少年，大為高興，馬上給予獎勵，恩寵有加，眾人皆不明所以。一次，近侍瞅了個機會探問徽宗，少年之畫究竟好在哪里，徽宗回答說：“月季鮮有能畫者，蓋四時朝暮，花蕊葉皆不同。此作春時日中者，無毫發差，故厚賞之。”原來徽宗發現，一年四季，同樣一株月季，前開的花、蕊與后開的花、蕊以及生長的葉子，都有不同的狀貌，不僅如此，一日之中，早晨、中午、黃昏的花、蕊、葉也是各一異其態；而少年所畫，為春季中午的月季，徽宗認為他畫得絲絲入扣，符合實際。這說明，徽宗趙佶以及這位少年畫師對月季花有長久而細致的觀察，他們對月季花一物而多態、一種而千變的美有深刻的領悟。正因為宋人繪畫對客觀事物這種極為細致的登峰造極程度的追求，也就形成了宋畫“工細巧整，富麗明艷”的藝術特色。

13.理解分析寫竹口訣：“晴竹重人一川風，雨竹原來葉寫分。風竹頂風枝借雨，雨垂低覆也重人，其間晴竹原無借，鵲爪多排人少重”。畫竹難畫葉，前人已把葉組的寫法，高度概括為人字、個字、分字三大類，重人疊個疊分組成葉組，一定要練得爛熟，然后套在枝爪上即可成竹，葉子用筆，一般用中鋒，落筆輕然后按提收起；葉子分布根據枝而生發，一般中旺、上下稀。晴竹的葉，人字加人字為重人，一般向上撇出，風竹葉如個字斜撇，類川字樣。雨竹用分字，疊分字為之，最下幾筆可用重人，頂風面的葉，分字來表現，表示風向，晴竹要在枝上多排鵲爪盡量少排重人。

第五篇：達沃斯英文介紹

The World Economic Forum(WEF), based in Geneva, is an international non-governmental organization committed to improving the state of the world by engaging leaders in partnerships to shape global, regional and industrial agendas.The forum, initially known as the European Management Forum, was founded in 1971 by Klaus M.Its agenda now includes the most pressing problems facing the world, ranging from political, military and security concerns, to bilateral and regional issues.Since 1979, China has maintained good cooperative relations with the World Economic Forum.China's leaders participated and delivered speeches in the annual meeting on many occasions.They included Premier Li Peng, Vice Premier Zhu Rongji, Li Lanqing and Wu Bangguo successively.between 1992 and 2000, and Vice Premier Huang Ju, Zeng Peiyan, State Councilor Hua jianmin and Premier Wen jiabao.China has dispatched delegations to the regional economic summits organized by the World Economic Forum since 1993.Between 1981 and 2006, the World Economic Forum, in collaboration with China Enterprise Confederation, convened an “International Senior Management Symposium” in China(renamed the “China Business Summit” in 1996), which was suspended after the “Summer Davos” Forum was held in China in 2007.Usually the World Economic Forum convenes an annual meeting in Davos at the beginning of each year, so it is also called the “Davos Forum”.Klaus Schwab, Chairman of the World Economic Forum, raised the idea of a “Summer Davos China” in 2005.The Beijing representative office of the World Economic Forum was set up in June, 2006, and was the first representative body established outside Switzerland.The World Economic Forum has convened its Annual Meeting of the New Champions(“Summer Davos” Forum)each year since 2007, aiming to create a platform for “enterprises expanding globally” to discuss and share experiences with well-established enterprises.The first “Summer Davos” Forum was held in Dalian in September, 2007 with the same theme of the 2007 Davos Annual Meeting –“Changing the power equilibrium”.In September, 2008, the second Summer Davos Forum was held in Tianjin with the theme of the “Next round of growth”.In September, 2009, the third Summer Davos Annual Meeting was held in Dalian with the theme of “Relanching growth”.Premier Wen Jiabao attended the opening ceremony of the three forums and delivered speeches.In addition, the World Economic Forum lays stress on cooperation with Chinese enterprises.By September, 2009, the number of Chinese enterprises becoming members of the World Economic Forum had exceeded 60.The 2012 Summer Davos Forum, referred to as the “Wind vane of the world's economy”, was held in Tianjin from Sept 11 to 13.The number of guests set a new record.The elite and politicians from all over the world ran a brainstorming session with the theme of “molding the economy in the future”.On September 11, 2013, the Seventh Summer Davos Forum was opened in Dalian.Premier Li Keqiang attended the forum and delivered a special address.Edited by Wang Yifei and Brian Anthony Salter The Annual Meeting of the New Champions Schwab, Chairman of the World Economic Forum, raised the idea of a “Summer Davos China” in 2005.In September, 2008, the second Summer Davos Forum was held in Tianjin with the theme of the “Next round of growth”.The 2014 Summer Davos has brought about the concept of “Green Transportation, Green Theme activities, Green Dining, Green Accommodation, and Green Souvenirs”.The World Economic Forum Annual Meeting of the New Champions, also known as the Summer Davos Forum, will be held in Dalian, Liaoning Province, from Wednesday until Friday.This year's event will be on the theme of “Mastering Quality Growth.” About 1,500 participants from 90countries and regions are expected to show up during the three-day forum.