第一篇：馬語者英文影評

馬語者 The Horse Whisperer 英文影評 review by James Berardinelli

Low, gray clouds scud across the sky while the grass of a seemingly-endless plain ripples in response to the prompting of a spring breeze.Thunder rumbles in the distance.On another day, a bright sun gazes down on those same fields while cattle roam from horizon to horizon.The silhouette of a lone cowboy on horseback stands out against an evening skyline.Above these vistas, the Rocky Mountains tower like implacable guardians, seeing all.These are only some of the images from The Horse Whisperer, a film as rich in its visual presentation as it is in its emotional resonance.As directed by veteran actor/film maker Robert Redford, The Horse Whisperer is a powerful and moving tale of love and loss that eschews melodramatic manipulation in its pursuit of a simple, honest tale.I have not read the best-selling novel by Nicholas Evans upon which the movie is based, but if it's as good as(or better than)the motion picture adaptation, it's easy to understand its appeal.As a director, Redford has made some impressive films;this is among his best.The Horse Whisperer opens peacefully enough, with two teenage girls leaving their houses in the early morning hours for a horseback ride.The sunrise is brilliant, and, as snow begins to fall later in the day, the fields and forest are turned into a winter wonderland of blues and silvers.Everything is picture perfect until tragedy strikes, brutally and without warning.One of the girls' mounts loses his footing on the icy ground and, suddenly, the two friends are in the path of a skidding 18-wheeler.One girl and her horse die.The other pair, Grace MacLean(Scarlett Johansson), and her beloved steed, Pilgrim, are badly injured.Grace loses the lower half of one leg.Pilgrim is driven mad, and everyone advises that he be put to sleep.Grace's parents, Annie and Robert MacLean(Kristin Scott Thomas and Sam Neill), are ill-prepared to help their daughter cope with her physical disability and the mental scars of having seen her best friend run down by an out-of-control truck.Annie decides that Grace's recovery will be aided if she can find a way to heal Pilgrim(the film's only dubious contrivance).So, with her daughter and the horse in tow, Annie heads out to Montana, where a legendary “horse whisperer,” Tom Booker(Robert Redford), lives and works on a ranch.After seeing Pilgrim, Tom agrees to try to help the horse, and so begins a long period of restoration for four souls: Pilgrim, Grace, Annie, and Tom.Those of a romantic nature may focus on the understated relationship between Annie and Tom, but that's just one aspect of a story of great depth.The Horse Whisperer is about the healing power of love.Like Atom Egoyan's masterpiece, The Sweet Hereafter, this film eloquently illustrates how difficult it is to recover from a life-altering trauma, and how the ripples from such an event can affect those who were not directly involved.Everyone in this film has their own demons to wrestle with.Grace, who retreats into a sullen cocoon after the accident, is raw on the inside, but won't let it out.She resents her mother's emotional distance and is frightened that the loss of her leg makes her useless and will doom her to a life alone.(“Nobody will want me like this!”)Annie, who is used to being in charge, doesn't know how to cope with the situation, and, when she takes the time to examine her life, she recognizes how the pressures of her career have leeched away her humanity.Meanwhile, Tom, who is basically at peace with himself, begins to re-discover what it means to love, something he had lost when his wife left him.There is an Oscar-caliber performance in The Horse Whisperer, but it isn't given by Redford, Scott-Thomas, or Neill.Instead, it's the work of young Scarlett Johansson, who has already proven her talent with a remarkable debut in Manny & Lo.As Grace, Johansson makes a case to be placed alongside Christina Ricci and Natalie Portman as one of the best actresses of her generation.She does everything necessary to make Grace a living and vital character, and, like all good performers, much of her acting comes through subtle expression changes and body language.Johansson is so effective, in fact, that Grace's story becomes The Horse Whisperer's emotional core, not just a plot device whereby Tom and Annie find themselves and one another.Redford's Tom is exactly the kind of character we expect from Redford: a solid, kind, rugged man who is long on patience and rarely displays much emotion.It could be argued that the former matinee idol is a little too old for this sort of role, but, even with his features growing wrinkled and weathered, the camera still flatters him.Kristin Scott Thomas makes a worthy opposite: she's attractive(but not so stunning that she steals the spotlight away from her older co-star), mature, and a good actress.Solid support is provided by the always-reliable Sam Neill, Chris Cooper(Lone Star), and Dianne Wiest.Emotionally, The Horse Whisperer finds the perfect pitch.There's no overacting and no overt audience manipulation;we feel with and for the characters, but there's never a sense that we're being tricked into providing a particular, desired response.The film is neither relentlessly downbeat nor needlessly cheerful;it's about healing, but there is a strong, bittersweet current running through the love story subplot.As a director, Redford has never shown greater mastery of his material.His presentation of Montana, with all of its glorious open spaces, is enough to make anyone in the theater think about heading west.He also manages to make the day-to-day activities of running a ranch and working with horses seem interesting.At the outset, I feared that I might be bored by The Horse Whisperer, but, despite the running length(which creeps close to Titanic territory with no shipwreck in sight), I found myself thoroughly absorbed.The presentation of the truck accident is memorable for the way in which it is staged--it's loud, horrifying, and chaotic.The editing and cinematography are perfect, and fashion an unforgettable cinematic moment.Speaking of cinematography, it's necessary to say a few words about Richard Richardson's work, which is effective throughout.As good as Richardson is in photographing the sky and land, and presenting instances in silhouette, he is no less accomplished in capturing the nuances of small moments--a quick smile here, a studied glance there.Most capable cinematographers would be hard-pressed not to make a shot of the Rocky Mountains look impressive;Richardson does as much with his photography of the characters as he does with the setting.Redford, along with screenwriters Richard LaGravenese and Eric Roth, has made a significant change to the ending of the story as presented in the novel.But, while die-hard fans of Evans' book may be disappointed by the alteration, which significantly dampens the level of melodrama, it fits perfectly with the delicately-balanced tale and characters Redford has brought to the screen.Every summer, it seems that there is at least one literate, intelligent alternative to the mindless blaze of action films.For the early season of 1998, it's The Horse Whisperer.Godzilla may be bigger, but for those who care about plot and character, and who want to experience a genuine emotional response, this is the real giant.冰天雪地的紐約北部，13歲的格蕾絲騎著愛馬“朝圣者”外出發(fā)生意外，格蕾絲失去了一條腿，“朝圣者”也奄奄一息。母親安妮急切地期盼格蕾絲能早日康復，但不久她發(fā)現(xiàn)，要使女兒的心理恢復正常，首先必須挽救 “朝圣者”的生命。當聽說蒙大拿州有一位名叫湯姆·布克的為馬治病的高手后，安妮便不厭其煩地打電話向他求救。盡管一再遭到拒絕，安妮依然不肯放棄，最后她干脆開上車，帶著格蕾絲和“朝圣者”一起前往蒙大拿。在蒙大拿寬廣的天空下，安妮、湯姆和格蕾絲的生活都被永遠地改變了……

《馬語者》我只讀了一遍，或許所感受到的東西與作者的寫作意圖相去甚遠，但我仍愿意把記錄下來。大概每部書都是這樣，隨著歲月的流逝和閱歷的豐富，再讀時會有另一番感受。可那是以后的事情，現(xiàn)在就不得而知了。書的封面上印著兩行小字：“扣人心弦的心靈歷險，感人肺腑的愛情詩篇。”開始，我以為這是對這本書的高度概括，卻沒想到，在讀過全篇之后，再看這兩行字（尤其是后一行），竟感到很茫然。這里所指的愛情，無疑是安妮與湯姆的，可是，他們的愛情，真的感人肺腑嗎？

羅伯特是個絕對經(jīng)典的丈夫，他幾乎具備一切好丈夫所應有的優(yōu)秀品質(zhì)。可奇怪的是，安妮仍然紅杏出墻。難道她所需要的只是激情？看到她和湯姆做愛的那段文字，我?guī)缀鯋盒牡靡隆＿@個固執(zhí)的女人，一切只從自己的需要出發(fā)，她有沒有考慮過她女兒的父親、她的丈夫的感受？

湯姆最終選擇了死亡。我很贊賞他的勇氣，雖然他大可不必這么做。不過，退出，倒是再明智不過的決定。他已經(jīng)占有了安妮的肉體與靈魂，不該再奢求天長地久的廝守。其實，我很崇尚柏拉圖式的愛情，并一直認為只有純精神上的愛情才是真正的愛情，而若是摻進了某種欲望，它就不那么純粹了。性行為是所有的欲望中最原始的一種。用“純粹的性吸引”來評價湯姆與安妮，似乎有失公允，畢竟，他們之間存在愛情。但是，這份愛情是以傷害羅伯特這樣一個接近于完美的丈夫為代價的，那么，它的存在是否顯得太沒人性、太不道德了呢？顯然，湯姆意識到了這一點，并以自戕為這個他認為完美的錯誤做了個了斷。可見，他是勇敢的。但是，誰又能說死亡不是比活著更好的解脫呢？雖說對于他來說一切都結(jié)束了，可有關(guān)于他的一切都還在鮮活著、延續(xù)著。例如安妮心中永遠的回憶與懷念，以及那個幼小的生命。可以說，他是明智的。

克蕾斯和她的馬——朝圣者，在整個過程中都表現(xiàn)出了同樣的堅強。“扣人心弦的心靈歷險”用在她們的身上真是再貼切不過。雖然也曾對現(xiàn)狀產(chǎn)生過懷疑，但終于在周圍人的關(guān)懷與呵護下重新樹立了信心，找回了自我。克蕾斯就像一個在你面前長大的小女孩，你親眼看著她受傷、茫然以及重新學會用快樂的心態(tài)去面對一切。這個過程是那么的真實、自然，仿佛你能夠觸摸得到。不過，有一點不得不承認，安妮和羅伯特都是各自工作領(lǐng)域的精英，錢對于他們來說根本不成問題，這無疑對克蕾斯的痊愈有著很大的幫助。的確，有時心理上的創(chuàng)傷比生理上的更難治愈，克蕾斯的痊愈主要是由于她堅強的毅力、不屈的精神和樂觀的性格。但不管怎么說，這要比那些饑寒交迫的人們做起來容易得多。我料想，若是一個窮人家的孩子遭遇了同來的狀況，就算再堅強，也不會得到與克蕾斯一樣完美的結(jié)果。

婁根出現(xiàn)的次數(shù)并不多，但他的每一次出現(xiàn)都像是帶來了一縷陽光。下面這一段文字：“婁根把車停在一面寫著?大型動物醫(yī)院?的看板下，心想：真稀奇！堂堂一座大學，竟然無法更準確地用語言描述大的究竟是動物還是醫(yī)院。”讓你在微笑中感受著溫暖與平和。更重要的是，他把自己當作醫(yī)生而不僅僅是獸醫(yī)，以與對人一樣的平等和愛的心態(tài)去對待動物。我甚至在想，如果他出生于大草原而并非只是畢業(yè)于醫(yī)學院，那么，在醫(yī)治馬的精神痛苦方面，他很可能比湯姆更勝一籌。

第二篇：《馬語者》影評

《馬語者》影評

09243248張益波

電影《馬語者》可以說是屬于電影中的溫和派，沒有緊張的故事情節(jié)，也沒有激動人心的情感火花的碰撞。有的只是平和中的張力，溫婉中蘊藏的無限深情，導演借助人與人、人與馬、人與自然的溝通，從而體現(xiàn)了生態(tài)美學的最高境界，來表現(xiàn)現(xiàn)代都市人心靈上的缺失與回歸，通過撫慰挽救一只極賦靈性的動物，逐漸揭露并解決一個個敏感的矛盾。影片中的人生哲理就像是一條小溪隨著影片的發(fā)展默默地流入觀眾的心底，引發(fā)深刻的思索。影片講的是安妮的女兒格雷斯喜歡騎馬，卻在一次事故中和好友一同從馬背摔下，好友遇難，而格雷斯也摔斷了一條腿，她心愛的馬匹“朝圣者”受傷得面目全非。格雷斯的心里蒙上了揮之不去的陰霾。母親心里十分著急。聽說蒙大拿有精通馬語之人湯姆，安妮決定攜女兒和“朝圣者”同往療傷。湯姆起初不答應，終被感動，格雷斯和“朝圣者”在馬語者精心的訓練調(diào)養(yǎng)下慢慢復原，而離開了大都市的安妮也沉浸在那一片安靜廣袤的天地中。但是，安妮為此付出了代價——她長期離職，被解雇了，同時和丈夫的感情越來越疏遠淡漠。另一方面，湯姆的與眾不同讓安妮心里泛起了陣陣漣漪。

整部影片中，安妮一直以一個女強人的形象出現(xiàn)，或者說典型的形象特征代表了這樣一類都市人，隱忍好強的性格甚至可以讓人們忽視他們的性別。而“朝圣者”和格雷絲仿佛是一條線索，可以看成是安妮扣問心靈，尋找生命意義的一種隱喻，是安妮堅硬內(nèi)心的化身。當人們的心靈在激烈的競爭中，只余下麻木知覺，他們的確比真實的傷口更顯得猙獰可怖。而同時，這也是導演對生命關(guān)懷的一種思考與體現(xiàn)。

影片的開始即以流暢的剪輯描述格蕾絲的夢境。一匹漂亮的馬奔騰在無邊的雪野上，晨曦輝映出它優(yōu)美的線條和奔騰的姿態(tài)，這是一種極具生命力的美，象征著無拘無束、自由奔放的生命形式，暗示了這是安妮后來一路往西部朝圣心靈，努力追尋并找到的理想的狀態(tài)。也是很多人夢想達到的境界。與此同時，現(xiàn)實生活的場景中，喧囂的大都市，高壓的生活，快速的節(jié)奏，緊接著是格雷絲的災難，醫(yī)院和報社里的人情冷暖，這些都讓安妮心生恐懼，也迫使她去自我發(fā)現(xiàn)，探求生命的意義。于是她獨斷地帶著女兒和馬匹開始了西部之旅。當她們踏上尋找湯姆的旅途，橫穿美國時，導演敘述的基調(diào)由冷變暖，給我們展現(xiàn)了與之前截然不同的畫面：湛藍的天空，皚皚白雪覆蓋下的群山，生意盎然的草地，安靜唯美，遠離塵囂，甚至連收音機里放的都是些悠閑的瑣碎。但車上的安妮，卻急促不安，表情凝重。憤怒、爭吵、丟下女兒獨自離去，這些都是因為來自城市的壓力。途中的古戰(zhàn)場成為矛盾的一個小高潮，隨著與牧場的逼近，畫面鮮亮起來，兩人的心情也逐漸平和，影片也隨之湊起輕快的音樂。牧場是一個與城市截然不同的世界，開闊、和諧、友善、安寧、溫馨。從城市到牧場，是安妮心靈的朝圣之旅的開始，也體現(xiàn)了都市人對心靈家園的渴求與追尋。

影片中穿插的兩次安妮與格雷絲關(guān)于生命意義的兩次談話，也可以明顯得看出安妮心境的變化。在紐約的家里，當格雷絲向安妮訴說想結(jié)束“朝圣者”和她自己時，安妮只是感到窒息，于是面色凝重地跑去開窗透氣。而母女兩人在農(nóng)場再度說起“意義”這個話題時，她已經(jīng)懂得抱住女兒，告訴她，“我像你們這么大時，當我父親死了，我當時覺得我失去了一切，我會一直孤獨下去，可是我有了你??可是有一天，會有人發(fā)現(xiàn)你變成了一個多么出色的女人，他們都明白”。此時此刻，她不再是那個不茍言笑的母親，她是女兒身邊最親近的人。兩顆迷失已久的心靈終于又靠在了一起。

人的自我面對可以說是本片的一大出彩之處。安妮在競爭激烈的城市生活中，作為一個女人不得不堅強，甚至強悍起來，競爭心理、社會壓力使她“在哪兒都睡不好”，可是在牧場的日子里，在與湯姆的接觸中，在與大自然的親近中，她發(fā)現(xiàn)內(nèi)心深處的真我，內(nèi)心無法平息的漂泊感使她孤獨與無助。湯姆的出現(xiàn)似乎成了她生活的清新劑，他有著一套自己的生活方法，知道自己在想什么，在做什么，并且通過自己的生活在幫助著別人。她被他吸引了。湯姆有一段失敗的婚姻，或許感情到他這個年紀已經(jīng)談不起了，他再也受不起傷害。可是當面對安妮這個已婚婦女，他還是誠實面對了自己的感情，他愛她。然而他們的感情是違背傳統(tǒng)道德的感情，雖然是發(fā)自內(nèi)心的。現(xiàn)實不得不讓他們自我面對，自我反省，自我選擇，站在情感的十字路口踟躇不已時必須作出困難而堅定的道德選擇，不僅為自己，更是為家庭。最終兩人還是回歸到了各自的世界。在坦誠的自我面對，勇敢的自省自覺中，重新找到了自己的定位和信心。

電影通過揭示人與自然環(huán)境的和諧，進而延伸到人與動物的和諧、人與人的和諧，從而體現(xiàn)了生態(tài)美學的最高境界，這也是影片《馬語者》給予我們的最大啟示。

第三篇：馬語者觀后感

輕聲細語

08041111 陳莉莎《馬語者》——The Horse Whisperer，另譯《輕聲細語》。故事講述的是紐約，一個冬天雪后的早晨，14歲的小姑娘格蕾絲和她的好朋友朱蒂一起騎馬時發(fā)生了意外。朱蒂和她的馬當場斃命，格蕾絲雖保住了生命，卻失去了右腿。她心愛的馬“朝圣者”重傷至“瘋”。所有的人都希望幫它結(jié)束生命。可是，格蕾絲的母親安妮（紐約一家著名雜志的編輯）為了女兒重新“站起來”決定挽救“朝圣者”的生命和“心靈”。安妮不厭其煩地打電話向蒙大拿一位專擅馴服及治療馬兒不良情緒的奇人湯姆?布克求救，當一再遭到拒絕后，她決定不惜千里地自己開車帶著格蕾絲和“朝圣者”前往遙遠的蒙大拿州。在湯姆被安妮的誠意和母愛所感動并幫助安妮和格蕾絲挽救“朝圣者”。在蒙大拿他們的生活走向平靜和溫暖.影片中處處精細，我試著一點點表達我的感受，試圖讓大家理解，《馬語者》對我的觸動。

片中的母親是給我感觸最深的一個角色，鮮明的體現(xiàn)了女性在事業(yè)和家庭之間情感的付出及角色的扮演。我想在影片開頭，她給大多數(shù)的人的第一印象應該是她是一個女強人，事實上，在紐約，在她的工作中確實是。她簡潔利落的早餐，一手咖啡，一手報刊；她和丈夫的通話，不停地有其他電話打擾，從容強勢的決策，辦公室不曾停過的電話聲無不顯示著她的忙碌，有一個畫面是我印象深刻：她煩躁，用力近似自虐的梳著頭發(fā)。及至后來她決定只身前往蒙大拿，坐在溫馨的庭院中腳卻不自覺地動著都可以看出紐約這個城市給她的影響。正如她所說的“在紐約你如果安靜地做那么長時間，你就會被淘汰”“這是個男人的世界，女人必須如此”。她將生活定位在城市并為之努力，在回憶起城市讓她想念的地方時卻有些詞窮“象博物館，劇院，飯館，音樂??我不能解釋”。生活賦予她多種身份，對她的家庭來說，她無疑是失敗的，丈夫的不理解，女兒的叛逆??然而不可否認的是她是一個好母親，對她的女兒有不輸于任何人的愛，她敏銳地察覺女兒的意志消沉，“我們正在失去她”她對丈夫說，并且做了她認為最正確的決定：治療“朝圣者”。她的決定不被人理解，燈光下她認真的瀏覽馬匹治療的資料，在前往蒙大拿的漫漫無際的路上，她的女兒拒絕與她交流，拒絕她的努力。場景換到一望無際的西部，風景壯麗，留個她的卻只有憂心和孤獨。她忍不住在無人的19世紀古戰(zhàn)場哭泣，昏暗的天，冷冽的風，她面對的只有柵欄，來尋找她的只是工作人員。蒙大拿——這個神奇的地方，輕快地音樂，簡單的人事，遼闊的草原，她與湯姆的相遇??從紐約到蒙大拿，從女強人到偉大的母親。

Whisperer是一個溫柔的詞——輕聲細語。人和馬的溝通卻遠比在紐約人與人的溝通更加細致溫暖。安妮和她周遭的人在紐約這個城市顯得焦躁，冷漠，隔閡，不可信。格蕾絲在病后上學的第一天，周圍的人打量，奇怪，憐憫，嬉笑的眼光使這個城市格外寒冷。即使是家人也是缺乏溝通。這一切使身處城市的人外表堅強，內(nèi)心脆弱，在災難面前不堪一擊。“朝圣者”的治療是一條線索，在蒙大拿的日子，安妮和格蕾絲學會了愛與被愛，學會了溝通。“我看到了那匹馬，我覺得同樣的事情也發(fā)生在我的身上”。

影片中有很多有意思細節(jié)，比如格蕾絲在紐約的家中從餐桌中離開時，安妮會撫平女兒弄皺的桌布,還有很多可以想象的話語，湯姆的媽媽說：“有時人們對于內(nèi)心里的家的渴望要強于他們實際的家.”這些地方都需要觀者細細品味。

第四篇：英文影評

The review of Hoodwinked

Last week I had watched a cartoon movie through the English learning center.The name of this movie I had told you in the title, but you’ll never guess the story of it which has very big difference between what we watched and read when we were young.I can’t ensure weather it is one of prototypeof the Grimm's Fairy Tales, I’m sure it’s an interesting cartoon movie.I write the essay to introduce some interesting points about the movie, of course included certain sentiment from my heart.Do you remember the hateful timber wolfthat always tends to hurt the little Red and her grandmother? And maybe you will ask me why I ask thisquestion.Now I give you the brief introduction of Hoodwinked.The grizzliesand stork agent bill was ordered to investigate little red riding hood grandmother's house in case Of unrest, many people are police on charges Of criminal suspects, allowing researchers to include karate master little red riding hood, funny and a satirical Wolf, a slightly dementia in the woods Of Paul Bunyan.They were accused of there are a number of charges, including: the damage and the illegal invasion, and undermine social stability, illegal steal to eat, no license to use the axe, etc.However, all accused the suspects have their own story to tell, and this has become complicated and confusing the truth of the case, the only one, who is the real murderer......The film is the first a fully independent investment shooting computer animation feature film.Follow is my thoughts about the movie.From the timber wolf police I know that we can’t judge a person by his or her appearance.The kind person not to grow good looking, but the bad person must be ugly.What’s more, we can’t wrong people before finding the final facts.The clever girl Red is an adventurous people.Little red riding hood will do deliciousdesserts,Will ride a bike, sing fair-sounding songs.If let me say who lay the deepest impression on my brain, the Red’s grandmother, is she.She is healthy, energetic, active, no longer that week old women.I believe the people who always take exercise will be more healthy than who that in the same age.Doesn’t she is the better example of it.The movie was directed by Cory Edward Cory Edwards.毛米蘭

學號11052233物流11301

第五篇：英文影評

Never Stop Running

There is a provoking scene: “a piece of white and light feather is flying under the blue sky, and dropping down gradually to Forrest Gump’s feet who sit on the bench for bus.” Just like the feather is swaying with the wind, so is the human being’s life.Most of time, we are wondering everywhere without specific direction, goal and hope.What is more, we always look on life as tedious and even annoying.However, fate is mastered by our own, just like Forrest Gump devoted all his life to running for his own sky.“Each man is the architect of his own fate”, such is the remark made by one of the great figure.This remark has been confirmed by more and more people.Forrest t Gump is an outstanding example.As the film told us Forrest Gump, born with disable body, he is a good soccer athlete, an hero in Vietnam war , a captain own shrimp ship, a runner crossing the whole America.Asking yourself, who we are? What is the accomplishment that we can show off.Every one creates his or her own reality.We have absolute rights to describe our life.When you learned what you make of life is up to you and begin to live your life, you are able to design it according to your desires.To remember that success lies within you, in my own brain, my own ambition, and my own determination.One of the great figure remarked that unrest of spirit is a mark of life.This is the reflection of Forrest Gump’s life;he born with leg has disability.However, with astonishing speed, Forrest Gump entered the soccer team, then went to university and eventually graduates.Soon, he took part in the Vietnam War.In the Vietnam War, he is still remembered the words of Jeanne, ran his own life, honor and friendship.He just wanted to run;he used a running measure his life.As we all known, an optimistic is not a luxury;it is a necessity.The way you look at life will determine how you feel and how you perform.There is enough good and bad in everyone’s life.Think about Forrest Gump, at every stage of his life, he has only one goal in mind to guide him, and keep positive attitudes towards the world.In our lives ,though barriers may sometimes stand in the way of your dreams, you should remember that your destiny is hiding behind them, to be optimistic and follow your dreams your ultimate goal is attainable so long as you commit are choosing to react positively to their diversities, tough times never last, but you should being positive.Life is a journey full of stumbling blocks, dangerous traps and unexpected crises, if you have known clearly what you want to be, it is optimistic, unrest of spirit and perseverance that carry you there.As far as my own experience as a student is concerned, nothing is more important than those merits in achieving success.Please keep running and never give up on yourself.人文與外國語學院 英語0904班 趙子龍 0912010404