第一篇：聞香識(shí)女人精彩對白

Meeting a beauty:

Frank: You are human, Charlie, beer? Who are we drinking with? I'm getting a nice soap-and-water feeling from down there.Charlie: Ah… female.Frank: Female? You're callin' her female, must mean you like her or you wouldn't be so casual.Is she alone?

Charlie: Yeah, she's alone.Frank: Things are heatin up.Chestnut hair.Charlie: Brown… light brown.Frank: Twenty-two.Charlie: Wh… what am I, a guy at a carnival?

Frank: The day we stop lookin', Charlie, is the day we die.Move.Charlie: Where?

Frank: You know where, son.Don't be coy, Charlie.This woman is made for you, I can feel it.Goddamn beautiful, isn't she?

Charlie: She's not bad.Frank: Whoo-Bingo!The boy's alive.Come on, son.Perambulate.Perambulate.Encounter

Frank: Excuse me, Senorita.Do you mind if we join you? I'm feelin' you're being neglected.Donna: Well, I'm expecting somebody.Frank: Instantly?

Donna: No, but any minute now.Frank: Any minute? Some people live a lifetime in a minute.What are you doing right now?

Donna: I'm waiting for him.Frank: Would you mind if we waited with you? You know, just to keep the womanizers from bothering you.Donna: No, I don't mind.Frank: Thank you.Charlie.You know, I detect a fragrance in the air.Don't tell me what it is.Ogivile Sisters soap.Donna: Ah, that's amazing.Frank: I'm in the amazing business.Donna: It's Ogivile Sister soap.My grandmother gave me three bars for Christmas.Frank: Oh I'm crazy about your grandmother.You know I think she'd have liked Charlie, too.Charlie: Don't pay attention to him.Frank: What's your name?

Donna: Donna.Frank: Donna? I'm Frank.This here is…

Donna: This is Charlie.Frank: Yes, she likes you.Charlie's having a difficult weekend, he's going through a crisis.How does he look like he's holding up?

Donna: I think he looks fine to me.Frank: Oh, she does like you, Charlie.So Donna, ahh… do you Tango?

Donna: No I wanted to learn once, but…

Frank: But?

Donna: But Michael didn't want to.Frank: Michael, the one you are waiting for.Donna: Michael thinks the Tango's hysterical.Frank: Well, I think Michael's hysterical.Charlie: Don't pay any attention to him.Did I already say that?

Frank: What a beautiful laugh!

Donna: Thank you, Frank.Frank: Would you like to learn Tango, Donna?

Donna: Right now?

Frank: I'm offering you my services… free of charge.What do you say?

Donna: Ah… I think I'd be a little of afraid.Frank: Of what?

Donna: Afraid of making a mistake.Frank: No mistakes in the Tango, Donna, not like life.It's simple, that's what makes the Tango so great.If you make a mistake, get all tangled up, just Tango on.Why don’t you try? Will you try it?

Donna: All right.I'll give it a try.Amazing Tango

Frank: Hold me down, son.Your arm.Charlie, I'm gonna need some coordinates here, son.Charlie: The floor is about 20 by 30.And you're at the long end.There's some tables on the outside.The band's on the right.Driving Ferrari

Charlie: Yeah, colonel, what do you say? Let's go for a ride.Huh?

Frank: What kind of ride?

Freddie: Yeah, this is a valid Oregon driver's license and we let appropriate customers test-drive the Testarossa.But you are 17-years old and you're with a blind companion.That we don't do.This is a $190000 piece of machinery.I'm not letting it out this door.Charlie: How about this one over here?

Freddie: That's a Cabriolet T., the same deal.You think I'm gonna let an unaccompanied kid get behind the wheel of an $110000 car?

Frank: He will not be unaccompanied.I'll be with him.I am his father.Freddie: You're his father?

Frank: Yeah.Freddie: I have an idea.Why don't I take your father for a test-drive?

Frank: What's your quota, Freddie?

Freddie: Don't worry about my quota.I do very well.Frank: How many Ferraris you sold this month though?

Freddie: That's not relevant to this discussion.Frank: Freddie, the 80s are over.Are you tryin' to tell me that these things are just walkin' out of the store?

Freddie: This is Ferrari sir;this is the finest piece of machinery made in the automobile industry.Frank: Well, if you like it that much, why don't you sleep with it? Why are you selling it?

Freddie: Listen, I'd love to accommodate you…

Frank: If this car performs the way I expect it to, you'll get a certified check of $101,000 and change when you come in here tomorrow morning.Freddie: It's $109,000, plus $950, plus tax.Frank: Freddie, for you…107 all in, plus a case of champagne to go with your leftover turkey.What do you say? Don't worry about the boy.He drives so smooth, you can boil an egg on the engine, when we bring the car back, I'll peel the egg for ya.Freddie: Listen, you made me laugh, but I can't let the car go out.Frank: Want a deposit?

Freddie: This is not an installment item, sir.Frank: Freddie, you're no spring chicken, are ya?

Freddie: Well, you know what they call me at the home office? The gray ghost.You know why they still keep me around? There is no kid here that can move a Ferrari like I can.I'm known from coast to coast, like butter and toast.Ask anybody about Freddie Bisco, when I get a Ferrari, out the door.Frank: Hah!You just made me laugh Freddie!

Freddie: Yeah? Frank: Two thousand.Unless you take it, you're gonna make me cry.I'm a gray ghost, too.School courtroom

Trask: Mr.Simms, you are a cover-up artist and you are a liar.Frank: But not a snitch!

Trask: Excuse me?

Frank: No, I don't think I will.Trask: Mr.Slade.Frank: This is such a crock of shit!

Trask: Please watch your language, Mr.Slade;you are in the Baird School, not a barracks.Mr.Simms, I'll give you one final opportunity to speak up.Frank: Mr.Simms doesn't want it.He doesn't need to be labeled, still worthy of being a Baird man!What the hell is that? What is your motto here? Boys, inform on your classmates, save your hide, anything short of that, we're gonna burn you at the stake? Well, gentleman, when the shit hits the fan some guys run and some guys stay, here's Charlie, facin' the fire and there's George hidin' in big daddy's pocket.And what are you doing? And you are gonna reward George, and destroy Charlie.Trask: Are you finished, Mr.Slade?

Frank: No, I'm just gettin' warmed up!I don't know who went to this place, William Howard Taft, William Jennings Bryant, William Tell, whoever, their spirit is dead, if they ever had one.It's gone.You're buildin' a rat ship here, a vessel for seagoin' snitches.And if you think you're preparin' these minnows for manhood, you better think again, because I say you're killin' the very spirit this institution proclaims it instills.What a sham!What kind of a show are you guys puttin' on here today? I mean, the only class in this act is sittin' next to me, I'm here to tell you this boy's soul is intact, it's non-negotiable, you know how I know, someone here, and I'm not gonna say who, offered to buy it, only Charlie here wasn't sellin'.Trask: Sir, you're out of order.Frank: I'll show you out of order.You don't know what out of order is, Mr.Trask, I'd show you, but I'm too old, I'm too tired, I'm too ****in' blind, if I were the man I was five years ago, I'd take a flame thrower to this place!Out of order? Who the hell do you think you're talkin' to? I've been around, you know? There was a time I could see, and I have seen, boys like these, younger than these, their arms torn out, their legs ripped off, but there is nothin' like the sight of an amputated spirit.There is no prosthetic for that, you think you're merely sendin' this splendid foot solider back home to Oregen with his tail between his legs, but I say you're executin' his soul!And why? Because he is not a Baird man.Baird men, you hurt this boy, you're gonna be Baird bums, the lot of you.And Harry, Jimmy, and Trent, wherever you are out there, **** you too!

Trask: Stand down, Mr.Slade!

Frank: I'm not finished.As I came in here, I heard those words: cradle of leadership.Well, when the bough breaks, the cradle will fall, and it has fallen here, it has fallen.Makers of men, creators of leaders, be careful what kind of leaders you're producin' here.I don't know if Charlie's silence here today is right or wrong, I'm not a judge or jury, but I can tell you this: he won't sell anybody out to buy his future!And that my friends is called integrity, that's called courage.Now, that's the stuff leaders should be made of.Now I have come to crossroads in my life, I always knew what the right path was.Without exception, I knew, but I never took it, you know why, it was too damn hard.Now here's Charlie, he's come to the crossroads, he has chosen a path.It's the right path, it's a path made of principle that leads to character.Let him continue on his journey.You hold this boy's future in your hands, committee, it's a valuable future, believe me.Don't destroy it, protect it.Embrace it.It's gonna make you proud one day, I promise you.How's that for cornball?----let's enjoy!

New words and phrases:

a guy at a carnival: 在文中指先知先覺的人 Womanizers: 特指玩弄女性的人，色鬼 get behind the wheel: 駕駛 test-drive: 試駕

walkin' out of the store: 意思是銷量非常好 spring chicken:(俚語)特指充滿活力的年輕人 a cover-up artist:（貶）善于掩飾的人 snitch: 告密者

a crock of shit: 通常形容很惡劣 save one's hide: 自保

burn sb.at the stake: 嚴(yán)懲某人

the shit hits the fan: 形容形勢變得糟糕之極 William Howard Taft: 第27任美國總統(tǒng)

William Jennings Bryant 美國共和黨人，曾三次作為總統(tǒng)競選人，著名演說家 William Tell 古代歐洲的一個(gè)神箭手，瑞士的民族英雄 his tail between his legs:(俚語)很害怕 execute one's soul: 處決某人的靈魂 sell anybody out 出賣 背叛

hold sb's future in your hands 決定某人的命運(yùn)

第二篇：《聞香識(shí)女人》影評

Review on “Scent of a woman”

There are always some moments you suddenly understand some parts of life, something touches your soul and moved your heart deeply.“Scent of a woman”, which told us a story about struggles in life and finally finding the meaning of it, is such kind of thing.When the handsome man Charlie meets the stubborn blind retired Colonel Frank, I thought it was about a youngster growing up with the help of an elder man, maybe in a way full of beauties and perfumes.But I was wrong.The bitter man, enslaved to booze and abrasive criticism of those who come into contact with him, was proved to be so talent and humor.His great sense of woman, his shocking words and modal particle “huh”, his posture while tangoing with the young lady and the heart shaking speech for Charlie, are still playing in my mind.One unforgettable scene is Frank's talking with his niece and nephew happily while back from NY.To me, Charlie’s insist on not being a snitch is indigestible, but I can see the bravery and goodness in his soul.That’s why Frank finally breaks the ice and drops the masquerade and then back to a normal life, which also made Frank save Charlie from being expelled from school.I’ve learned that each person has something unique to offer to the others.Frank and Charlie, they are both at the crossroads of their life.Charlie persuades Frank to live on and Frank, touched by Charlie’s integrity, helps convince the Students’ Committee in Baird that Charlie deserves no punishment.I’ve learned that it is

precious that there is someone by your side.They help you to perceive how life would be and which way shall we choose.Life is full of obstacles and mistakes;the right attitude towards life is to make a right decision, to chase something, to hold on and to live on.Frank was intended to commit suicide after a weekend of exquisite, high-class living, just because he

couldn’t find a proper thing or person to live for.But actually, his relatives love him.And his talents in smelling and the internal character finally attracted and conquered the beautiful teacher in Baird.Just as the ending-speech, “the path made of principle” may be vague in fog.There are thorns like frustrations and jitters in that way, but as long as you tango on if you’re tangled up, you’ll finally find the meaning of life.

第三篇：《聞香識(shí)女人》演講

“Scent of a woman” Speech of Frank Track: Mr.Simms, you are a cover-up artist and you are a liar.Frank: But not a snitch!

Track: Excuse me?

Frank: No, I don't think I will.Track: Mr.Slade.Frank: This is such a crock of *!

Track: Please watch your language, Mr.Slade;you are in the Baird School, not a barracks.Mr.Simms, I'll give you one final opportunity to speak up.Frank: Mr.Simms doesn't want it.He doesn't need to be labeled, still worthy of being a Baird man!What the hell is that? What is your motto here? Boys, inform on your classmates, save your hide, anything short of that, we're gonna burn you at the stake? Well, gentleman, when the * hits the fan some guys run and some guys stay, here's Charlie, facin' the fire and there's George hidin' in big daddy's pocket.And what are you doing? And you are gonna reward George, and destroy Charlie.Track: Are you finished, Mr.Slade?

Frank: No, I'm just gettin' warmed up!I don't know who went to this place, William Howard Taft, William Jennings Bryant,William Tell, whoever, their spirit is dead, if they ever had one.It's gone.You're buildin' a rat ship here, a vessel for seagoin' snitches.And if you think you're preparin' these minnows for manhood, you better think again, because I say you're killin' the very spirit this institution proclaims it instills.What a sham!What kind of a show are you guys puttin' on here today? I mean, the only class in this act is sittin' next to me, I'm here to tell you this boy's soul is intact, it's non-negotiable, you know how I know, someone here, and I'm not gonna say who, offered to buy it, only Charlie here wasn't sellin'.Track: Sir, you're out of order.Frank: I'll show you out of order.You don't know what out of order is, Mr.Trask, I'd show you, but I'm too old, I'm too tired, I'm too ****in' blind, if I were the man I was five years ago, I'd take a flame thrower to this place!Out of order? Who the hell do you think you're talkin' to? I've been around, you know? There was a time I could see, and I have seen, boys like these, younger than these, their arms torn out, their legs ripped off, but there is nothin' like the sight of an amputated spirit.There is no prosthetic for that, you think you're merely sendin' this splendid foot solider back home to Oregen with his tail between his legs, but I say you're executin' his soul!And why?

Because he is not a Baird man.Baird men, you hurt this boy, you're gonna be Baird bums, the lot of you.And Harry, Jimmy, and Trent, wherever you are out there, **** you too!

Track: Stand down, Mr.Slade!

Frank: I'm not finished.As I came in here, I heard those words: cradle of leadership.Well, when the bough breaks, the cradle will fall, and it has fallen here, it has fallen.Makers of men, creators of leaders, be careful what kind of leaders you're producin' here.I don't know if Charlie's silence here today is right or wrong, I'm not a judge or jury, but I can tell you this: he won't sell anybody out to buy his future!And that my friends is called integrity, that's called courage.Now, that's the stuff leaders should be made of.Now I have come to crossroads in my life, I always knew what the right path was.Without exception, I knew, but I never took it, you know why, it was too * hard.Now here's Charlie, he's come to the crossroads, he has chosen a path.It's the right path, it's a path made of principle that leads to character.Let him continue on his journey.You hold this boy's future in your hands, committee, it's a valuable future, believe me.Don't destroy it, protect it.Embrace it.It's gonna make you proud one day, I promise you.

第四篇：聞香識(shí)女人 文學(xué)評論

我來說《聞香識(shí)女人》

一 說在前頭

在這篇評論里，我只是用簡單的文藝?yán)碚摗⒄軐W(xué)觀點(diǎn)談?wù)剬Α堵勏阕R(shí)女人》這部影片的理解，僅僅為我個(gè)人的主觀理解，如果與諸君理解有所差異，覺得不妨事，因?yàn)閷τ谑挛锏恼J(rèn)識(shí)仁者見仁智者見智，世界觀在相對的條件下存在，對與錯(cuò)是相對的，丑與美也是相對的，對于事物的理解，要尊重別人的觀點(diǎn)，但也堅(jiān)持自己的見解，對于事物要有懷疑的態(tài)度，認(rèn)識(shí)世界才有突破。話回主題說《聞香識(shí)女人》。我們從課本中學(xué)到，馬克思、恩格斯根據(jù)歷史唯物主義，把文藝納入到他的整個(gè)社會(huì)結(jié)構(gòu)理論中，指出文學(xué)藝術(shù)是生產(chǎn)關(guān)系總和構(gòu)成的社會(huì)經(jīng)濟(jì)基礎(chǔ)的上層建筑，是上層建筑中的一種社會(huì)意識(shí)形態(tài)。審美意識(shí)形態(tài)論是蘇聯(lián)學(xué)者們提出的，它具有意識(shí)形態(tài)的性質(zhì)和審美性質(zhì)。所以，這樣一來，我的理解是來談?wù)搶徝酪庾R(shí)形態(tài)要從兩個(gè)部分切入。一是歷史唯物主義，用歷史唯物主義方法也是研究美學(xué)的一種方法，再者，審美意識(shí)形態(tài)表現(xiàn)的是與現(xiàn)實(shí)社會(huì)生活密切相關(guān)的領(lǐng)域，滲透著社會(huì)生活以及其他意識(shí)的因子，所以在這里我們要討論社會(huì)存在和社會(huì)意識(shí)的關(guān)系，并且較淺的談?wù)撓略撈c社會(huì)現(xiàn)實(shí)基礎(chǔ)的關(guān)系和社會(huì)功用。二是從審美性質(zhì)來討論，應(yīng)用一些課本知識(shí)和我的觀點(diǎn)，較淺的談?wù)撘幌隆堵勏阕R(shí)女人》審美意識(shí)形態(tài)屬性的表現(xiàn)。

二 說與社會(huì)存在的關(guān)系

法國藝術(shù)理論家丹納把文藝比作一種生物，文藝作品是種族、社會(huì)氛圍、時(shí)機(jī)三種因素造就的，所以我們有必要理清造就《聞香識(shí)女人》的這三種因素。弗蘭克和查理士是美利堅(jiān)民族，在他們身上我們看到，弗蘭克的孤傲、剛愎自用和那份英雄主義，反觀查理是內(nèi)斂、羞澀的學(xué)生形象，兩種性格交織在一起，展開故事。他們生活在美國上世紀(jì)90年代，弗蘭克之前是中校享受過無數(shù)榮譽(yù)，然后眼盲后，他感覺被這個(gè)社會(huì)拋棄了，顯得那么孤僻，失去了活下去的信心和勇氣，代表了在社會(huì)經(jīng)濟(jì)高速發(fā)展下，一些被時(shí)代拋棄即將老去的人們。再來看查理，作為博德學(xué)院學(xué)生，對未來充滿了無數(shù)憧憬，但是他貧窮，在學(xué)校里遇到不公，因?yàn)榧依餂]有勢力，生怕因戲弄老師而被開除。因?yàn)樯鐣?huì)上存在不公，這位青春無限的年輕人未來蒙上了無數(shù)陰影，代表了家族沒有權(quán)貴，因社會(huì)不公平，在社會(huì)上競爭處于不公的年輕人們。兩個(gè)不同性格、不同社會(huì)背景的人在美國社會(huì)新老人民群眾交替的大背景下，偶然走在一起，他們相互鼓勵(lì)，他們用自己的方式為對方排憂解難，最終他們找到了生活的希望，對未來又充滿期待。

這樣我們知道了這部影片創(chuàng)造的相關(guān)因素，現(xiàn)在讓我用我對歷史唯物主義的理解來分析一下相關(guān)故事情節(jié)。

這里必須要交代一下一點(diǎn)歷史唯物主義的觀點(diǎn)。它最主要是講社會(huì)存在與社會(huì)意識(shí)的辯證關(guān)系，社會(huì)意識(shí)的相對獨(dú)立性，人民群眾是社會(huì)物質(zhì)與精神財(cái)富的創(chuàng)造者，價(jià)值觀的導(dǎo)向作用。文學(xué)藝術(shù)是一種社會(huì)意識(shí)形態(tài)，在《聞香識(shí)女人》存在很多社會(huì)意識(shí)。

我們知道美國社會(huì)思想上較為自由，允許一些自由思想存在，美利堅(jiān)的社會(huì)意識(shí)多種多樣，《聞香識(shí)女人》中也包含很多社會(huì)意識(shí)。在查理看見弗蘭克因?qū)ι钍ハＭ詺r(shí)，他沒有離開弗蘭克，300美元不足以讓他送出自己的性命，但是他義無反顧的搶下弗蘭克的手槍阻止他自殺。在物欲橫流的社會(huì)，乳臭未干的查理阻止了弗蘭克輕生，讓我們看到了人性的良知。這就是查理的價(jià)值觀，他認(rèn)為社會(huì)上應(yīng)該存在人性的良知，應(yīng)該存在這樣一種社會(huì)意識(shí)去幫助別人。當(dāng)查理遇到被開除了麻煩，弗蘭克為查理在會(huì)議上辯論。在弗蘭克看來學(xué)校里存在不公平，因?yàn)椴还讲槔硪婚_除，弗蘭克就作為正義的化身去學(xué)校里為查理伸張正義，他認(rèn)為社會(huì)應(yīng)該存在正義，法律是站在正義的一邊。雖然弗蘭克眼盲，但是他的心是明亮的，世界應(yīng)該存在正義，沒有正義，世界將沒有規(guī)則可言。無論我們站在自己的立場上去走向未來，還是人類站在歷史的長河去發(fā)展，都應(yīng)該有正義的價(jià)值觀，彰顯人類良知的社會(huì)意識(shí)，才能更和諧的發(fā)展。即使社會(huì)存在不公，但是我們應(yīng)該竭力維護(hù)正義。弗蘭克與

查理的價(jià)值觀，它們都是在經(jīng)濟(jì)大發(fā)展背景下缺少的社會(huì)意識(shí)，無論在的美國社會(huì)，還是共產(chǎn)主義社會(huì)，都應(yīng)該激發(fā)每個(gè)人的人性良知，讓人民群眾來創(chuàng)造出這種精神財(cái)富，推動(dòng)社會(huì)和諧發(fā)展。并且由人民群眾來創(chuàng)造出法治社會(huì)，而不是人治，讓公平正義的社會(huì)意識(shí)來作用社會(huì)的存在。

文藝應(yīng)該是屬于全人類的，不是僅僅符合一個(gè)民族、一個(gè)社會(huì)，不應(yīng)該像柏拉圖說的那樣，文藝的好壞應(yīng)該首先用政治標(biāo)準(zhǔn)來衡量，它應(yīng)該符合全人類的標(biāo)準(zhǔn)，不是為一個(gè)國家、一個(gè)民族、一種政治意識(shí)形態(tài)做服務(wù)。

三 說審美意識(shí)形態(tài)屬性的表現(xiàn)

要說審美屬性我先要較淺的說什么是美學(xué)，再說什么是審美，最后再展開討論。美學(xué)，是一種認(rèn)識(shí)論，最早是哲學(xué)的附屬部門，是一種感性思維和形象思維。審美，是人類掌握世界的一種形式，是人類與世界形成一種無功利的情感關(guān)系，在理智與情感、主觀與客觀統(tǒng)一的條件下去追求世界的真理。

一、功利與無功利

該片不帶有直接的功利的目的，創(chuàng)造者不尋求實(shí)際利益的滿足，沒有直接的實(shí)際目的。文藝作品是對客觀社會(huì)的摹仿，是反應(yīng)社會(huì)存在的表現(xiàn)。但是在無功利的背后，還是存在某種功利。該片講述了一位退伍的眼盲中校弗蘭克，對生活失去了信心和勇氣，在感恩節(jié)之際，希望出游享受最后一次人生快樂。就在此時(shí)，一個(gè)乳臭未干在學(xué)校惹了麻煩的查理，來陪伴弗蘭克去紐約游玩。失去雙目的弗蘭克卻有敏銳的嗅覺，他可以聞出身邊女人用的香水，感覺出她們頭發(fā)的顏色。在此期間，弗蘭克想輕生，查理用他的良知?jiǎng)褡枇烁ヌm克，帶他去跳探戈、開法拉利，讓弗蘭克又找到了活下去的勇氣和信心。弗蘭克也為這位親如兒子的朋友在學(xué)校會(huì)議上辯論，揭露了學(xué)校的虛偽，伸張了正義，挽回了查理的前途。從片中我們可以看到某些功利，作者通過創(chuàng)作出一部在經(jīng)濟(jì)迅速發(fā)展的背景下的影片，來喚醒人類正在漸漸丟失的人性良知和揭露虛偽的勇氣，無論人類文明多么發(fā)展，都不能丟失人性的良知，要去幫助需要幫助的人，去揭露一些偽善，伸張正義，讓社會(huì)有公平可言。同時(shí)，通過為讀者展現(xiàn)弗蘭克有敏銳嗅覺這一細(xì)節(jié)，讓人們認(rèn)識(shí)到，即使你的世界是黑暗的，也應(yīng)該用自己的方式生存，物競天擇，適者生存。我們身邊的環(huán)境在不斷變換，所以要改變自己的生存方式，改變就是蛻變。就算眼盲也要努力的生存，因?yàn)檫@個(gè)世界有你而精彩。這就是該片的一些功利，功利的存在是幫助我們更好的掌握現(xiàn)實(shí)生活和自己的人生。

二、形象和理性

弗蘭克和查理兩個(gè)形象，是作者塑造的兩個(gè)想象，他們是虛構(gòu)的、不存在的，模糊的。但是從意識(shí)形態(tài)角度看，兩個(gè)形象也依賴?yán)硇源嬖凇Ｔ谙硎苓^無數(shù)榮譽(yù)之后，中校弗蘭克失明了，人生有了很多落差，他心中的生活不是黑暗的，是開著法拉利摟著女人的。理想與現(xiàn)實(shí)社會(huì)發(fā)生沖突，所以人格開始分裂，性情暴躁，但是以前作為軍官，性格直爽，敢于揭露偽善，從弗蘭克的人生背景來看，發(fā)生一系列這些情節(jié)也是合情合理。再看查理，一個(gè)窮小子，家里沒有權(quán)勢，質(zhì)樸純潔，性格內(nèi)斂，正是這樣一些品質(zhì)讓他擁有人性最初的良知，他會(huì)冒著生命危險(xiǎn)來勸阻弗蘭克的輕生，會(huì)冒著被開除的危險(xiǎn)，愚蠢的為朋友守著秘密，這樣看來，乳臭未干窮小子的故事也合情合理。

三、情感與認(rèn)識(shí)

文學(xué)富于情感，但也帶有某些認(rèn)識(shí)性。

弗蘭克因?yàn)槭鳎榫w低落，對生活失去信心，希望最后享受一次游玩快樂后自殺。查理因?yàn)樵谛Ｈ橇寺闊┳兊渺话玻钍チ斯?jié)奏，每天關(guān)切事情的發(fā)展?fàn)顩r，又不敢從正面解決。這兩個(gè)人相遇后，先是查理帶弗蘭克跳探戈、開法拉利，讓他重獲信心和勇氣。而后，弗蘭克又為查理在學(xué)校伸張正義，揭露學(xué)校的虛偽。流露出作者對于弗蘭克因失明而

生活不快樂的同情和他用敏銳的嗅覺觀察周遭世界的敬仰，同時(shí)也流露出作者對于查理不勇敢從正面解決問題的失望。從這些流露出的情感上我們認(rèn)識(shí)到，生活屬于自己，即使遇到再大的挫折與困苦我們也要用自己的方式生活，沒有視覺可以用嗅覺，即使連視覺和嗅覺都沒了，也可以用心傾聽這個(gè)世界。即使自己沒有權(quán)貴的依靠，在面對社會(huì)存在的不公與虛偽要敢于去揭露，伸張正義應(yīng)該是每個(gè)人的義務(wù)，而不是委屈求全。世界應(yīng)該是屬于每個(gè)人的，不應(yīng)該是一個(gè)國家的世界，不應(yīng)該有民族主義。世界的秩序不應(yīng)該由一部分人說了算，每個(gè)人都有權(quán)利和義務(wù)去維護(hù)全人類的生存環(huán)境，這樣的世界才算和諧，人類的生活才會(huì)向著美好的方向發(fā)展。

僅以此影評，同看過《聞香識(shí)女人》的朋友分享。

第五篇：聞香識(shí)女人觀后感

對于生命選擇的啟示

——《聞香識(shí)女人》觀后感

這部電影雖然叫聞香識(shí)女人，可主人公是一老一少兩個(gè)男人。二者背景經(jīng)歷迥異，卻在一次共同的旅行中獲得了對人生新的審視。

中學(xué)生查理在學(xué)校受到不公正的待遇，煩惱的他來到了退伍軍人史法蘭中校家中做兼職。史法蘭中校曾是總統(tǒng)的幕僚，在一次意外中雙目失明被迫投閑。他不能接受從翻云覆雨的巔峰跌落到碌碌無為的谷底，于是他決定帶著查理出游，最后一次享受生活的美好，然后結(jié)束自己的生命。

但是在旅行的途中，中校經(jīng)歷了很多自己生命中從未經(jīng)歷過的快樂與自由，最有感染力的一段是，在一家酒店里，中校憑借著敏銳的嗅覺邂逅了一位美麗的女士，兩人在優(yōu)雅的音樂中跳出了一段洋溢著生機(jī)與歡樂的精彩探戈。凡此種種，都使他重新認(rèn)識(shí)到生命的美好，于是他改變了自己最初的想法，劇末，在學(xué)校的禮堂里，中校發(fā)表了一段酣暢淋漓的演講，既是為查理做的辯護(hù)，同時(shí)也生發(fā)了自己對于生命的新的感悟，引人深思。

這部影片雖然拍攝于1992年，但在今天看來仍有未曾減弱的現(xiàn)實(shí)意義。中校前后的變化可以說是巨大的，在這次旅行之前，中校過慣了奢華享受的生活，所以對于這種雙目失明和賦閑也可以說是冷遇的生活，他是不能接受的，于是他想到了自殺。但是之后他對于生命美好的體悟完全的顛覆了他之前的一切想法，他信心勃勃的重新開始了自己美好的生活。

其實(shí)現(xiàn)實(shí)生活中的人，像中校史法蘭一樣活在自己假設(shè)的美好中的人又少嗎。大多數(shù)的人都遵循著社會(huì)公認(rèn)的“好”的標(biāo)準(zhǔn)去衡量自己，卻忽視了自己內(nèi)心最渴望的和自己作為一個(gè)人的最本真的精神訴求。他們有的是真的被這種盲目的近乎偏執(zhí)的追求沖昏了頭腦，有的卻是清醒著的但無奈的被冷酷的現(xiàn)實(shí)逼迫的沒有選擇的妥協(xié)。對于前者，我們無權(quán)也無力去改變他們的信念，因?yàn)檫@種人生的追求一旦慢慢的扎根，便會(huì)漸漸漸漸的根深蒂固，使得他們欲罷不能。想要去改變無疑是困難的，唯一得可能是他們自己受到觸動(dòng)，從內(nèi)而外的煥然一新。而對于后者，他們的生活無疑是痛苦的，就好像明明知道是苦的果子，可是還是要吃下去，因?yàn)橹挥谐韵滤麄儾拍芾^續(xù)維持生計(jì)。又好像是眾人皆醉我獨(dú)醒，然而為了生存，醒了之后的他們還要繼續(xù)裝醉，個(gè)中滋味只有他們自己能知。從我的理解來看，他們比第一種人生活的要更加痛苦。

或許你會(huì)問，難道沒有堅(jiān)持秉承自己理想信念永不改變的人嗎？當(dāng)然也有，堅(jiān)持這種選擇就意味著可能會(huì)為社會(huì)所不容，甚至?xí)嫉缴鐣?huì)的對立面上，但是不管怎樣，對于他們而言，至少對于自己的內(nèi)心來說是快樂的，而這也是能夠支撐他們堅(jiān)持下來的最重要的內(nèi)涵吧！

叢飛，大概就是這樣的一個(gè)人物。他傾盡全力，奔波于幫困助弱的募捐，在勞教所，收教所，戒毒所慰問演出，為誤入歧途的人們帶去生活的希望，幫助他們迷途知返。他還收留期滿釋放人員幫找工作，還自掏腰包幫助買車票返回家鄉(xiāng)。他將自己大部分的收入都都用在了需要幫助的人身上，甚至沒有多余的錢去治療自己的癌癥。雖然社會(huì)充滿著不解，但他依然在默默地堅(jiān)持，我想這大概就是因?yàn)橛兴麅?nèi)心的向往和所獲得的快樂能支撐著他繼續(xù)堅(jiān)持下去吧！我想我是懂他的，也因?yàn)榇诵老玻袆?dòng)并為他所遭遇的誤會(huì)而心痛，不忍著。

對于劇中的史法蘭中校，在他生命的大部分時(shí)光里，他都是追尋著那些權(quán)利與浮華，或許他知道他真正所想要的，正如他在最后的演講中所說的：“我從來都知道什么是正途，但我從不走正途，因?yàn)檎咎量嗔恕！庇谑撬艞壛耍瑵u漸忘記了自己本真的追求，在他失去了一切以后，這次旅程重新喚起了他對于真善美的愛戀，于是他的內(nèi)心得到了重生。

《聞香識(shí)女人》這部電影雖然是一部劇情片，但我卻覺得他更應(yīng)該屬于一部勵(lì)志的電影，它啟示我們勇敢的去追求自己本真渴求的生活，而不要在乎那些現(xiàn)實(shí)的冷酷與無情。在一份悲愴中去尋求生活的美好。