第一篇:簡(jiǎn)愛(ài) 影評(píng)2
【劇情簡(jiǎn)介】簡(jiǎn)?愛(ài)是個(gè)孤兒,叔叔去世后她和刻薄的里德姨媽住在一起。里德姨媽把她送進(jìn)孤兒院。簡(jiǎn)在艱難的環(huán)境中倔強(qiáng)地成長(zhǎng),并應(yīng)聘當(dāng)上了桑菲爾德莊園的家庭女教師,和莊園主產(chǎn)生了一段悱惻纏綿的愛(ài)情。而莊園里卻隱藏了一段鮮為人知的神秘事件……
【精彩對(duì)白1】孩童時(shí)代的簡(jiǎn)生活在她的姨媽家里。
JANE:My name is Jane Eyre.I was born in 1820,a harsh[嚴(yán)厲的,苦澀的] time of change in England.我的名字叫簡(jiǎn)?愛(ài)。出生于1820年,那時(shí)的英國(guó)正值動(dòng)蕩艱苦時(shí)期。金錢(qián)與地位凌駕于一切之土。
JANE:Money and position seemed all that mattered.Charity [慈善] was a cold and disagreeable [不喜歡] word.Religion too often wore a mask of bigotry [偏執(zhí)] and cruelty.慈善是一個(gè)冷酷而令人不悅的字眼,宗教則常戴著偏執(zhí)、殘忍的面紗。
JANE:There was no proper place for the poor or the unfortunate.I had no father or mother,brother or sister.As a child,I lived with my aunt,Mrs.Reed of Gates-head Hall.I do not remember that she ever spoke one kind word to me.在那樣一個(gè)時(shí)代,窮人和不幸的人毫無(wú)立錐之地。我無(wú)父無(wú)母,也沒(méi)有兄弟姐妹;小時(shí)候,我跟著嬸嬸里德太太住在蓋茨海德堡。我記憶中,她從來(lái)沒(méi)有對(duì)我溫言婉語(yǔ)過(guò)。
BROCKLEHURST:Well,Jane Eyre,and are you a good child?那么說(shuō),簡(jiǎn)?愛(ài),你是個(gè)乖孩子嗎?
REED:The less said on that the subject the better.這話(huà)題談得越少越好。
BROCKLEHURST:Indeed?真是這樣?
REED:Only this morning she struck her little cousin most brutally [ 狠狠地 ] and without provocation [激怒的原因].就在今天早上。她還打了她的表弟。非常粗暴而且毫無(wú)理由。
JANE:That isn’t true!那不是真話(huà)!
REED:Jane!簡(jiǎn)!
JANE:He hit me first.是他先打我的。
REED:Silence!John dear,did you strike her first?安靜!約翰,親愛(ài)的,是你先打她的嗎?
JOHN:No,I didn’t mama.不是,媽媽。
JANE:You did,you know you did.YOU knocked me down and hit my head and made it bleed!你是,你明明是。你把我打倒在地,打得我頭破血流。
JOHN:I did not!我沒(méi)有打你!
JANE:You did!You did!You did!你打了!你打了!你打了!
REED:Silence!I won’t listen to your odious[ 可憎惡的] lies.You see,Mr.Brocklehurst,how passionate and wicked she is?安靜!我才不會(huì)聽(tīng)你的彌天大謊。你看到了吧,勃洛克赫斯特先
生,她是多么沖動(dòng)又邪惡。
BROCKLHURST:I do indeed.Come here,child.You and I must have some talk.No sight so sad as but of wicked child.You know where the wicked go after death?的確這樣。過(guò)來(lái),孩子。我必須和你好好談?wù)劇T贈(zèng)]有比看到一個(gè)壞孩子更讓人傷心的了。你知道壞人們死了會(huì)去哪兒?jiǎn)幔?/p>
JANE:They go to hell.他們都下地獄。
BROCKLEHURST:And what is Hell?那么地獄又是什么?
JANE:A pit full of fire.是一個(gè)大火坑。
BROCDLEHURST:And should you like to fall into that pit and be burning there forever?你愿意掉進(jìn)那個(gè)大火坑,永遠(yuǎn)讓火焚燒嗎?
JANE:No,sir!不,先生。
BROCKLEHURST:Then what must you do to avoid it?那么,你怎樣才能避免呢?
JANE:I must keep in good health and not die.我必須讓自己身體健康,不要死掉。
BROCKLEHURST:But children younger than you die daily.Only last week,we buried a little child of five.A good little child,whose soul is now in heaven.What of your soul,Jane
Eyre?但是每天都有比你還小的孩子死去。就在上星期,我們還埋葬了一個(gè)只有五歲的小男孩。他是個(gè)好孩子,現(xiàn)在他的靈魂在天堂里。你的靈魂呢,簡(jiǎn)?愛(ài)?
JANE:I don’t see why it shouldn’t go to heaven,too.我不明白它為什么不能上天堂。
BROCKLEHURST:You don’t see.But others see clearly enough,do they not,Mrs.Reed? You have heard the name of Lowood?你不明白,但是別人都很明白,是不是,里德太太?你聽(tīng)說(shuō)過(guò)洛伍德這個(gè)名字嗎?
JANE:No,sir.沒(méi)有,先生。
BBOCKLEHURST:It is a school for unfortunate orphans.My estate lies within a mile and as chairman of the board I spend much time in its supervision [監(jiān)督,管理].Would you like to go there,little girl?這是個(gè)為不幸的孤兒開(kāi)辦的學(xué)校。我的地產(chǎn)離那有一英里,我是校董事會(huì)的主席,花很多時(shí)間來(lái)管理它。你愿意去那兒?jiǎn)幔」媚铮?/p>
JANE:You mean,not live here anymore? I don’t know what Aunt Reed would say.你是說(shuō),不用住在這兒了?里德嬸嬸怎么說(shuō)?
BROCKLEHURST:It was your kind benefactress [ 女捐助人 ] who suggested the plan.Do you wish to go?就是你這位好心的嬸嬸提出來(lái)的。你愿意去嗎?
JANE:Yes,sir!是的,先生。
【精彩對(duì)白2】成年后的簡(jiǎn).愛(ài)在花園里碰見(jiàn)羅切斯特。
JANE:I thought you’d gone.我以為你已經(jīng)走了。
ROCHESTER:I changed my mind.or rather the Ingram family changed theirs.Why are you crying?我改主意了。或者說(shuō)英格拉姆家改主意了。你怎么哭了?
JANE:I was thinking about having to leave Thornfield.我在想,我要離開(kāi)桑菲爾德了。
ROCHESTER:You’ve become quite attached to that foolish little Adele,haven’t you? To that simple old Fairfax.You’d be sorry to part with them.你很有些離不開(kāi)那個(gè)小傻瓜阿黛勒了,是嗎?還有那個(gè)頭腦簡(jiǎn)單的老費(fèi)爾法克斯太太。你因?yàn)殡x開(kāi)她們而傷心。
JANE:Yes,sir!是的,先生。
ROCHESTER:It’s always the way in this life.No sooner have you got settled in a pleasant resting place than you’re summoned [ 號(hào)召 ] to move on.生活總是這樣,你剛到一個(gè)令人愉快的休憩地安頓下來(lái),又有什么原因讓你前行了。
JANE:I told you sir,I shall be ready when the order comes.我告訴過(guò)你,先生,我會(huì)隨時(shí)準(zhǔn)備接受您對(duì)我的吩咐。
ROCHESTER:It has come now!現(xiàn)在已經(jīng)來(lái)了!
JANE:Then it’s settled?決定了?
ROCHESTER:All settled,Even about your future situation.一切都定下來(lái)了。你將來(lái)的位置也定下來(lái)了。
JANE:You’ve found a place for me?你給我找了個(gè)地方?
ROCHESTER:Yes,Jane,I have...West of Ireland.You’ll like Ireland,I think.There are such warm-hearted people there.是的,簡(jiǎn),唔……在西愛(ài)爾蘭。你會(huì)喜歡那個(gè)地方,我聽(tīng)說(shuō)那兒的人都很熱心。JANE:It’s a long way off,sir.這么遠(yuǎn),先生。
ROCHESTER:From what,Jane? 離哪兒遠(yuǎn),簡(jiǎn)?
JANE:From England and from Thornfield.離英國(guó),離桑菲爾德。
ROCHESTER:Well? 哦?
JANE:And from you,sir.還有你,先生。
ROCHESTER:Yes,Jane,it’s a long way.When yon get there,I’ll probably never see you again.We’ve been good friends,Jane,haven’t we? 對(duì),簡(jiǎn),很遠(yuǎn)。你一旦到了,也許我永遠(yuǎn)見(jiàn)不到你了。我們已經(jīng)是好朋友了,是嗎,簡(jiǎn)?
JANE:Yes,sir.是,先生。
ROCHESTER:Even good friends may be forced to part.Let’s make the most of what time is left to us.Let us sit here in peace.Even though we should be destined never to sit here again.好朋友也要不得不分離。讓我們好好利用最后的時(shí)間。讓我們?cè)谶@兒安安靜靜坐一會(huì)兒,以后再也不會(huì)一起坐在這兒了。
ROCHESTER:Sometimes I have a queer feeling with regard to you,Jane.Especially when you’re near me as now.It is as if I had a string somewhere under my left rib.Tightly and inextricably knotted to a similar string situated in a corresponding corner of your little frame.And if we should have to be parted,the cord of communion will be snapped,kind of a nervous notion I should take to bleeding inwardly.As for you,you’d forget me.有時(shí)候我對(duì)你有一種奇怪的感覺(jué),簡(jiǎn)。尤其是你象現(xiàn)在這樣靠近我的時(shí)候。彷佛我左肋下的哪個(gè)地方有根弦,跟你那小小身軀里同樣地方一根同樣的弦難舍難分得緊緊糾結(jié)在一起。我們一旦分離,這根弦就會(huì)繃斷。我有個(gè)奇怪的感覺(jué),那時(shí)我體內(nèi)血流不止。至于你呢,你會(huì)把我忘得一干二凈。
JANE: That I never will,sir.You know that.I see the necessity of going but it's like looking on the necessity of death.這我決不會(huì),先生。你知道,我看出非離別不可,可這就象看到了非死不可一樣。令我難過(guò)。
ROCHESTER: Where do you see that necessity? 你從哪兒看出非這樣不可呢?
JANE: In your bride.從你的新娘。
ROCHESTER: What bride? I have no bride.我的新娘? 我沒(méi)有。
JANE: But you will have!不,你會(huì)有。
ROCRESTER: Yes,I will.I will.對(duì),我會(huì),我會(huì)。
JANE: You think I could stay here to become nothing to you? 你以為我會(huì)留下來(lái),做一個(gè)對(duì)你來(lái)說(shuō)無(wú)足輕重的人嗎?
JANE: Do you think because I'm poor and obscure [ 微賤的 ] and plain [相貌尋常的] that I'm soulless and heartless? I have as much soul as you and fully as much heart.And if God had gifted me with wealth and beauty I Should have made it as hard for you to leave me as it is now for me to leave you.There,I've spoken my heart,now let me go.你以為,就因?yàn)槲腋F、身份低微、不美,我就沒(méi)有心、沒(méi)有靈魂嗎? 我跟你一樣有靈魂,也完全一樣有一顆心。要是上帝也賜于我容貌與財(cái)富的話(huà),我也會(huì)讓你難以離開(kāi)我,就象我現(xiàn)在難以離開(kāi)你一樣。好了,我已經(jīng)說(shuō)出了我的心里話(huà),讓我走。
ROCRESTER: Jane,Jane...you strange almost unearthly [ 非地球的,非現(xiàn)實(shí)的 ]thing.You that I love as my own flesh.簡(jiǎn),簡(jiǎn),你這古怪、幾乎不像是在人世中的小東西。我愛(ài)你就象愛(ài)自己的心。
JANE: Don't mock [嘲笑,欺騙 ]...別愚弄……
ROCHESTER: I'm over with Blanche.It's you I want.Answer me,Jane,quickly.Say: “Edward,I'll marry you.” Say it,Jane.Say it!我和布蘭奇完了,你才是我想要的。回答我,簡(jiǎn),快說(shuō),說(shuō):“愛(ài)德華,我愿意嫁給你!”說(shuō),簡(jiǎn),快說(shuō)。
JANE: I want to read your face!我想看清你的臉!
ROCHESTER: Read quickly.Say: “Edward,I'll marry you.” 那就快點(diǎn)。說(shuō):“愛(ài)德華,我愿意嫁給你!”
JANE: Edward,I'll marry you.愛(ài)德華,我愿意嫁給你!
ROCHESTER: God pardon me.上帝饒恕我。
【影評(píng)薈萃】
1.“Jane Eyre” is a dramatic and entertaining version of the Charlotte Brnete classic.Part mystery,part romance,and part costume drama,the film has strongest appeal to women,but even men should enjoy the performances of leads Joan Fontaine and orson Welles,as well as the crackling script.《簡(jiǎn)?愛(ài)》是根據(jù)夏洛蒂?勃朗特的小說(shuō)改編的情節(jié)曲折動(dòng)人的電影。既有神秘色彩,又有愛(ài)情故事,還有華麗服飾,該影片吸引住了大量女觀眾,但即使是男觀眾也會(huì)傾倒于瓊?芳登與奧森?威勒斯的精彩表演,以及聲色并茂的劇本。
2.The story takes place in England,during the 19th century.Jane Eyre(Fontaine)is orphaned at a young age.Raised in a dismal charity school,her only friend is Helen(Elizabeth Taylor).She is bullied by obsessive puritan headmaster Brocklehurst(Henry Daniell,whom you might recognize from “The Great Dictator”).Coming of age,she is employed as a governess at an imposing estate,where she falls in love with her employer,moody Recbester(Welles).故事發(fā)生在19世紀(jì)的英國(guó)。簡(jiǎn)?愛(ài)(芳登扮演)自小就是個(gè)孤兒。她在陰陰沉沉的慈善學(xué)校里長(zhǎng)大,唯—的朋友叫海倫(伊麗莎白?泰勒扮演)。虛偽的清教徒校長(zhǎng)勃洛克赫斯特先生(亨利?丹尼爾扮演,也許你能從《大獨(dú)裁者》中認(rèn)出他來(lái))總是羞辱她。成年后,她受雇到氣派的莊園中擔(dān)任家庭女教師,并愛(ài)上了她的雇主羅切斯特先生(威勒斯扮演)。
3.Welles has a booming voice,wild eyes and a commanding attitude.He talks in riddles,and bas a mysterious past.There is also an insane woman that he is holding prisoner in one of the castle's towers.威勒斯的聲音低沉、眼神狂野、頤指氣使。他說(shuō)的話(huà)深沉,有謎一般的過(guò)去。在古堡塔樓的一個(gè)房間里,他還關(guān)著一個(gè)瘋女人。
4.Fentaine appears uncomfortable,and her acting mostly consists of silent suffering.But she does this quite well,just as she did in “Rebecca”.Her character falls in love very quickly with tempestuous Rochester.This is credible,since her self-preservation instincts would sense the opportunity in marrying a wealthy man,and he is the first marriageable man that she has met.Still,“Jane Eyre” is a very enjoyable soaper,especially Welles' campy performance.芳登表演的是不安的、默默地忍受著痛苦的形象。不過(guò)她在這 部片子里的表現(xiàn)和她在《蝴蝶夢(mèng)》中的一樣好。她和性情乖戾的 羅切斯特很快地陷入了愛(ài)河。這是可以理解的,她自制的性格會(huì)讓她有嫁給個(gè)有錢(qián)男人的念頭,他還是她遇到的第一個(gè)可以考慮結(jié)婚的人。不過(guò),《簡(jiǎn)?愛(ài)》仍然是一出好片子,尤其威勒斯那栩栩如生的表演格外精彩。
來(lái)源:經(jīng)典電影對(duì)白
第二篇:簡(jiǎn)愛(ài)影評(píng)
簡(jiǎn)愛(ài)影評(píng)
最近觀看了《簡(jiǎn)愛(ài)》這部影視作品,其通過(guò)對(duì)主人公簡(jiǎn)愛(ài)成長(zhǎng)經(jīng)歷和人生命運(yùn)的刻畫(huà),讓我認(rèn)識(shí)了一位堅(jiān)強(qiáng)獨(dú)立、溫柔善良、樂(lè)觀向上的女性。
簡(jiǎn)愛(ài)很小的時(shí)候就失去了雙親,被寄養(yǎng)在舅父母家中,舅父去世后,舅母對(duì)她百般挑剔與責(zé)難,表哥的侮辱和毒打帶給她只有肉體上的痛苦和精神上的屈辱。即使在這樣的條件下,她仍然保持著她那顆驕傲的心,就像她所說(shuō)的那樣,“如果大家老是對(duì)殘酷,不公道的人百依百順,那么那些壞家伙就更要任性胡來(lái)了,他們會(huì)什么也不懼怕,這樣也就永遠(yuǎn)也不會(huì)改好,反而越來(lái)越壞,當(dāng)我們無(wú)緣無(wú)故挨了打,我們一定要狠狠地回?fù)簟!庇捎诠_(kāi)地與舅母堅(jiān)決的對(duì)抗,簡(jiǎn)愛(ài)卻被送入了羅沃德孤兒院。孤兒院教規(guī)嚴(yán)厲,院長(zhǎng)不許任何人和她相處,由于惡劣的生活條件,孤兒院經(jīng)常有孩子病死,唯一和她交好的海倫也患病去世。也許正是因?yàn)檫@一切,換回了簡(jiǎn)愛(ài)堅(jiān)強(qiáng)不屈的性格,一種可戰(zhàn)勝的內(nèi)在人格力量,使她堅(jiān)定不移地去追求一種光明的、圣潔的、美好的生活。
簡(jiǎn)愛(ài)每一次的成長(zhǎng),都飽嘗生活的艱辛,她生活的每一步都充滿(mǎn)了辛酸的血淚史,她就像籠中鳥(niǎo)努力的想要張開(kāi)翅膀,試圖尋找快樂(lè)和自由的天空,卻一次又一次地被碰得頭破血流。在我看來(lái),遇到羅切斯特先生就是她人生中的一大幸事。在羅切斯特的面前,她從不因?yàn)樽约菏且粋€(gè)地位低賤的家庭教師而感到自卑,反而認(rèn)為他們是平等的。也正因?yàn)樗恼保呱校儩崳撵`沒(méi)有受到世俗社會(huì)的污染,使得羅切斯特為之震撼,并把她看作了一個(gè)可以和自己在精神上平等交談的人,并且深深?lèi)?ài)上了她。而羅切斯特先生的正直、善惡分明和幽默感也讓她愛(ài)上了他。可事實(shí)卻沒(méi)有想象中的那么順利,在他們的婚禮上,梅森先生揭露了羅切斯特先生是個(gè)有婦之夫的秘密后,她懷著萬(wàn)分悲痛的心情離開(kāi)了深?lèi)?ài)著的他。雖然她說(shuō),“我要遵從上帝頒發(fā)世人認(rèn)可的法律,我要堅(jiān)守住我在清醒時(shí)而不是像現(xiàn)在這樣瘋狂時(shí)所接受的原則”,但是從內(nèi)心講,更深一層的是簡(jiǎn)愛(ài)意識(shí)到自己受到了欺騙,她的自尊心受到了戲弄。在這樣一種愛(ài)情力量包圍之下,在富裕的生活誘惑之下,她依然要堅(jiān)持自己作為個(gè)人的尊嚴(yán),不把愛(ài)情作為進(jìn)身上流社會(huì)的階梯、作為獲取金錢(qián)地位和享樂(lè)的手段,這是簡(jiǎn)愛(ài)充滿(mǎn)精神魅力的地方。常說(shuō)時(shí)間可以讓人忘記一切,可卻沒(méi)能讓簡(jiǎn)愛(ài)忘記他。為了愛(ài)情,她又回到了莊園,卻發(fā)現(xiàn)羅切斯特先生因?yàn)橐粓?chǎng)大火雙目失明、家產(chǎn)耗盡。簡(jiǎn)愛(ài)卻依然牽起他的手要陪他走過(guò)人生的風(fēng)風(fēng)雨雨,這一刻就像許多童話(huà)故事里的王子和公主一樣,雖然路途曲折坎坷但結(jié)局是美好的。
簡(jiǎn)愛(ài)曾經(jīng)是帶著滿(mǎn)腔怨恨離開(kāi)她舅媽的,但當(dāng)她聽(tīng)說(shuō)里德太太生命垂危,又很想見(jiàn)她一面的時(shí)候,簡(jiǎn)忘卻了她的一切不好,毫不猶豫地回到了她曾經(jīng)厭惡的地方,她的寬容再一次感動(dòng)著我們。我很喜歡海倫的一句話(huà),她說(shuō),“我覺(jué)得生命太短促了,不值得把它花費(fèi)在懷恨和記仇上。”只要我們每人都能記住它,多多去理解別人,體諒別人,關(guān)心別人,多看到一些美好的事物,樂(lè)觀地對(duì)待生活,我們的生活中一定會(huì)充滿(mǎn)陽(yáng)光。在金錢(qián)面前,她也有不俗的表現(xiàn)。在獲得叔叔的遺產(chǎn),簡(jiǎn)愛(ài)一夜之間由赤貧變?yōu)楦挥校⒓淳桶汛蟛糠值倪z產(chǎn)轉(zhuǎn)贈(zèng)給貧困的表哥、表姐。可見(jiàn)在她的心目中,親情比金錢(qián)更為重要。這些事情使簡(jiǎn)·愛(ài)在我心目中的形象更加高大起來(lái)了。
“ 難道就因?yàn)槲乙回毴缦矗瑹o(wú)聞,長(zhǎng)相平庸,個(gè)子瘦小,就沒(méi)有靈魂,沒(méi)有心腸了——你想錯(cuò)了,我的心靈跟你一樣豐富,我的心胸一樣充實(shí)!”這一簡(jiǎn)短的話(huà)語(yǔ)把夏洛蒂勃朗特筆下的簡(jiǎn)愛(ài)表現(xiàn)得淋漓盡致。《簡(jiǎn)愛(ài)》所展現(xiàn)給我們的正是一種返樸歸真,是一種追求全心付出的愛(ài)情,還有作為一個(gè)人應(yīng)有的尊嚴(yán)和獨(dú)立精神。在紛繁復(fù)雜的現(xiàn)代社會(huì),人們都瘋狂地為了金錢(qián)和地位而淹沒(méi)愛(ài)情,簡(jiǎn)愛(ài)卻猶如茫茫大海中的燈塔,能夠照出我們身上的不足,讓我們找到正確的方向,去面對(duì)人生的困難。簡(jiǎn)愛(ài)已作為獨(dú)立女性的經(jīng)典,指引著更多的人,我希望陽(yáng)光下,會(huì)有更多的簡(jiǎn)愛(ài)走出來(lái),不管是貧窮,還是富有;不管是美貌,還是相貌平庸,都有美好的心靈和充實(shí)的心胸,都能以獨(dú)立的人格和堅(jiān)強(qiáng)的個(gè)性去面對(duì)生活。
第三篇:簡(jiǎn)愛(ài)影評(píng)
英國(guó)女作家夏洛蒂勃朗特的傳世經(jīng)典,自問(wèn)世以來(lái)不斷地被搬上舞臺(tái)和銀幕。電影人對(duì)這個(gè)故事頗為熱衷,不同的代電影人在各自的作品中用自己的角度闡釋對(duì)作品的理解,同時(shí)也推動(dòng)了這部經(jīng)典名著在全球的普及。1970年的喬治·斯科特飾演的版本歷來(lái)被公認(rèn)為是所有版本中改編得最恰到好處的——既忠實(shí)于原著精神,且故事結(jié)構(gòu)更為緊湊,愛(ài)情主題更加突出。
《簡(jiǎn)愛(ài)》主要通過(guò)簡(jiǎn).愛(ài)與羅切斯特之間一波三折的愛(ài)情故事,塑造了一個(gè)出生低微、生活道路曲折,卻始終堅(jiān)持維護(hù)獨(dú)立人格、追求個(gè)性自由、主張人生平等、不向人生低頭的堅(jiān)強(qiáng)女性。塑造了一個(gè)體現(xiàn)新興階級(jí)的某些要求的女性形象,刻畫(huà)了工業(yè)革命時(shí)期的時(shí)代精神。
父母早亡的簡(jiǎn)·愛(ài)生性倔強(qiáng),寄人籬下的她因此被舅母送進(jìn)教規(guī)嚴(yán)苛的孤兒院,小小年紀(jì)已飽經(jīng)尊嚴(yán)和肉體的辛酸,但她的精神世界也因此更加堅(jiān)韌。長(zhǎng)大后她應(yīng)聘來(lái)到桑費(fèi)爾德古堡,成為羅徹斯特先生的養(yǎng)女阿黛兒的家庭教師。她眼中的羅徹斯特看似傲慢卻充滿(mǎn)魅力,而羅徹斯特也漸漸把她當(dāng)作唯一可傾訴的人,這兩個(gè)身份地位懸殊的人相知相愛(ài)了。就在他們的婚禮上,一個(gè)秘密被意外揭開(kāi):羅徹斯特早已結(jié)婚,妻子就是古堡頂樓小屋里的瘋女人!追求自由平等的簡(jiǎn)·愛(ài)不愿作為情婦,就此逃離。在遠(yuǎn)離桑費(fèi)爾德的小鄉(xiāng)村,牧師約翰幫助她找到了一個(gè)鄉(xiāng)村教師的職業(yè)。約翰向簡(jiǎn)愛(ài)求婚,簡(jiǎn)愛(ài)卻驚覺(jué)自己心中真正愛(ài)著的還是羅徹斯特。她趕回桑費(fèi)爾德,可是古堡已被瘋女人燒成廢墟,羅徹斯特也為救她雙目失明。殘?jiān)珨啾陂g,簡(jiǎn)·愛(ài)看到了苦苦盼望著的羅徹斯特,他們緊緊地?fù)肀П舜耍辉俜蛛x。
孤兒院教規(guī)嚴(yán)厲,生活艱苦,院長(zhǎng)是個(gè)冷酷的偽君子。簡(jiǎn)在孤兒院繼續(xù)受到精神和肉體上的摧殘。由于惡劣的生活條件,孤兒院經(jīng)常有孩子病死。簡(jiǎn)畢業(yè)后留校任教兩年,這時(shí),她的好友海倫患病去世。簡(jiǎn)厭倦了孤兒院里的生活,登廣告謀求家庭教師的職業(yè)。
這個(gè)故事只所以吸引人,最重要還是因?yàn)椤皭?ài)情”這個(gè)主題以及女主人公對(duì)待愛(ài)情的態(tài)度。當(dāng)灰姑娘遇上白馬王子,而且還愛(ài)的纏綿悱惻,相信很多人——尤其是女生都會(huì)愿意為了這樣一段愛(ài)情而付出一切或放棄一切,簡(jiǎn)·愛(ài)這個(gè)外柔內(nèi)剛的女生雖亦甘心為之生死相許,但卻無(wú)法置自身一直堅(jiān)守的信念與尊嚴(yán)而不顧,她的那段經(jīng)典臺(tái)詞堪稱(chēng)是她紛繁復(fù)雜的矛盾心事最淋漓盡致地寫(xiě)照.其實(shí),愛(ài)情本是件很簡(jiǎn)單的事情,只不過(guò)它不僅僅是二人世界的你儂我儂,更要愛(ài)的平等,愛(ài)的有尊嚴(yán),這樣才有可能有個(gè)幸福的結(jié)局。所以如果你也曾被《簡(jiǎn)·愛(ài)》的愛(ài)情所感動(dòng),那么當(dāng)愛(ài)情降臨的時(shí)候,請(qǐng)記得認(rèn)真做自己,簡(jiǎn)單去相愛(ài)。
這是一部特殊的電影,觀眾可以閉上眼睛,傾聽(tīng)這來(lái)自靈魂的聲音。
第四篇:簡(jiǎn)愛(ài)英文影評(píng)
簡(jiǎn)愛(ài)英文影評(píng)
A thoroughly engaging adaption of the brooding classic, this film rises above the turgid tone often imposed on other classics brought to the screen.Joan Fontaine turns in a brilliantly deceptively understated performance, and Orson Welles restrains from the scenery chewing that marred some of his own projects;there is surprising chemistry between them.At times, Welles is a downright “sexy” leading man!The script(credited to John Houseman and Aldous Huxley)captures the right “tone” of Victorian cruelty and repression.Under Robert Stevenson's direction Fontaine/Welles seem to capture the essence of two abused outsiders resisting their attraction for one another, trying to adhere to convention.A strong supporting cast.There are brief
though memorable appearances by Agnes Moorehead, Elizabeth Taylor and Peggy Ann Garner as “young” Jane.George Barnes' camera captures appropriately stark images of Ross Dowd and Thomas Little's sets.Charlotte Bronte's grim novel is well suited to the excellent B/W, cinematography: a memorable scene early in the film has
young Jane being punished by being forced to stand on a stool that is nearly in the center of a fan of shadows cast by the stair railing, It is almost reminiscent of expressionist German films of the Weimar years.The film manages to entertain as well as inform.Purists may object to the last 3 lines of the film which hint at a slightly happier denouement than the book offered.In spite of that, Jane Eyre is still a nearly flawless film.英文讀后感
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl.After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.We remember her pursuit of justice.It’s like a companion with the goodness.But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.We remember her self-respect and the clear situation on equality.In her
opinion, everyone is the same at the God’s feet.Though there are differences
in status、in property and also in appearance, but all the human being are equal in personality.We also remember her striving for life, her toughness and her confidence…
When we think of this girl, what she gave us was not a pretty face or a
transcendent temperament that make us admire deeply, but a huge charm of her personality.我在此談?wù)勛x巨著《簡(jiǎn)愛(ài)》的讀后感,當(dāng)我合上簡(jiǎn)愛(ài)這本書(shū)之后,我深深的被Jane Erye(簡(jiǎn)愛(ài))所打動(dòng),她是如此善良而優(yōu)秀的女人。Eyre夫人有一顆金子般的心。她真愛(ài)著她身旁的每個(gè)人,并且真誠(chéng)的給予他們幫助,她自重,并且做每件事都很優(yōu)秀,我非常喜歡她。她不僅僅是我的老師還是我的摯友,每當(dāng)我迷惘的時(shí)候,我就會(huì)想到她,想到她如果是此時(shí)的我將會(huì)怎么做,為什么不去讀我的朋友《簡(jiǎn)愛(ài)》!
Let me tell what I feel after reading the great work Jane Erye.I was really move by Jane Erye after closing the book.What a kind and good woman!Mrs Eyre had a heart of gold.She really loved everyone around her,and gave others help sincerely(真誠(chéng)地).She respected(尊重)herself and did her best to do
everything.I really love her.She are both a great teacher and a good friend of mine.Sometimes when I am confuse(迷惑的),I will think of her.I will imagine what will she do if she is I.Why not read Jane Erye my friends!
小說(shuō)設(shè)計(jì)了一個(gè)很光明的結(jié)尾.羅徹斯特的莊園毀了,他本人也成了一個(gè)殘廢..在這樣的情況下,簡(jiǎn)愛(ài)不再在尊嚴(yán)和愛(ài)之間矛盾.而同時(shí)獲得滿(mǎn)足-------她和羅徹斯特的結(jié)婚是有尊嚴(yán)的,同時(shí)也是有愛(ài)的.小說(shuō)告訴我們,人們最美好的生活就是尊嚴(yán)加愛(ài).小說(shuō)的結(jié)局按排的這是這樣一種生活.雖然我覺(jué)得這樣的結(jié)局過(guò)于完美,這樣的完美有點(diǎn)浮淺..但我依然尊重作者對(duì)這種生活的美好理想.就是-------尊嚴(yán)加愛(ài)/ The novel tells us that the best people to increase the dignity of life is love.Novels by the end of the row that this is such a life.Although I think this kind of outcome is too perfect, so perfect..a little superficial, but I still respect this author The ideal of a better kind of life.-------Is to increase the dignity of love /In modern society, few people will like Jane Eyre, for the love for the character and abandon all, and without looking back.'s Whole-hearted pursuit of pay, and pure like a glass of ice water.......Jane eyre
English: Jane eyre is a novel color autobiography, it explains the theme: people's value = dignity + love.Jane.Love living in a parents, sponsor, grew up under the environment of treatment with peers, aunt abandon, cousin contempt, cousin insults and beating of a child...this is the dignity of the ruthless trample, but perhaps
because it all, Jane.Love and faith of infinite indomitable spirit, a kind of inner personality can win.In rochester, she never because he is a teacher and the family status
meanness, but that they feel inferior is equal.Should not because she is a servant, but not respected by others.Also because of her integrity, noble and pure heart, no pollution, secular society for the shock, and rochester her as a spiritual and equality in the conversation, and slowly and deeply in love with her.Jane eyre itself to us is a kind of simplified, is a fanpiaoguizhen, is a kind of pursuit of whole heart feeling, is a kind of simplified feelings and neglected, it is like a cup of water, purify every reader's heart, also cause readers, especially female readers
簡(jiǎn)愛(ài)》
中文:《簡(jiǎn)愛(ài)》是一部帶有自傳色彩的長(zhǎng)篇小說(shuō),它闡釋了這樣一個(gè)主題:人的價(jià)值=尊嚴(yán)+愛(ài)。
簡(jiǎn)。愛(ài)生存在一個(gè)父母雙亡,寄人籬下的環(huán)境,從小就承受著與同齡人不一樣的待遇,姨媽的嫌棄,表姐的蔑視,表哥的侮辱和毒打……這是對(duì)一個(gè)孩子的尊嚴(yán)的無(wú)情踐踏,但也許正是因?yàn)檫@一切,換回了簡(jiǎn)。愛(ài)無(wú)限的信心和堅(jiān)強(qiáng)不屈的精神,一種可戰(zhàn)勝的內(nèi)在人格力量。
在羅切斯特的面前,她從不因?yàn)樽约菏且粋€(gè)地位低賤的家庭教師而感到自卑,反而認(rèn)為他們是平等的。不應(yīng)該因?yàn)樗瞧腿耍荒苁艿絼e人的尊重。也正因?yàn)樗恼保呱校儩崳撵`沒(méi)有受到世俗社會(huì)的污染,使得羅切斯特為之震撼,并把她看做了一個(gè)可以和自己在精神上平等交談的人,并且慢慢地深深?lèi)?ài)上了她。
《簡(jiǎn)愛(ài)》所展現(xiàn)給我們的正是一種化繁為簡(jiǎn),是一種返樸歸真,是一種追求全心付出的感覺(jué),是一種不計(jì)得失的簡(jiǎn)化的感情,它猶如一杯冰水,凈化每一個(gè)讀者的心靈,同時(shí)引起讀者,特別是女性讀者的共鳴。
第五篇:簡(jiǎn)愛(ài)中英文影評(píng)
在電影史上,有許多的經(jīng)典名著將要永垂不朽,但能夠像《簡(jiǎn)愛(ài)》這樣深深地進(jìn)入人們的靈魂,它以一種不可抗拒的美感吸引了成千上萬(wàn)的觀眾,影響著人們的精神世界,甚至對(duì)某些人來(lái)講,影響了他們一生的作品并不很多。
簡(jiǎn).愛(ài)生存在一個(gè)父母雙亡,寄人籬下的環(huán)境,從小就承受著與同齡人不一樣的待遇,姨媽的嫌棄,表姐的蔑視,表哥的侮辱和毒
打......這是對(duì)一個(gè)孩子的尊嚴(yán)的無(wú)情踐踏,但也許正是因?yàn)檫@一切,換回了簡(jiǎn).愛(ài)無(wú)限的信心和堅(jiān)強(qiáng)不屈的精神,一種可戰(zhàn)勝的內(nèi)在人格力量.Jane Eyre was in an orphaned environment and depended on others.She endured the different treatment comparing with the peers, such as the despite from the aunt、the contempt from sisters and the insult and beaten from brothers.But it may be the circumstance that give rise to her indomitable spirit and unlimited confidence which can be seen as the inherent strength of character.在羅切斯特的面前,她從不因?yàn)樽约菏且粋€(gè)地位低賤的家庭教師而感到自卑,反而認(rèn)為他們是平等的.不應(yīng)該因?yàn)樗瞧腿?而不能受到別人的尊重.也正因?yàn)樗恼?高尚,純潔,心靈沒(méi)有受到世俗社會(huì)的污染,使得羅切斯特為之震撼,并把她看作了一個(gè)可以和自己在精神上平等交談的人,并且慢慢地深深?lèi)?ài)上了她。
As a tutor, Jane never felt her status was inferior to Rochester just as her saying “I have as much soul as you-and full as much heart!”.She deserved others’ respect owing to the equality.Precisely because of her integrity、nobility、purity in her inner mind, Rochester was stunned and slowly fell in love with her.When Jane knew the truth that Rochester had a wife, she chose to leave without hesitation.She wanted to stick to the acceptable principles in the moment of consciousness instead of insanity.他的真心,讓她感動(dòng),她接受了他.而當(dāng)他們結(jié)婚的那一天,簡(jiǎn).愛(ài)知道了羅切斯特已有妻子時(shí),她覺(jué)得自己必須要
離開(kāi),她這樣講,“我要遵從上帝頒發(fā)世人認(rèn)可的法律,我要堅(jiān)守住我在清醒時(shí)而不是像現(xiàn)在這樣瘋狂時(shí)所接受的原則”,“我要牢牢守住這個(gè)立場(chǎng)”。
Jane had lived up with the suffering of being deceived by the most trusted and intimated person.At the meanwhile, she still made a reasonable decision.Tempted by the glorious and rich life, she still upheld her dignity and departure, which embodies Jane’s spiritual charm.這是簡(jiǎn)愛(ài)告訴羅切斯特她必須離開(kāi)的理由,但是從內(nèi)心講,更深一層的東西是簡(jiǎn)愛(ài)意識(shí)到自己受到了欺騙,她的自尊心受到了戲弄,因?yàn)樗類(lèi)?ài)著羅切斯特,試問(wèn)哪個(gè)女人能夠承受得住被自己最信任,最親密的人所欺騙呢?簡(jiǎn)愛(ài)承受住了,而且還做出了一個(gè)非常理性的決定.在這樣一種非常強(qiáng)大的愛(ài)情力量包圍之下,在美好,富裕的生活誘惑之下,她依然要堅(jiān)持自己作為個(gè)人的尊嚴(yán),這是簡(jiǎn)愛(ài)最具有精神魅力的地方。
Nevertheless when Rochester had nothing enviable, Jane returned to him.She didn’t need to balance between dignity and love any more, and she got both at this time.電影設(shè)計(jì)了一個(gè)很光明的結(jié)尾--雖然羅切斯特的莊園毀了,他自己也成了一個(gè)殘廢,但我們看到,正是這樣一個(gè)條件,使簡(jiǎn)愛(ài)不再在尊嚴(yán)與愛(ài)之間矛盾,而同時(shí)獲得滿(mǎn)足--她在和羅切斯特結(jié)婚的時(shí)候是有尊嚴(yán)的,同時(shí)也是有愛(ài)的。
電影告訴我們,人的最美好的生活是人的尊嚴(yán)加愛(ài),小說(shuō)的結(jié)局給女主人公安排的就是這樣一種生活。雖然我覺(jué)得這樣的結(jié)局過(guò)于完
美,甚至這種圓滿(mǎn)本身標(biāo)志著浮淺,但是我依然尊重作者對(duì)這種美好生活的理想--就是尊嚴(yán)加愛(ài),畢竟在當(dāng)今社會(huì),要將人的價(jià)值=尊嚴(yán)+愛(ài)這道公式付之實(shí)現(xiàn)常常離不開(kāi)金錢(qián)的幫助。人們都瘋狂地似乎為了金錢(qián)和地位而淹沒(méi)愛(ài)情。在窮與富之間選擇富,在愛(ài)與不愛(ài)之間選擇不愛(ài)。很少有人會(huì)像簡(jiǎn)這樣為愛(ài)情為人格拋棄所有,而且義無(wú)反顧。《簡(jiǎn)愛(ài)》所展現(xiàn)給我們的正是一種化繁為簡(jiǎn),是一種返樸歸真,是一種追求全心付出的感覺(jué),是一種不計(jì)得失的簡(jiǎn)化的感情,它猶如一杯冰水,凈化每一個(gè)人的心靈!我們被簡(jiǎn)愛(ài)的倔強(qiáng)的性格和獨(dú)立的個(gè)性所感動(dòng)。她已作為獨(dú)立女性的經(jīng)典。在陽(yáng)光下,鮮花里應(yīng)該有更多的簡(jiǎn)愛(ài)走出來(lái),不管是平窮還是富有,不管是美貌還是相貌平庸,都能以獨(dú)立的人格和堅(jiān)強(qiáng)的個(gè)性生活。
We are moved by Jane’s stubborn individuality and independent personality.She has been the classic symbol as independent women.There should be more Jane Eyre coming out in the modern life.Whether poor or rich, beautiful or plain, we should live with independent character and strong personality.