第一篇：理智與情感讀書報告

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Novel Report of Sense and Sensibility

Sense and sensibility is a novel written by Jane Austen that was first

published in 1811.She was an English novelist whose works of romantic fictions,and earned her a place as one of the most widely read writers in English literature, In her short and glorious life, she wrote about dozens of famous novels, such as sense and sensibility, pride and prejudice, Mansfield park, Emma and so on.When I was in primary school, I had once read the Chinese version of pride and prejudice, through this novel, I have a first understanding of Jane Austen’s vision of love, and realize the life of British girl in that period, but not deep,after reading more and wathed every movieadapted by herworks, I totally love her.Sense and Sensibility is The story about two sisters, Elinor and Marianne Dashwood(Elinor represents the “sense” and Marianne represents the“sensibility”)along with their mother and younger sister Margaret, they are left impoverished after the death of their father, and the family is forced to move to a country cottage.Elinor forms an attachment to the gentle Edward Ferrars, unaware that he is already secretly engaged.Edward is a quiet, unassuming young man who does not aspire to be the “fine figure in the world”which his mother and sister wished him to be.Edward's fortune is dependent on the will of his mother.Elinor knows that she would not like her son to marry a woman of as a low rank as she is and does not allow herself to hope for marriage.Mrs.Jennings, a good-humored widow, thinks that Brandon is in love with Marianne and teases them both about it.Marianne dislikes him in fact.in the countryside, Marianne falls and breaks her ankle.Willoughby, a dashing and handsome man, carries her back to Barton Cottage.Willoughby begins to visit Marianne every day and they become very close.Elinor overhears him calling Marianne by her first name and believes that they may be secretly engaged.Willoughby leaves abruptly one day telling the Dashwoods that he must go to London and will not return for a year.His departure greatly upsets Marianne.Edward comes to stay at Barton Cottage near one day.However he seems unhappy and is distant towards Elinor, and she fears that he no longer has any feelings for her.Ann and Lucy , cousins of Lady Middleton, come to visit.soon.However, Lucy then reveals to Elinor that she(Lucy)has been secretly engaged to Edward for four years..Elinor is overcome with grief, but she keeps the information from her family as a promise to Lucy.Elinor and Marianne spend the winter at Mrs.Jennings' home in London.Marianne writes to Willoughby, but her letters are unanswered.They meet Willoughby at a party, but he is cold and formal with them.He then sends

Marianne a letter in which he denies ever having loved her and telling her that he is engaged to a Miss Grey, a very wealthy woman.Brandon reveals to Elinor that Willoughby seduced his foster daughter Miss Williams and abandoned her when she became pregnant.Later, Mrs.Jennings tells Elinor that Edward’mother has discovered Edward and Lucy's engagement.Edward refuses to end the

engagement and his mother, furious because of Lucy's poverty, disinherits him.Marianne becomes very ill after a walk in the rain during which she was wallowing in misery because of Willoughby, andBrandon goes to get Mrs.Dashwood.Meanwhile,he reveals his love for Marianne to Mrs.Dashwood..Mrs.Dashwood wishes for Marianne to marry him too, but Elinor perceives that Marianne still has a lack of regard for him.They learn that Mr.Ferrars has

married Lucy.Mrs.Dashwood realizes how strong Elinor's feelings for Edward are and is sorry that she did not pay more attention to her unhappiness.However, the next day Edward arrives and reveals that it was his brother who married Lucy.He says that he was trapped in his engagement with Lucy, “a woman he had long since ceased to love,” but that she had broken the engagement to marry the now wealthy Robert.Edward asks Elinor to marry him, and she agrees.Over the next two years, Mrs.Dashwood, Marianne matures and after growing to love brandonl, decides to marry Brandon.They marry and live close to Elinor and Edward.The plot revolves around a contrast between Elinor's sense and Marianne's emotionalism;Yet Austen's treatment of the two sisters is complex and

multi-faceted.The ending does, however, neatly join the themes of sense and sensibility though having the sensible sister marry her true love after long,romantic obstacles to their union, and the emotional sister find happiness with a man she did not initially love, but who was an eminently sensible choice of a husband.a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure。The most remarkable characteristic of Jane Austen as a novelist is her recognition of the limits of her knowledge of life and her determination never to go beyond these limits in her books.She describes her own class, in the part of the country with which she was acquainted;and both the types of character and the events are such as she knew from first-hand observation and experience.

第二篇：理智與情感讀書報告

The Survey and Analysis of Sense and Sensibility

Once I was not interested in this kind of famous but old works.Perhaps it is because I think the story happened in a time which is very far from me and I can?t read it calmly.But for an excellent actor named Alan Rickman I would not read this work at all.Sense and Sensibility was screened in 1995.I knew it after I began to worship Alan Rickman.He had a role, Colonel Brandon.Then I decided to watch this movie for him.What surprised me that I totally fell in love with the story and characters in it and I read the work.Sense and Sensibility is Jane Austen?s first work.After reading it I feel it is full of intelligence and emotions, and gives a substantial feeling mind, like Jane Austen?s other works or herself more.Sense and Sensibility is filled with spice and humor.It twists and turns of two sisters? complex love story as the main line to express the relationship between sense and sensibility, and in many cases, the reason should be more than emotional claims.In Jane Austen's day, praise of the emotional content was the mainstream literature, and many people think that no restraint of strong feelings is the best character performance, and neglect whether such feelings will bring their owns or their family members pain or not.If you want to restraint or hidden it, that is wrong.But Jane expressed a different opinion through the two sisters? stories.It can be seen from the book.She thought sincerity and warmth are important and valuable, but still need to adjust and control with reason.After all, emotion is perceptual;any unreasonable development may bring much unnecessary suffering to both themselves and their family members.Only if a rational mind and thinking coexist with it, such damage can be reduced to the minimum.And there is no doubt that it is profitable to everyone.Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason.The story revolves around the Dashwood sisters, Elinor and Marianne.Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion.Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she “loves him tenderly,” she finds him disappointing as a possible lover for her sister.Soon however, Marianne meets a man who measures up to her ideal: Mr.Willoughby, a new neighbor.So swept away by passion is Marianne that her behavior begins to border on the scandalous.Then Willoughby abandons her;meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart.Jane Austen has often been considered a woman who led a narrow, inhibited life and who rarely traveled.These assertions are far from the truth.Jane Austen traveled more than most women of her time and was quite involved in the lives of her brothers，1 so much that it often interfered with her writing.Like most writers, Jane drew on her experiences and her dreams for the future and incorporated them into her writing.Her characters reflect the people around her;the main characters reflect parts of herself.In Sense and Sensibility, Pride and Prejudice, and Mansfield Park, Elinor Dashwood, Elizabeth Bennet, and Fanny Price all reflect aspects of Jane Austen and dreams she had that were never fulfilled.Jane can also be considered the backbone of her family.After she dies, the family is not as close as they were during her lifetime.Jane became very close with two of her nieces, Fanny Austen and Anna Austen.She counseled them on men and marriage when they reached the age of choosing a suitor.She often helped with delivering her sister-in-law's babies.During her thirties, she lived with her brother Frank for several weeks.She cooked the meals for his family and cared for his children while his wife was confined to her bed.After several weeks of such a life, she felt she needed a break and solitude, but she continued to help her brother and his family until her services were no longer needed.Like the character she creates in Elinor, she sticks by her family and helps them when they need her.Austen's life closely parallels that of Elizabeth Bennet in Pride and Prejudice.Austen begins the novel with the line, “It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife”.This statement reflects the opinion of the time that a woman had to be married or else she had no social standing.Just as Elizabeth and her sisters feel immense pressure to get married and procure a good match, so too did Jane.Until she was twenty-five she still retained a small spark of hope that she would one day marry and have children.In Jane Austen?s Sense and Sensibility there is a theme that runs along with males in the novel.The first born sons are forced to deal with the promotions and abilities that come along with the laws of primogeniture, yet even with all they get they do not lead an altogether happy life.The men that are first-born are in fact too swayed by the power and obligation that comes with their estates.In the novel the first sons are viewed in a negative light, yet the second-born sons have less responsibility to be what society wants them to be and are allowed to be his own.Although Edward Ferrars, is a firstborn, his mother disinherits him because of his lack of focus and ability to be all she wants him to be;as John Dashwood remarks Robert will now to all intents and purposes be considered as the eldest son.We know that Colonel Brandon is a second son because he has an older brother who married his old sweetheart, Eliza, many years before the novel's plot begins.And whereas these characters are the heroes of the novel, all the eldest sons are cast in a negative light, including John Dashwood, Robert Ferrars, and Colonel Brandon's older brother.In Austen's day, the eldest sons were the ones who inherited all the family property according to the laws of male primogeniture.However, in spite of these inheritance laws, it is the second sons who ultimately find happiness in the novel;thus they make content lives for themselves despite societal and financial constraints.This conflict starts at the beginning of the novel, but to his son and his son?s son with John Dashwood?s acquisition of the Norland estate.After John receives the inheritance and the estate, he is from then on viewed in a negative manner.He is a weak man and is

constantly influenced by his petty, greedy and mean wife.He was not an ill-disposed young man, unless to be rather coldhearted and rather selfish to be ill disposed.Had he married a more amiable woman, he might have been more respectable than he was: he might even have been made amiable himself.But Mrs.John Dashwood was a strong caricature of himself: more narrow-minded and selfish.His choice of wife, a systematic marriage for money and social stature affects his ability to be viewed as a decent character and he is viewed as a whole with his wife, which degrades him even more so.As far as the Ferrars Brothers are concerned, Edward is the first-born son who seemed to be a second Willoughby but loses his position when he refuses to marry Lucy Steele a rich heiress and wanting to in turn marry Elinor.Mr.Ferrars has suffered from his family;he has been entirely cast off by them for persevering in his engagement with a very deserving young woman.All of Jane's female characters end up happily married, a state Jane herself never felt.A woman was defined in terms of her husband;if she did not marry, she had nothing.Jane's aunt traveled to India in order to find a husband.Well into her twenties, Jane still had dreams of getting married.When she was twenty-five, Harris Bigg, a brother of her good friends, proposed marriage to Jane.At first she accepted: she would become mistress of a large estate, and “be able to ensure the comfort of her parents to the end of their days”.Most importantly, she would have children and raise a family of her own.The next day, however, Jane reneged the proposal.She did not love him and did not want a “marriage based on nothing but money”.After this proposal, Jane gave up all hopes of ever having a family of her own.Instead, she fulfilled her dreams through her characters and found “passion” through them.All her characters marry for love.They make Jane's dreams become a reality within her imagination.Sense and Sensibility created a series of characters and each has unique personality.However, most of the readers want to focus on are Dashwood family?s two sisters.Elinor is Dashwood family's eldest daughter, an affectionate girl who is ever intellectual.From the beginning, the story showed her more thoughtful and rational mind than her mother and sister.Elinor worked carefully, thoughtfully, and intelligently.Either his love, Edward or hate, Lucy, she can treat them with respect.Besides, when people were discussing, whether Elinor like the topic or not, she wouldn?t show much more curiosities or make others think she was boring.She could always maintain a certain degree of calm and thinking mind.Anything, Elinor always drew the line in anything.In addition, she was a kind girl, good at finding others advantages, and considerate to others.For Mrs.Jennings, though her behavior proved that she is stupid, but Elinor always talked about her enthusiasm, generosity and justice in front of her friends and sister.For Mrs.Jennings having a comfortable time in her home without Marianne?s sarcasm and indifference and made Marianne not hurt by doing some overacting things, Elinor received the invitation and went with her sister even if she did this unwillingly.In my view, Elinor is so sober and reserved that she refuses to express her emotions even on her face and nearly loses her true love.When she knew the truth of Edward?s engagement and Edward?s love, she eventually

couldn?t help crying because she oppressed herself so long.All above showed Elinor?s rational mind, but it doesn?t mean she is lack of emotion.On the contrary, as her sister, Elinor has an emotional heart, but she is more adept at controlling this emotion.No matter what happened in Edward?s case have been changed, Elinor didn?t change her heart.She did not abandon him because of Edward's untalkativity, dull depression, and charges from everyone.She liked his integrity, honesty, loyalty, generosity and felt unfair to his treatment at home and thought about him anytime to try her best to make his situation better.Even if she heard the news of Edward?s engagement, Elinor was still in love with him.Even after hearing that she was trying to cover up, it was not difficult to see the news damaged her much.It can be seen that her affection to Edward is strong, faithful, realistic, loyal and eternal.This proves that Elinor is not only rational, but also has an emotional heart.And there is a clear and rational mind to remind her to restrict unnecessary emotional impulse.Sense, kindness, wittiness are her proper charms.Comparing with Elinor?s sense, her sister Marianne is much more emotional.She is bright, but overly sentimental.On the contrary, Marianne is too emotional, always follows her feelings and never covers them.This is a kind of innocent but without thought it can make a person naive and ruined like Marianne.She committed suicide.After trying to killing herself, Marianne realized what true love was and learnt to be rational.Marianne always holds a romantic fantasy in treating love and dreamt to marry an “outstanding character, charming manners” man.She always seeks to deal with feelings of sensation, and romance.She is direct and clear in expressing feelings so that many times Mrs.Jennings made fun of her.Different from Elinor, Marian behaved in society is similar to her feelings of view.She treated people she liked warmly but indifferently and rudely to people shi didn?t like and gave them a cold face.Perhaps this feeling was the feeling of that time's most respected concept, but Jane accounted for its unseemliness fully through Marian.A real contrast can be seen between the two women when Marianne comes to see Elinor in her bedroom one night.It is the same evening in which Edward has read to the family upon Marianne's incistant urging.Edward lacks the emotion that Marianne thrives on while reading to the women and she has no qualms about sharing this with him.When talking to her sister, Marianne states that she finds Edward to be an “amiable” man, but lacking a certain spark.When Elinor says that his disposition suits her just fine, Marianne is appalled.Her immediate reaction is one of question.Would Elinor rather love a dull, amiable man or the kind of man she would choose? Marianne would settle for no less than a prince on a white stallion, ready to rescue her from the confines of her little cottage.Her man must possess “spirit, wit, and feeling.” Marianne was finally abandoned by Willoughby, fell deep in their emotional outlook of the dominant lower into the abyss of suffering, and could not get away.She almost lost her life, and brought pain to her friends and family.This is the disadvantage of overacting emotion.Except for Marianne?s “more sensibility, less sense”, she is a very great girl.Marianne is wise, fair, loves reading and thoughtful.Marianne loves her mother and sister very much.No matter she was too emotional at

first, or learnt to be rational at last, Marianne is not willing to hurt her friends and families especially.In addition, she made her effort to make up the damage brought by her sensibility.As the story said, once Marianne realized she was wrong, she would do anything to make up it.She is really an excellent girl, isn?t she?

In the male role, Edward is the ideal type of women but not brave enough.Edward Ferrars, the object of Elinor's affection is quoted as saying Miss Dashwoods friendship the most important of his life.This is a considerable compliment coming from a man as highly esteemed as Mr.Ferrars.Elinor is viewed by her mother and her two sisters as a saving grace, someone to depend on.To a certain extent this is true, but Elinor also has problems and she doesn't quite know how to let people know about them.Even when Lucy Steele confides in Elinor that she has been secretly engaged to Edward for four years, she tells no one, and bears the burden of a broken heart on her own.At the outset he controlled his affection to Elinor and behaved as a gentleman.He was not rude but always hesitant.It was his attitude that made Elinor blowing hot and cold and didn?t believe they would be together.I think Colonel Brandon is a complex with both sense and sensibility even though he has also done a choice between reason and emotion.But I still think he is the only one of several main characters who puts the emotion to the first place.Although he exited on his own initiative when he knew the relationship between Marianne and Willoughby, after all his original intention is that he hopes Marianne can be happy.As for Willoughby, a playboy, I only say I?m sorry.His essence is not bad, and I believe he really loves Marianne, but not enough, in other words, he loves money more, or just himself.The topic of this paper is to distinguish the differences between sense and sensibility.Represented in Jane Austin's novel by two sisters, Elinor and Marianne, the disposition of the two girls can be seen quite vividly.The two girls are accompanied by a mother, and many other well developed characters.One character questionable to the theme of the story is the youngest sister Margaret.Her personality if described would be more like that of her sister Marianne.People can possess rich emotion, but not emotional.Jane thought taking heed in dealing with a matter and inner urge should be balanced.She showed respect to “Money can buy an elegant life”, but the feelings between people are much more important.Being and individual and having the ability to do so is a prevalent theme in this novel.It applies the men who do not have to pressure and obligation to laws of primogeniture who can choose their own path.It also applies to the women who are viewed by society as poor but in fact will become rich because they do not have to bow down to society?s rules and systems.Despite the way people dealt with life in that time had to constrict to these rules to feel successful yet, the most successful characters in the novel are the ones who were brave enough to break away from the conformity.How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel.Though Marianne's disregard for social conventions and willingness to consider the

world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired;a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure.Experienced the baptism of life and death, Marianne found the balance point of sense and sensibility.After a long period of repression, Elinor?s emotions burst out and push the fight of sense and sensibility in her heart to the ultimate.Without dreams, without sentiments, what do we have sense for?

“Sense prevails sensibility, reality exceeds dream”, this is still an inconclusive war.You and me can find ourselves point according to our characters.As Shakespeare said, the course of true love never did run smooth.Of course, the world can not be without love, but not only love.

第三篇：理智與情感讀書心得體會

理智與情感讀書心得怎么寫?以下為大家帶來讀書心得體會范文，文章內容為理智與情感讀書心得體會，詳細內容點擊查看全文。

理智與情感讀書心得體會范文一：

今天一下午的時間讀完《理智與情感》，正在驚呼自己的閱讀的速度時，我想到了自己，對于感情，我是理智的，理智的讓我至今沒有再次體會戀愛的感覺，最近我的朋友說，她的準前男友每晚給她打電話，她為了他，自己忍受這心靈的痛楚卻為那個男生排解了寂寞，我不得不承認我的朋友是偉大的，我對待初戀的他，就沒有這么慷慨，不是因為我絕情，而是他傷我太深，我不想再苦苦糾纏。

《理》這個故事，并沒有表現出女一號女二號有多么的理智，也沒看出男主人公有多么精明，只感覺他們都是為了自己感情上一時之快，說喜歡誰就喜歡誰，沒有太多的了解也可以為了那個人天天苦等。那么為什么還要叫做理智與情感呢，難道真的是情感戰勝理智亦或理智戰勝情感，其實都不是，親其實男一號愛德華最后沒有娶露西，我想是有原因的，可作者卻說是他還愛著埃莉諾，那么既然愛著，為什么露西會對埃莉諾先前說愛德華如何如何喜歡她呢，這不是空穴來風的。而瑪麗安接受了布蘭頓是因為她深深的被威洛比傷著了，所以啊，無論男女，當他面對一次傷害后，他寧愿選擇自己不是很愛的，但卻是很愛自己的人結婚。

我現在一直沒有再戀愛，就是自己怕再次受傷，找不到一個全心全意愛我的人，孤獨一輩子也是有可能的，其實我是討厭孤獨的，但愿我的他會早點出現，以此來紀念我的愛戀。

理智與情感讀書心得體會范文二：

人的心靈生活原是一種混沌，可以理解為我們出身以混沌，認識開始也是以混沌開始，然后有所感唔，理性與情感的劃分只具有十分相對的意義，相對來說理性、意志、情感、它們自已分別有高低之別。

理性有高低之別：低級理性即科學理性、邏輯、康德所說的知性，是對事物知識的追求，高級理性即哲學理性、形而上學、康德所說的理性，是對世界根本道理的追求。

意志有高低之別：低級意志是生物性的本能、欲望、沖動，歸根到底是他律，高級意志則是對生物本能的支配和超越，是在信仰引導下的精神性的修煉，歸根到底是自律。

情感有高低之別：低級情感是一己的恩怨悲歡，高級情感是與宇宙眾生息息相通的大愛和大慈悲。

按照這一思路，人性實際上被分成了兩個部分，一是低級部分，包括生物意志、日常情感和科學理性，一是高級部分，包括道德意志、宗教情感和哲學理性。簡言之，就是獸性和神性，經驗和超驗。絲毫沒有新穎之處!我只是想說明，此種劃分是比知、情、意的劃分更為本質的，而真正的精神生活必定是融知、情、意為一體的。

周老師說：真正的精神生活必定是融知、情、意為一體的。古代思想家老子到現代偉人周恩來他們給我們這個世界創造了保貴的精神才富，他們身上有著如周國平老師所說：融知、情意為一體的代表人物。我們是否在學習偉人的思想的同時，也看到了偉人的思想的足跡。

第四篇：《理智與情感》讀書心得

《理智與情感》讀書心得

《理智與情感》讀書心得1

今天一下午的時間讀完《理智與情感》，正在驚呼自己的閱讀的速度時，我想到了自己，對于感情，我是理智的，理智的'讓我至今沒有再次體會戀愛的感覺，最近我的朋友說，她的準前男友每晚給她打電話，她為了他，自己忍受這心靈的痛楚卻為那個男生排解了寂寞，我不得不承認我的朋友是偉大的，我對待初戀的他，就沒有這么慷慨，不是因為我絕情，而是他傷我太深，我不想再苦苦糾纏。

《理》這個故事，并沒有表現出女一號女二號有多么的理智，也沒看出男主人公有多么精明，只感覺他們都是為了自己感情上一時之快，說喜歡誰就喜歡誰，沒有太多的了解也可以為了那個人天天苦等。那么為什么還要叫做理智與情感呢，難道真的是情感戰勝理智亦或理智戰勝情感，其實都不是，親其實男一號愛德華最后沒有娶露西，我想是有原因的，可作者卻說是他還愛著埃莉諾，那么既然愛著，為什么露西會對埃莉諾先前說愛德華如何如何喜歡她呢，這不是空穴來風的。而瑪麗安接受了布蘭頓是因為她深深的被威洛比傷著了，所以啊，無論男女，當他面對一次傷害后，他寧愿選擇自己不是很愛的，但卻是很愛自己的人結婚。

我現在一直沒有再戀愛，就是自己怕再次受傷，找不到一個全心全意愛我的人，孤獨一輩子也是有可能的，其實我是討厭孤獨的，但愿我的他會早點出現，以此來紀念我的愛戀。

《理智與情感》讀書心得2

同<傲慢與偏見>一樣，簡·奧斯丁以一貫的風格，用細膩純熟的描述在兩位女主人曲折的感情經歷中表現出“理智”與“情感”的矛盾沖突。

瑪麗安是一位極富才情的女子，她聰慧善感，在情感方面正像書里講的“悲哀也罷，高興也罷，都沒有個節制”；而他的姐姐埃莉諾則善于用理智來控制情感，她的“克制”也正是我所最為贊賞的。而這一切也決定了她們應對感情時的態度。

埃莉諾從來都是頭腦冷靜且溫柔的，當她們因無法忍受嫂子對于她們母女四人的奚落以及寄人籬下的痛苦，無奈搬到遠離故鄉的巴頓鄉舍時。埃莉諾非但從未流露過一絲一毫與戀人愛德華離別的痛楚，還試圖用她的細心與溫柔撫平著家人的痛苦。甚至之后，當她從露西那里得知她與愛德華已私下訂婚的消息時，她所做的卻是強忍淚水，細心照料安慰同樣遭受著失戀折磨的瑪麗安。但她的那內心深處熱烈的情感也因她的理智，常常無法得到宣泄，從而使她不得不一人獨自承受著痛苦。也因此使她身上那無私的善解人意的完美品質更加令人欽佩。

相對于姐姐的瑪麗安，她那常常會失控的崇尚完美浪漫感情卻亦脆弱的心靈，卻使她散發出一種別樣的迷人魅力。她對于嫂子一家的毫無掩飾的反感；對于布蘭登上校的敬重卻不失距離；對威洛比無比熱烈的愛戀；以及在得知姐姐在失戀時所為她作出巨大犧牲的愧疚……都生動詮釋著她的率性與善良，讓人不禁愛憐。

但同時不幸的是，瑪麗安對威洛比盲目的愛，使她在應對他的背叛時，幾欲崩潰，甚至病危。情感與理智的沖突在此凸顯出來，有時我想，如果當初她對于威洛比的感情沒有那么盲目而多幾分理智，也許此時的她就不用那么痛苦，也許她就能坦然應對這一切。但是，也許不會。當一向克制著自我情感的埃莉諾聽到自我深愛的`愛德華沒有結婚，竟然也失去了自我一貫的從容理智，哭著跑出房間時，于是我們不得不承認在感情面前，情感永遠是超越理智的。即使成熟如布蘭登上校，在二十年后看到“與自我初戀情人容貌和性情都很相似”的瑪麗安時，任會有無法掩飾的掛念擔心與愛慕。

與所有簡·奧斯汀的小說一樣，這位有著無比細膩情感的女作家還是給予了它一個完美的結局，也許在她心中，如她的小說一樣，對感情始終懷抱著期望，憧憬著完美。

此外書中優美的描述也為小說增色不少，作者以女性特有的細致入微的觀察，展現了英國鄉紳的悠閑的生活和鄉村美麗的田園風光。為小說鋪置了閑適、恬靜的故事背景。人物的語言和心理描述恰到好處，個性鮮明。

掩卷而思，理智與情感這兩個詞，一向就如小說中一樣，深深的影響著我們，左右著我們，稍有偏差就會可能使我們痛苦、迷茫。但生活不是小說，上帝不會總仁慈地帶給我們一個完美的結局。我們只有走在這窄小的獨木橋上，搖搖晃晃，不讓自我受傷，想讓自我和埃莉諾一樣用理智控制著自我的情感。但是，有時想，像瑪麗安又何妨呢？大膽的付出真心的不顧一切的去愛人，也許會受傷，但施比受有福，當某天回首往事時，我們還能夠欣慰的告訴自我我們以前如此熱烈的愛過。相比另一些自私虛偽的威洛比日后的懊惱愧疚，如此的坦蕩不是幸福多了嗎？

《理智與情感》讀書心得3

這本書是簡?奧斯丁的。我非常喜歡她的另一本書《傲慢與偏見》。我覺得她的書的情節跌宕起伏，讓我似乎讀了一點就再也放不下了。所以，一看到她的這本<理智與情感>就不得不放下了正在讀的<包法利夫人>.還好，我的選擇是對的！這本<理智與情感>似乎帶給我太多的意外了。我從沒想過，小說的劇情還可以是這個樣子的。當然，我更喜歡作者本人。知道嗎？從這本書里我所感悟到，或是學到的格言就是：這個世界憑理智來領會是個喜劇，憑感情來領會是個悲劇。

不是嗎？這本書講述的是一個理智的姐姐和一個感性的妹妹。最終妹妹還是因為在愛情上受到了無限量打擊，隨后，終于明白了，理智是很重要的。最后，他們都找到了愛他們，也是他們所愛的人。過上了美滿的`生活。這個與許多當時英國的小說不同，他們都在用悲慘的結局去抨擊當時社會的險惡的時候，簡?奧斯丁去卻塑造了這樣一個圓滿而讓人向往的結局。當然，就因為這，在看完其他人的小說的時候，你會覺得，當時社會的骯臟與腐朽，甚至，你會懷疑，世界上是否真的有最圣潔無私的愛情的存在。可是，當你看完簡?奧斯丁的作品之后，你的那種消極心態，就會被作者的魔法趕跑了。

我相信，作者同我們一樣。不愿去承認，也不愿用黑色幽默去諷刺愛情。她試著用良知和美好的結局來喚醒人們的渴望，來教導我們，要善良。要相信，愛情真的存在。

《理智與情感》讀書心得4

小說圍繞埃麗諾與瑪麗安兩姐妹各自的戀愛和婚姻而展開，姐姐埃麗諾有一顆非常善良的心，她性格柔和而感情堅強，同時又思想靈活，很有見解，頭腦鎮定，“她會克制自己——對于這一手，她母親還有待學習，不過她有個妹妹決計一輩子也不要學”。妹妹瑪麗安各方面的才干都堪與埃麗諾相媲美，她聰慧善感，只是做什么事情都心急火燎的。“她為人慷慨，和藹可親，也很有趣，可就是一點也不謹慎”。埃麗諾在選擇對象時，不重儀表，而講人品，愛上了為人坦率熱忱的愛德華，后來發現愛德華已與露西有婚約時，盡管極為傷心，卻能竭力克制自己，最后，愛德華相繼遭到母親和露西的拋棄，但埃麗諾依然對他一往情深，與他結為終身伴侶，獲得了真正的愛情。與埃麗諾形成對照的，是瑪麗安，她對愛情抱著富有浪漫色彩的幻想，一心要嫁個“人品出眾，風度迷人”的如意郎君，她無意中遇見風度翩翩的輕薄公子威洛比，當即陷入熱戀之中，不久被對方拋棄，她又悲痛欲絕，差一點送掉性命。沉痛的教訓最終使她理智起來，選擇了一直傾心于她的最沒有浪漫色彩的布蘭登上校。作者通過這般對照描寫，來揭示這樣一個道理：人不能感情用事，感情應該受到理智的制約。

小說中，姐姐埃麗諾理性的隱忍總能牽動我的心，她把對愛德華的愛深深地埋藏在心底，即使在知道愛德華已經有婚約的情況下，依然信守對露西的承諾，只在心里愛著愛德華，最終有情人終成眷屬。而感性的妹妹卻受不了愛情失利的打擊，她一蹶不振，痛不欲生，甚至不顧生命危險去淋雨，足以看出這份不足掛齒的感情在她心中占了多大的分量，再一次印證了感情用事的.人往往傷的最深。其實對待感情，她們姐妹倆都沒有錯，小說的結尾，看似理智戰勝了情感，其實不然，在對待愛情和婚姻上，理智和情感是缺一不可的。當愛情來臨的時候，不要奮不顧身的迷失了自己，要學會隱忍，有所顧忌，適度的表達自己的感情，無論最后結局如何，都不會過喜或者過悲。酣暢淋漓的愛需要一個復雜的過程，這個過程中勢必要有壓抑和傷悲，只有經歷了理性的思考和感情的迸發相結合時，才能收獲美滿的婚姻。

雖然小說揭示的道理是要用理智來控制感情，但是作者的意圖顯然不是強調哪一方面。理智與情感是一個人不可分割的兩個方面，作品中作者安排姐妹倆的理智和情感總是形成互補，也就是在告訴我們單純一方的理智和情感都是不足的。小說開頭，姐妹倆在面對父親死后暗淡無光的未來時，表現出了很大的不同。姐姐埃麗諾雖然痛苦，卻懂得寬容克制，能奮發振作起來，讓讀者感動和佩服;妹妹瑪麗安的行為和舉止雖有些失禮卻處處顯示她性格的真和善。因此只有姐妹倆的結合才是最完美的，在現實生活中，我們要做的正是二者的結合。

《理智與情感》非常明顯的提倡：女人在感情中應該保持清醒的頭腦，理智的分析感情、金錢和婚姻的關系。18、19世紀的英國被稱作“理性的時代”，一個理性的人意味著他凡事必須“依靠理智，而不是感情和本性的感覺”。這個時期，財產的所有權決定著人的價值，而財產都為男性繼承，女人沒有社會地位，所以婚姻是她們的頭等大事，也是贏得幸福的唯一出路。簡·奧斯丁在這部小說中體現出了很明顯的門當戶對的思想，提及了經濟財富對婚姻的影響。她著重指出了一個事實，那就是婚姻不僅僅意味著浪漫的愛情，更意味著安全和保障，正如威洛比婚后所說的“我現在的生活是非常安定的”。當時的女性必須要意識到她們的依賴性及需求，意識到有保證的生活對她們的必要性。瑪麗安最終也是服從了這種必要性，嫁給了她認為沒有浪漫色彩的布蘭登上校。因此一個完美的婚姻，是既要擁有愛情還要考慮經濟因素的，同時，雙方也要在價值取向、性格愛好等方面相似，理想的婚姻應該包括這些因素，并在合理的范圍內使它們得到滿足。

現代人更多的渴望一種刺激，追求大膽盡興的愛情，主張“不在乎天長地久，只在乎曾經擁有”。在我看來，這是一種過度的，錯誤的愛情婚姻觀，愛情應該是理智的兩個人共同創造擁有的美妙的精神享受，愛情中的兩個人應該學著承擔責任，在愛情中，一意孤行、意氣用事、不顧后果是行不通的。學會理智的隱忍才能收獲愛情。奧斯丁在這部小說中使我們懂得了一種社會秩序的本質是無人能改變的，雖然現代社會更加多元化，開放化，但我們仍然要以理性的態度對待婚姻，這是我們現在應該倡導的生活態度，婚姻不單是愛情，它還需要責任感和經濟基礎，在擇偶時不要被一時的沖動沖昏了頭腦，現代女性應該努力在金錢、感情和婚姻中尋求平衡，因為這個問題和幸福是休戚相關的。

《理智與情感》讀書心得5

無論是在沙塵肆掠的古代埃及還是儂喃細語的秦淮河畔，也無論是18世紀的歐洲寧靜鄉村還是如今這個高度禮貌的時期，感情始終是人類生命中一種亙古不變、圣潔純真的美麗情懷。也許在不一樣的時期、地域它以不一樣的方式面貌得以展現，然而支撐它的力量從未改變。那，便是戀愛的精神。

沐浴在春日一個午后的陽光里，當我輕輕翻開手中的《理智與情感》，心神便緩緩沉浸與一行行散發著油墨清香的文字中并為之搖曳。書的作者是十八世紀末英國偉大的女性作家簡?奧斯丁。如同簡一貫的文學風格，作者以其細致入微的觀察視角，精巧微妙的故事構思，以及其作為女性而特有的細膩睿智的文筆生動地向我們展示了十八世紀英國鄉村中產階級的各色人群與他們的情感及日常生活場景。靜靜品讀字里行間，書中的語句或許并不是那么華麗，甚至是樸實得有幾分瑣碎，但卻清新雋永，似清風拂過心頭，表面瑣碎的敘述讀來頗耐人尋味，更像是作者本人將文中的資料如兒時睡床前的故事一般向你娓娓道來，恍然間，其中的深刻情感已了然于心。

故事的情節圍繞著埃莉諾與瑪麗安姐妹倆的擇偶活動而展開。文中不乏個性鮮明的代表人物：感情豐富，熱情單純的少女瑪麗安;自私無情，道德淪喪的青年威洛比;品格高尚，真誠穩重的布蘭登上校;虛偽勢力的小人物約翰?達什伍德夫婦女主人公善良周到，成熟理智的埃莉洛，各色人物輪番上場為我們上演了發生在十八世紀盛行著以情感、人權同金錢、地位做交易的丑惡時尚，當時的英國一個在追求愛的過程中也曾痛苦掙扎，但終在對自我靈魂、道德的理智、忠誠與對愛人、親友的情感職責的指引下尋找到真愛的浪漫故事。

輕輕合上書本，無論是書中對于自由戀愛、人權平等的反抗吶喊，還是作品的睿智文筆對于真、善、美的歌頌及對假、丑、惡的鞭撻，都引發著我內心的歡呼喝彩。然而，更有一種思想深深觸動著心底最柔軟的地方促使著我不斷地思考、探尋，那便是戀愛的精神——理智與情感間的平衡。在感情中，尤其對于熱戀中的雙方而言，“理智”與“情感”看似矛盾卻都是戀愛過程中的必需。若要經營好感情不能沒有“情感”的投入，而這“情感”也應受到“理智”的制約，絕非僅憑一顆熱戀中的心盲目地橫沖直撞。一如書中的瑪麗安，理智不足而情感有余。熱戀中的'活力蒙蔽了她的雙眼，使她再也不能理智地看待一切，所以受到了感情騙子威洛比的欺騙，為此后的一系列不幸和痛苦埋下了導火線。作者在書中雖對珍重感情的人報以贊揚，然而對他們在理智上的欠缺也不時加以諷刺。其良苦用心正在于告誡人們即使是應對著看似世上最熱烈的情感也切勿閉上理智之眼，用心把握理智與情感間的平衡體味戀愛的精神。在文中最喜愛的當數埃莉洛，情感之余不忘理智，理智之中不乏情感。感情來臨了，就勇敢的理解，不躲閃，不計較得失，這便是愛得起，是忠于自我情感的態度。在感情悄然而逝時亦能毅然地轉身，再見面仍能以禮相待，從容應對，這是放得

下，是跟隨理智的選擇。終究埃莉洛懷著這種“戀愛的精神”收獲了感情失而復得的莫大幸福。

在“戀愛精神”支撐下的感情必定是恒遠的，無須擔心若有一天，當活力褪去留下的僅有一具寫滿厭倦的冰冷空殼。這樣的感情亦如同舒婷筆下那“橡樹式的感情”——“我如果愛你，絕不像攀援的凌霄花，借你的高枝炫耀自我;我如果愛你，絕不學癡情的鳥兒，為綠蔭重復單調的歌曲。我必須是你近旁的一棵木棉。根，緊握在地下。葉，相觸在云里。每一陣風過，我們都相互致意。我們分擔寒潮，風雷，霹靂，我們共享霧靄，流嵐，虹霓。仿佛永遠分離，卻又終身相依。這才是偉大的感情”這樣的感情親密有間，彼此信賴依靠，卻又有著獨立的人格與靈魂，不僅僅充滿著真誠的情感，也閃耀著理性的光輝。世間安得雙全法?不負如來不負卿。在令人心醉的感情中仍堅持心智的清明，這不僅僅是忠于自我的價值與生命，也是忠于感情本身。古往今來，理智與情感的平衡作為戀愛的的重要精神融匯于感情才散發出感人至深的動人光輝。

《理智與情感》讀書心得6

今天，我讀了《理智與情感》這一本小說，《理智與情感》主要寫兩位女主人公艾莉諾和瑪麗安是一對姐妹。姐姐艾莉諾是一個非常有理性的年輕女子，但也不乏強烈深奪取的感情;妹妹瑪麗安在為人處事方面則十分情緒化，有時不夠冷靜，因此妹妹免不了在感情方面要吃一些虧，幸虧她在被花花公子威諾比騙了之后及時醒悟，驀然發現其實真正愛她的人就是等候在旁的勃朗登上校，姐姐艾莉諾也以其頑強的性格、不卑不亢的態度最終贏得心上人愛德華。

讀完整本小說，我特別敬佩艾莉諾那頑強的性格，冷靜的`表情和不卑不亢的態度。人的性格在一生中起一個重要的位置。就拿我來說吧，因為我是獨生子女，在家里被嬌慣了，養成了一種情緒波動很大、懶惰、發脾氣、急燥的性格。連帶我幾年的奶奶，有時候講我，我都把門一關，大發脾氣，搞得一天家里都不安寧，因為奶奶是老八，她有時候批評我，我都跟她強嘴，記得有一次，我因作業沒做好而被奶奶批評了一下，心里極不舒服，馬上就反駁，奶奶生氣，打電話告訴了我媽媽，媽媽在電話里狠狠地把我批評了一頓，我強忍著聽完后回到房間狠狠的一關門，還拿了張紙在上面寫：“奶奶，我恨你。”等我自己發完了脾氣，回頭想想，奶奶不也是為了我好嗎?我干嘛發那么大的火……唉，可憐天下大人心。

《理智與情感》讀書心得7

這個故事中的人物像現實生活中的人們一樣,有弱點,正是這些弱點導致了他們的不幸。他們高傲而自私,他們常陷于感情糾葛之中,以至不能決定自己的命運。凱瑟琳與希斯克利夫曾經是多么幸福的一對。“青梅竹馬”、“兩小無猜”,用種種描寫這種純真情感的詞去形容他倆都不為過。可是我們要知道,世間有一種可以污染一切純潔事物的東西叫“虛榮”,凱瑟琳懷著心中的高傲,嫁給了富有的艾加?林頓,嫁給了她對其并無愛意的艾加?林頓。說得更加坦白一些,美麗的凱瑟琳事實上嫁給的是金錢和地位。可憐的希斯克利夫,在他心中留下的是創傷、是仇恨。他想報復凱瑟琳可同時卻依然深深愛著她。

人,也許就是如此矛盾的動物吧!凱瑟琳放不下的是虛榮,希斯克利夫放不下的是仇恨。而他們都放不下的是對方。愛并憎恨著,這也許是我們無法了解的,而令我最不能理解的是他們不惜一切地犧牲、傷害身邊的所有人來報復對方。他們是這樣的義無反顧,如同書名《呼嘯山莊》那樣呼嘯著向前、咄咄逼人。排山倒海的仇恨讓我有些窒息。

電視劇中常說,一個人若沒有轟轟烈烈的'愛過,那他的這一生是可悲的。可我認為兩個人如果愛到凱瑟琳和希斯克利夫這種地步,那他的人生更是凄凄慘慘、可悲可嘆。我想人應該學著放手,學著忘記,學著淡然。忘記人生路上的所有傷痛,淡然生活中的一切不快。用一生的時間去憎恨、去保持虛榮,可最終還是回歸到最初的平靜與安謐。在面臨暗潮洶涌時,學著去放手,是一件很美妙的事情。相信凱瑟琳與希斯克利夫的一生錯過了許多美好的事情,錯過了許多平靜中的美麗。

這本書的大部分都充斥著仇恨與虛榮的陰影,讓人精神都緊繃著,可在結尾部分作者卻用了出乎意料的溫和且純潔透明的筆觸。字里行間中彌漫著一種冷冷清清的凄美。你會發現平靜得難能可貴:您回到畫眉山莊的路上會經過教堂墓地,您可以看見靠近荒原的三個墓碑,中間凱瑟琳的已經舊了,被周圍生長的雜草掩住了一半。一邊是艾加·林頓的,另一邊是希斯克利夫的新墓碑。如果您在那兒呆一會兒,看著在溫暖夏日的空氣里紛飛的昆蟲,聽著在草叢中喘息的柔風,您就會知道在靜謐的泥土下,長眠的人在多么平靜地安息。熾熱的愛會燒毀一個人的理智,平靜而深沉的愛卻讓人回味永生。感點獨特而深刻,語言簡潔而流暢。

《理智與情感》讀書心得8

理智，一塊人們區別于其他生命的廣告牌；情感，這則廣告牌上唯一不摻假的信息。

《理智與情感》是英國著名女作家簡·奧斯汀的處女作。埃莉諾和瑪麗安兩姐妹生在一個體面的英國鄉紳家庭，姐姐善于用理智來控制情感，妹妹卻往往情感毫無節制，因此在戀愛中碰到挫折時，她們作出了不同的反映……

情節圍繞著兩位女主人公的擇偶活動展開，揭露當時英國資本主義社會，以婚配作為女子尋求經濟保障、提高經濟地位的一種風俗，重門第而不顧兒女感情和做人權利的丑陋時尚。如同書名展現的那樣，整個故事集中表現了“理智”與“情感”的矛盾沖突。本書和作者的代表作《傲慢與偏見》堪稱姐妹篇，同樣以細膩的筆觸和生動的對白敘述沒有富裕嫁妝的少女戀愛結婚的故事。

《理智與情感》無時不散放著理性的光芒，并以書中主人公卓越的理智的頭腦和其機敏與智慧，當然了，還少不了她心中熾熱的感情，來表現保持自我的完整與滿足社會的要求這一中心思想。《理智與情感》是一部寓于情趣與幽默的作品。它以兩姐妹曲折復雜的愛情故事為主線，表達出了理智與情感的關系，以及很多情況下，理智應更勝于情感的主張。在簡·奧斯汀的時代，對情感的贊美是當時文學的主流內容，許多人都認為有無法克制的強烈情感才是優秀人物的表現，而無論這種感情是否會給其自身或其家人帶來痛苦。如果想要克制或隱藏，那便是錯誤。

而簡則通過兩姐妹的故事對這種觀點表達了不同的看法，從書中可看出，她認為誠摯熱烈的感情固然重要與可貴，但仍需理智去控制與調節，畢竟情感是感性的，任其隨意發展可能會帶來許多不必要的.痛苦，不論對自己還是家人都會有傷害。只有同時具備理性的頭腦和思維，才能避免或把這種傷害降為最低，這無疑對大家都是有好處的。《理智與情感》塑造了一系列的人物形象，各有各獨特的個性，然而就讀者接觸最多和作者想要著重表現的，那就要數達什伍德家的兩姐妹了。

埃麗諾，達什伍德家的大女兒，一個感情豐富而又富于理智的姑娘。從故事一開始就顯示出了她比她的母親和妹妹更加有頭腦與理智。埃麗諾辦事縝密，考慮周全，談吐智慧。不論是對他所愛慕的愛德華還是厭惡的露西，在眾人面前，她都能以禮相待。而且，不論是埃麗諾好奇，喜愛或是厭惡的話題，大家共同討論時，她總能保持一定的冷靜與思考的頭腦，既不顯示出異常的過分的關注，也不讓大家感到自己是個掃興的角色。任何事，埃麗諾總是拿捏得那么有分寸，那么合適。此外，埃麗諾還是個善良的姑娘，善于從他人身上發現優點，善于替他人著想。對于詹寧斯太太，雖然她的行為充分說明了她缺乏大腦，但埃麗諾卻總在自己的朋友與妹妹面前談起她的熱心，慷慨與正義。并且為了詹寧斯太太在倫敦自己家中的時光能舒適的度過，而不受瑪麗安的嘲諷與冷漠，也為了瑪麗安不做出過火的事兒而使自身受到傷害，即使自己并不心甘情愿，還是同意接受邀請，陪妹妹一道前往。以上的一切都顯示了埃麗諾理智的頭腦，但并非說明她是一個缺乏感性的人。

相反，埃麗諾同她妹妹一樣，擁有一顆富于情感的心，只不過她更善于控制這種情感。她對愛德華的傾心，無論在他身上發生了什么情況都從未改變過。她沒有因愛德華的不善言談，行為呆板憂郁以及眾人對他的指責而遺棄他，她看中他的正直，誠實，穩重，寬容的人品，為他在家中所受到的不公平待遇而表示不平，為他不幸的第一次訂婚表示同情。并且無時無刻不在為愛德華著想，為能使他的境況有所好轉而努力。甚至在聽說了愛德華早已訂婚的消息后，埃麗諾依然鐘情于他。得知這消息后即使她極力掩飾，還是不難看出這個消息對她的巨大打擊。可見，她對愛德華的感情是強烈的，忠實的，實際的以及是一成不變的。這證明了埃麗諾不僅理智，同樣有顆富于情感的心。并有一個清晰而理智的頭腦來時刻提醒她去制約一些無謂的感情沖動。理智，善良，機智是她特有的魅力。

就像我看到的，成年人的愛情是游戲，我不知道連人生都沒有度過三分之一的年輕人面對愛情有沒有脫離游戲的性質，或許等到有一天我成為情感的當事人時才能真正體會到感情這種“文化”。

每個人對于情感的理解純屬一種一廂情愿，你我都可保留自己的觀點。畢竟，理智是有限的問題，而情感卻是永恒的問題。

《理智與情感》讀書心得9

學妹最喜歡的小說，說揭露了很多人性的丑陋面。如果你想了解一個人就去了解她喜歡的小說電影和音樂，所以我就行動了，否則像我這般挑剔（懶惰）的人怎么會看評分只有7.9的小說。不過總比喜歡看無聊的.雜志好一萬倍。

全書基本就是在描述兩姐妹的整個戀愛擇偶歷程，有坎坷有成長。不過整部小說的元素不外乎舞會晚會聚會，她去她家拜訪，他去她家拜訪，農村到城市城市到農村，他忽然要離去，他又不期而至，他倆訂婚了嗎，他倆決不能訂婚，他倆怎么訂婚了，不用干活都活的那么瀟灑，當然了，我知道靠的是繼承的財產，但是請允許我不喜歡在小說里看到那么多因為財產而生的情感糾葛。威洛比沒錢還自私虛榮無節制，最后背棄真愛傍富婆，露西一心只想攀高枝，攀到哪枝算哪枝。愛德華善良怯懦沒啥眼界卻又無比固執，違背母親意愿被逐出家門，朋友設法幫助他讓他和露西過上好日子，約翰夫婦希望倆妹妹飛上枝頭變鳳凰就更不必說了。所有這些更像是街頭巷尾八卦的那些生活瑣事，缺乏感染力和生命力，無法直擊內心。倒是姐妹倆的性格著墨很多，姐姐一直的理智隱忍克制，妹妹初始的率性感性理想化到后來的成熟穩重，但是對白冗長（我懂，英國人吵架的時候都像是在讀莎士比亞），尤其姐妹間的對話總是說教，再加上最后的結局總給人一種童話故事或者動畫片的感覺，毫不夸張的說，冰雪奇緣是這本小說的縮略版。

《理智與情感》讀書心得10

這個故事讀完了，確實不如《傲慢與偏見》看著舒服，主題鮮明。其中我個人最喜歡的地方就只是結局處讓人的感慨。

故事結局中露西在這件事上的全部作為，尤其她最后獲得的成功，滿可以拿來作為一個人最鼓舞人心的樣板，說明一心一意圖謀私利，不管在進行中表面上會有多大障礙，總是能萬事大吉，大叫好運的，只要不怕花時間，昧著良心就行。

瑪麗安和布蘭頓上校結合了，威洛比丟失了她的愛。一個放蕩、奢靡的貴族紈绔和一個自己不愛的有錢的內心惡毒的女人結婚了。而這同時他愛上了瑪麗安，知道了自己曾經對瑪麗安的感情是如此無法忘記。他得到瑪麗安結婚的消息，內心不可能不痛苦。

埃莉諾和愛德華結婚了，他們經歷了太多。愛德華也因此得到了解脫。埃莉諾不再需要為別人擔心，她享有自己的小生活。她的哥哥及羅伯特也享受著自己的生活。每對情侶都情投意合，有相同的愛好。

這種結局很符合中國人的審美觀。而看似完美的結局，是否完美呢？首先直率、感情不受任何障礙的露西擁有無限的才華。她本來可以得到威洛比的情誼，而只是因為金錢使得這種關系不能實現，這正是現實生活。這部小說且不從它諷刺高層社會的頹廢奢靡的生活方式。僅從現實世俗的觀念來看，這部小說語言不及《傲慢與偏見》風趣幽默、主題突出，其現實意義卻能與現代世俗相符。瑪麗安和布蘭頓相差十九歲，十七歲的少女要克服自己“容易犯錯的戀愛觀”，等到自己內心平靜下來和曾經自己認為老得不能結婚的人生活在一起，這是多大的悲哀。

反省現實，青春的.青澀讓你擁有自己的第一份愛，帶著自己的天真無邪，純凈的愛著世界上的人。而人到成年，內心擁有自己的成見，理會世俗帶來的困擾，尋求一份適合的愛。只是理性吧！就是理智，不是情感。成年的誰都不會再是瑪麗安。

《理智與情感》讀書心得11

同《傲慢與偏見》一樣，簡奧斯丁以一貫的風格，用細膩純熟的描述在兩位女主人曲折的感情經歷中表現出“理智”與“情感”的矛盾沖突。

瑪麗安是一位極富才情的女子，她聰慧善感，在情感方面正像書里講的“悲痛也罷，高興也罷，都沒有個節制”；而他的姐姐埃莉諾則善于用理智來控制情感，她的“克制”也正是我所最為贊賞的。而這一切也決定了她們應對感情時的態度。

埃莉諾從來都是頭腦冷靜且溫柔的，當她們因無法忍受嫂子對于她們母女四人的奚落以及寄人籬下的痛苦，無奈搬到遠離故鄉的巴頓鄉舍時。埃莉諾非但從未流露過一絲一毫與戀人愛德華離別的痛楚，還試圖用她的細心與溫柔撫平著家人的痛苦。甚至之后，當她從露西那里得知她與愛德華已私下訂婚的消息時，她所做的卻是強忍淚水，細心照料安慰同樣遭受著失戀折磨的瑪麗安。但她的那內心深處熱烈的情感也因她的理智，常常無法得到宣泄，從而使她不得不一人獨自承受著痛苦。也所以使她身上那無私的善解人意的完美品質更加令人欽佩。

相對于姐姐的瑪麗安，她那常常會失控的崇尚完美浪漫感情卻亦脆弱的心靈，卻使她散發出一種別樣的迷人魅力。她對于嫂子一家的毫無掩飾的反感；對于布蘭登上校的.敬重卻不失距離；對威洛比無比熱烈的愛戀；以及在得知姐姐在失戀時所為她作出巨大犧牲的愧疚……都生動詮釋著她的率性與善良，讓人不禁愛憐。

但同時不幸的是，瑪麗安對威洛比盲目的愛，使她在應對他的背叛時，幾欲崩潰，甚至病危。情感與理智的沖突在此凸顯出來，有時我想，如果當初她對于威洛比的感情沒有那么盲目而多幾分理智，也許此時的她就不用那么痛苦，也許她就能坦然應對這一切。可是，也許不會。當一向克制著自我情感的埃莉諾聽到自我深愛的愛德華沒有結婚，竟然也失去了自我一貫的從容理智，哭著跑出房間時，于是我們不得不承認在感情面前，情感永遠是超越理智的。即使成熟如布蘭登上校，在二十年后看到“與自我初戀情人容貌和性情都很相似”的瑪麗安時，任會有無法掩飾的掛念擔心與愛慕。

與所有簡奧斯汀的小說一樣，這位有著無比細膩情感的女作家還是給予了它一個完美的結局，也許在她心中，如她的小說一樣，對感情始終懷抱著期望，憧憬著完美。

此外書中優美的描述也為小說增色不少，作者以女性特有的細致入微的觀察，展現了英國鄉紳的悠閑的生活和鄉村美麗的田園風光。為小說鋪置了閑適、恬靜的故事背景。人物的語言和心理描述恰到好處，個性鮮明。

掩卷而思，理智與情感這兩個詞，一向就如小說中一樣，深深的影響著我們，左右著我們，稍有偏差就會可能使我們痛苦、迷茫。但生活不是小說，上帝不會總仁慈地帶給我們一個完美的結局。我們僅有走在這窄小的獨木橋上，搖搖晃晃，不讓自我受傷，想讓自我和埃莉諾一樣用理智控制著自我的情感。可是，有時想，像瑪麗安又何妨呢？大膽的付出真心的不顧一切的去愛人，也許會受傷，但施比受有福，當某天回首往事時，我們還能夠欣慰的告訴自我我們以往如此熱烈的愛過。相比另一些自私虛偽的威洛比日后的懊惱愧疚，如此的坦蕩不是幸福多了嗎？

《理智與情感》讀書心得12

這個故事讀完了，確實不如《傲慢與偏見》看著舒服，主題鮮明。其中我個人最喜歡的地方就只是結局處讓人的感慨。

故事結局中露西在這件事上的全部作為，尤其她最后獲得的成功，滿能夠拿來作為一個人最鼓舞人心的樣板，說明一心一意圖謀私利，不管在進行中表面上會有多大障礙，總是能萬事大吉，大叫好運的，只要不怕花時光，昧著良心就行。

瑪麗安和布蘭頓上校結合了，威洛比丟失了她的愛。一個放蕩、奢靡的貴族紈绔和一個自我不愛的有錢的內心惡毒的女人結婚了。而這同時他愛上了瑪麗安，明白了自我以前對瑪麗安的感情是如此無法忘記。他得到瑪麗安結婚的消息，內心不可能不痛苦。

埃莉諾和愛德華結婚了，他們經歷了太多。愛德華也因此得到了解脫。埃莉諾不再需要為別人擔心，她享有自我的小生活。她的哥哥及羅伯特也享受著自我的生活。每對情侶都情投意合，有相同的愛好。

這種結局很貼合中國人的審美觀。而看似完美的結局，是否完美呢？首先直率、感情不受任何障礙的露西擁有無限的`才華。她本來能夠得到威洛比的情誼，而只是因為金錢使得這種關系不能實現，這正是現實生活。這部小說且不從它諷刺高層社會的頹廢奢靡的生活方式。僅從現實世俗的觀念來看，這部小說語言不及《傲慢與偏見》風趣幽默、主題突出，其現實好處卻能與現代世俗相符。瑪麗安和布蘭頓相差十九歲，十七歲的少女要克服自我“容易犯錯的戀愛觀”，等到自我內心平靜下來和以前自我認為老得不能結婚的人生活在一齊，這是多大的悲哀。

反省現實，青春的青澀讓你擁有自我的第一份愛，帶著自我的天真無邪，純凈的愛著世界上的人。而人到成年，內心擁有自我的成見，理會世俗帶來的困擾，尋求一份適合的愛。只是理性吧！就是理智，不是情感。成年的誰都不會再是瑪麗安。

《理智與情感》讀書心得13

<理智與情感>這本書是英國文學史上杰出的現實主義小說家簡奧斯丁的成名作之一，也是她的處女作。

<理智與情感>圍繞兩位女主人曲折的感情經歷展開描述，以及她們復雜的婚事**為主線，突出了“理智”與“情感”的幽默比較。姐姐埃莉諾善于用理智來控制情感，妹妹瑪麗安的感情卻毫無節制，因此應對感情時，她們作出了不一樣的反映——奧斯丁以其女性特有的細致入微的觀察力，展現了英國鄉紳的日常生活和英國鄉村的田園風光。品讀她的作品，會使人有一種在放松狀態下的閑適，恬靜的感覺。對于我來說，這實在是很難得的。因為種種因素，我很少能夠將外國長篇小說一氣呵成的讀下去，但是這一部作品卻辦到了，我實在很感謝作者及她的不朽著作，讓我受到了熏陶，陶冶了情操，提升了欣賞水準——因為對這部小說的.特殊感情，我特意查找了它的相關信息。<理智與情感>這部小說曾被改編成電影并且是由華人導演李安執導的第一部英語影片。該片獲得了極高的評價。榮獲了包括奧斯卡最佳影片提名，柏林電影節金熊獎，金球獎最佳影片，最佳編劇等多個獎項。

這部小說不只是我們休閑時消遣的上選，而且能夠給予我們在“理智”與“情感”兩個亙古不變的話題上找到平衡點的啟發。

《理智與情感》讀書心得14

記得第一次看《理智與情感》的時候，大概還是初中，好喜歡那個活潑潑的妹妹，或許是那時候的凱特滲透了一股子古典純真的美麗，實在是太過動人。很清晰地記得，瑪麗安說，我讀的書越多，越不可能遇到真正的感情。然后就想起布蘭登上校跟著歌聲走進來，看到鋼琴前的瑪麗安，陽光撒在臉上，光暈一地，那真是如畫一般，入情入景。

所以那個時候選擇了朝氣的瑪麗安去喜歡。仿佛你低眉就有人猜想你是淺笑或是低泣，仿佛你歡笑就能給整個屋子帶來陽光，仿佛你端坐在那里任旋律從指尖汩汩流出而所有人都安靜地淌在你的音符里沉醉，仿佛你能夠想笑就笑想哭就哭不必因為任何外界而磨滅自我的棱角，仿佛因了青春有了朝氣洋溢了才華飛揚了俏皮就能夠任性地讓全世界都能夠繞著你轉。

然而那個瑪麗安只在不懂事的年紀里煥發著她的光芒。所以時隔多年，看到BBC重新翻拍的三集版《理智與情感》時，我分明地將更多的喜愛給了瑪麗安的姐姐，那個以往在我的世界里沉默著的埃莉諾。沒有那樣環繞的光芒，沒有那么俊俏的臉龐，只是安靜地為你分憂，然后忍著自我的悲傷，依然撐起你的期望。

同樣的出身背景、成長經歷，然而她們于我就像是成長的兩個階段，盡管她們的差異其實只是靜態的性格問題。埃莉諾那樣的人在一個人的初期應當很少見吧，隱忍而克制，善解人意。更多的我們都只是瑪麗安。我原先以為最光鮮完美不可企及的事物其實只是我們生命某個階段的常態，而終將被扼殺。

那個單純到任性的瑪麗安最終還是心甘情愿地安靜在她以往不屑一顧的人身邊。而我不再迷戀自我為她披上的.光暈，理智大于情感，成長真的是一種妥協。而這種妥協，我卻不想否定，就如這篇博文并不是為了紀念每個人都以往是的瑪麗安。我不再那樣依戀張狂的任性。

最近只是途經別人的故事，打破以往引為宿命的大概不只是沖動。宿命都沒有了，無處安身，那不是最好的避難所么？突如其來的截然而止讓人并不好受。在我這樣羅嗦完了理智與情感的PK之后，我還是笑自我，或許我才是最幼稚的那一個。

《理智與情感》讀書心得15

在理性與情感,總是有原因的,和英雄的優秀的理性和敏捷和智慧,當然,不乏她心里熱的感情表達的中心思想不斷自我完整和滿足社會的需求。《理性與情感》是一部有趣而幽默的作品。它以兩姐妹復雜曲折的情感故事為主線，表達了理性與情感的關系，在很多情況下，理性應該比情感更好。在簡。在奧斯汀時代，對情感的贊美是當時文學的主流。很多人認為優秀性格的表達是一種無法控制的強烈情感，無論它是否會給自己或家人帶來痛苦。如果你想克制或隱藏，那是錯誤的。然而，簡通過兩個姐妹的故事表達了不同的觀點。從這本書中，她可以看到，她相信真誠和溫暖的感情是重要和有價值的，但它們仍然需要理性的控制和調節。畢竟，情緒是情緒化的，它們的任意發展可能會帶來許多不必要的痛苦，這將傷害她自己和她的家人。只有理性的思維，同時思考，我們才能避免或盡量減少這種傷害，這無疑是對每個人都有好處。《理智與情感》塑造了一系列人物，每個人物都有其獨特的個性。然而，達什伍德家的兩姐妹是與讀者接觸最多的，也是作者想要關注的。

埃麗諾是達什伍德家的大女兒，是個感情豐富、理智的姑娘。從故事的開始，它表明她比她的母親和姐姐更聰明和理性。埃莉諾一絲不茍，體貼入微，聰明伶俐。無論是他愛的愛德華還是他恨的露西，她對每個人都彬彬有禮。此外，無論是好奇、愛還是厭惡的話題，當我們在一起討論時，Elinor總是保持必要的冷靜和思考，既不表現出不正常的過度關注，也不讓大家覺得自己是失望的主角。埃麗諾總是那么慎重，那么得體。此外，埃莉諾是一個善良的女孩，善于發現別人的'優點，善于為別人著想。對詹寧斯太太來說，雖然她的行為充分顯示出她的頭腦遲鈍，但埃麗諾總是在她的朋友和姐妹面前談論她的熱情、慷慨和公正。為了,詹寧斯太太可能會花時間在倫敦她自己的家舒適而不被嘲笑和冷漠的瑪麗安,為了瑪麗安不能做任何事太熱,傷害自己,即使她不愿意,她同意理解邀請去和她的妹妹。以上這些都顯示了埃莉諾的理性，但并不是說她缺乏感性。相反，埃麗諾和她姐姐一樣，有一顆感情豐富的心，但她更善于控制它。不管愛德華發生什么事，她對他的忠誠從未改變。她并沒有因為愛德華拙劣的演講而表現得遲鈍和憂郁

除了被指責拋棄他，她還看到了他的正直、誠實、堅定和寬容，對他在家里受到的不公平待遇表示了不公正，對他不幸的第一次訂婚表示了同情。一直都是為了愛德華，為了讓他的處境好起來，為了讓他努力工作。即使在聽說愛德華訂婚很久之后，埃麗諾還是愛上了他。盡管她盡力掩蓋這條新聞，但不難看出這條新聞對她產生了巨大的影響。可見她對愛德華的感情是強烈的、忠誠的、務實的、不可改變的。這說明Elinor不僅有理性，還有一顆感性的心。并有一個清醒理智的頭腦，提醒她限制一些不必要的情感沖動。理性、善良和智慧是她獨特的魅力。

與埃莉諾相比，她的妹妹瑪麗安要感性得多。與中國著名的《紅樓夢》中的兩位女主人公相比，如果把埃莉諾比作細膩的薛寶釵，那么瑪麗安就配得上林黛玉。聰明，但太感性了。看到秋天的落葉和凄涼，瑪麗安心里有一種傷感，就像埋了花的黛玉一樣。瑪麗安的感情中總有浪漫的幻想，總想嫁給一個“人品出眾、風度迷人”的如意郎君，總追求轟轟烈烈的浪漫。感情的表達也很直接，所以詹寧斯太太常常拿它開玩笑。與埃莉諾不同的是，瑪麗安與埃莉諾在社會生活中的情感觀非常相似。

第五篇：理智與情感讀書心得體會參考

讀書心得體會范文

今天一下午的時間讀完《理智與情感》，正在驚呼自己的閱讀的速度時，我想到了自己，對于感情，我是理智的，理智的讓我至今沒有再次體會戀愛的感覺，最近我的朋友說，她的準前男友每晚給她打電話，她為了他，自己忍受這心靈的痛楚卻為那個男生排解了寂寞，我不得不承認我的朋友是偉大的，我對待初戀的他，就沒有這么慷慨，不是因為我絕情，而是他傷我太深，我不想再苦苦糾纏。

《理》這個故事，并沒有表現出女一號女二號有多么的理智，也沒看出男主人公有多么精明，只感覺他們都是為了自己感情上一時之快，說喜歡誰就喜歡誰，沒有太多的了解也可以為了那個人天天苦等。那么為什么還要叫做理智與情感呢，難道真的是情感戰勝理智亦或理智戰勝情感，其實都不是，親其實男一號愛德華最后沒有娶露西，我想是有原因的，可作者卻說是他還愛著埃莉諾，那么既然愛著，為什么露西會對埃莉諾先前說愛德華如何如何喜歡她呢，這不是空穴來風的。而瑪麗安接受了布蘭頓是因為她深深的被威洛比傷著了，所以啊，無論男女，當他面對一次傷害后，他寧愿選擇自己不是很愛的，但卻是很愛自己的人結婚。

我現在一直沒有再戀愛，就是自己怕再次受傷，找不到一個全心全意愛我的人，孤獨一輩子也是有可能的，其實我是討厭孤獨的，但愿我的他會早點出現，以此來紀念我的愛戀。